Annie Morris

Annie Morris was born on 16 January 1978 in London, United Kingdom, and lives and works in Stoke Newington, London. She studied at the Ecole Nationale Superieure des Beaux-Arts in Paris from 1997 to 2001, where she trained under Giuseppe Penone, and completed further study at the Slade School of Fine Art in London in 2003.

Morris is best known for her "Stack" sculptures, an ongoing series begun in 2014: irregular, hand molded spheres, cast in bronze or built up in plaster, stacked into precarious towers and finished in raw, saturated pigment such as ultramarine, viridian, and ochre. The series grew directly out of a period of grief following a stillbirth, and her wider practice, which also spans tapestry, painting, and drawing, returns often to themes of fragility, childbirth, and the transformation of loss into color and form. She frequently collaborates with her husband, the British artist Idris Khan, with whom she shares a studio.

Early institutional recognition came through gallery shows, including a 2017 exhibition at Winston Wachter Fine Art and solo presentations at Kotaro Nukaga in Tokyo beginning in 2019. Her first UK solo museum exhibition, "When A Happy Thing Falls," opened at Yorkshire Sculpture Park's Weston Gallery in 2021. Timothy Taylor represents Morris in London and New York, and the gallery has staged her solo exhibition "Permanent Moments" in New York in 2023. In 2022 to 2023 she held a major solo exhibition inaugurating the Oscar Niemeyer pavilion at Chateau La Coste in Provence, France. In 2023 The Hepworth Wakefield commissioned a permanent installation from her for the West Yorkshire History Centre, and in 2024 the Fosun Foundation in Shanghai presented "Hope from a Thin Line," her first museum survey in China, bringing together work from 2012 onward.

Institutional response to Morris has centered on the emotional weight carried by her material choices. In connection with her 2021 exhibition at Yorkshire Sculpture Park, Helen Pheby, the institution's Head of Curatorial Programme, described Morris as an exceptional artist whose immaculately made sculptures are exquisite in form and color while carrying real emotional depth. That framing, of color and precarious form standing in for grief and its resolution, recurs across gallery and museum texts describing the Stack series, from the Yorkshire Sculpture Park debut through the Fosun Foundation's 2024 survey in Shanghai.

Morris's auction market is new and small but has moved quickly. Her current record is Stack 9, Ultramarine Blue (2018), which sold for GBP 635,000 (about USD 853,500) at Sotheby's in London on 17 October 2025. That result came just two days after a previous high of USD 643,700 for Bronze Stack 9, Copper Blue (2015) at Christie's in London on 15 October 2025, a roughly 32 percent jump within a single auction week. Before that, the artist's next highest recorded result was Stack 9, Copper Blue, which sold for USD 421,200 at Christie's on 9 March 2024, so the two October 2025 sales mark a rapid climb rather than a single outlier.

Morris has no published catalogue raisonne; authentication runs through Timothy Taylor, her representing gallery, and the artist's studio. Her auction history is genuinely short, with the two highest results to date only days apart in October 2025, so any single sale should be read as an early data point rather than an established trend line. Her institutional footprint, museum surveys in the UK and China, a public commission with The Hepworth Wakefield, and holdings at institutions including the Fondation Louis Vuitton and Perez Art Museum Miami, is the stronger signal of durability while the auction market continues to develop.