Artist

Alexander Kiselyov

Russian, 1838 to 1911

Painting · Graphic arts

Alexander Kiselyov is a significant figure in nineteenth century Russian landscape painting, a Peredvizhniki member and later professor whose work anchors the collections of Russia's leading state museums. For a collector, he represents a category distinct from most artists on this site: institutional standing is well documented, but the public auction record is thin and inconsistently tracked, which makes provenance and museum-backed attribution the central diligence points rather than a price chart.

Born
1838-06-06, Sveaborg (Suomenlinna), Grand Duchy of Finland, Russian Empire
Nationality
Russian
Media
Painting, Graphic arts
Movement
Peredvizhniki, Russian Realism
Education
Imperial Academy of Arts, St. Petersburg, 1861 to 1864 (large silver medal and title of Artist Third Class, 1864); earlier attended the Second St. Petersburg Cadet Corps (1852 to 1858, not completed) and St. Petersburg University, Faculty of Law (1858 to 1861, no degree confirmed)
Signature motifs
Russian rural landscape, Crimea and Caucasus views
  • 1864 to 1911Years activeFrom Imperial Academy title to death
  • from 1876Peredvizhniki memberSociety for Traveling Art Exhibitions
  • 1897 to 1911Professor of landscape paintingImperial Academy of Arts, St. Petersburg
  • Not establishedAuction recordHighest documented lot found: 1,700,000 RUB, Egorov's Art, 10 Dec 2024, not confirmed as the definitive top sale

Alexander Alexandrovich Kiselyov, also transliterated Kiselev, was born on 6 June 1838 at Sveaborg (Suomenlinna), a Russian naval fortress near Helsinki. He first attended the Count Arakcheev Cadet School in Novgorod, then transferred to the Second St. Petersburg Cadet Corps in 1852, resigning in 1858 before completing the course. That year he enrolled at St. Petersburg University's Faculty of Law, studying there until 1861 without taking a degree. When the university closed amid student unrest in 1861, he moved to the Imperial Academy of Arts, studying there through 1864 and receiving the large silver medal and the title of Artist Third Class that year.

He was an active member of the Peredvizhniki, the Society for Traveling Art Exhibitions, from 1876, alongside continued participation in exhibitions of the Imperial Academy of Arts. His academic career advanced through an academician's title in 1890, full Academy membership in 1893, a term as school inspector from 1895 to 1897, and a professorship in landscape painting from 1897 until his death. In 1902 he built a house in Tuapse, on the Black Sea coast, which is now preserved as a public house-museum. In 1906 he was a founding member of the Northern Circle of Lovers of the Fine Arts in Vologda. He died suddenly of a heart attack at his writing desk in Saint Petersburg on 20 January 1911 (Julian calendar; 2 February 1911, New Style).

No verbatim, attributed critical assessment from a named critic in a major outlet could be confirmed in the available sources, so none is reproduced here. What is well documented is institutional and market consensus: Russian art-market references describe him as one of the significant Russian landscape painters of the second half of the nineteenth century, and museum sources credit him with a long, escalating academic career, from an Academy medal through the Academy professorship in landscape painting. His standing rests on this institutional record and on continued museum holdings rather than on a body of quotable contemporary reviews accessible today.

No verified all-time auction record for Kiselyov, meaning a definitively ranked top sale with work title, price, house, and date, could be confirmed in the sources available as of 2026-07-13. The highest explicitly documented result found is a lot sold for 1,700,000 Russian rubles at Egorov's Art, a Russian auction house, in its Auction No. 129 on 10 December 2024, though the painting's title is not confirmed and other Kiselyov lots at the same house have carried estimates as high as 5,000,000 rubles without a confirmed hammer price. His paintings otherwise circulate periodically through Russian salerooms. Given these gaps, collectors should treat any figure circulating informally as unverified until confirmed against a primary auction result.

Selected exhibitions

YearsExhibitionVenues
1864Imperial Academy of Arts (large silver medal; title of Artist Third Class)Imperial Academy of Arts, St. Petersburg
1876 to 1911Traveling Art Exhibitions (Peredvizhniki)Various cities, Russian Empire
1902 to presentHouse-Museum of painter Alexander KiselyovTuapse, Krasnodar Krai, Russia

Museum collections

  • State Tretyakov Gallery, Moscow
  • Norton Simon Museum, Pasadena
  • I.N. Kramskoy Regional Art Museum, Voronezh
  • House-Museum of painter Alexander Kiselyov, Tuapse

Awards and honors

  • Large Silver Medal and title of Artist Third Class, Imperial Academy of Arts (1864)
  • Academician, Imperial Academy of Arts (1890)
  • Full member, Imperial Academy of Arts (1893)
  • Professor of Landscape Painting, Imperial Academy of Arts (1897)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been identified for this artist. Verification relies on provenance, Russian state museum documentation, and auction house expertise. Press coverage of Russian art forgery has named Kiselyov among nineteenth century masters whose landscapes have been targeted by forgers, so buyers should expect heightened provenance scrutiny.

Primary reference: https://en.wikipedia.org/wiki/Alexander_Kiselyov_(painter)

There is no catalogue raisonne for Kiselyov, and no gallery or estate currently represents his work; paintings reach the market through auction houses and are held permanently in museum collections, including the State Tretyakov Gallery, the Norton Simon Museum, the I.N. Kramskoy Regional Art Museum, and the artist's own house-museum in Tuapse. Major press coverage of forged nineteenth century Russian landscapes has named Kiselyov among the artists whose work has been targeted, so attribution should rest on documented provenance and museum or specialist expertise rather than surface appearance alone. Because a confirmed auction record could not be established from accessible sources, collectors should independently verify any price claims before relying on them.

Data current as of 2026-07-13.

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