Artist

August Lucas

German, 1803 to 1863

Painting · Graphic arts

August Lucas

August Lucas is a minor but documented figure of German Romanticism, a Darmstadt-born landscape and graphic artist who trained in Munich and spent a formative half-decade painting among the German artist colony in Italy. He is not a name attached to major international museum programming, and the research behind this profile turned up no confirmed major exhibitions, awards, or museum holdings, only a modest, largely German-market auction record. For a collector, he represents the long tail of the nineteenth-century market: real art-historical placement within Romantic landscape painting, but a thin, regionally concentrated trading history that calls for careful, source-by-source verification rather than an assumption of established market depth.

Nationality
German
Media
Painting, Graphic arts
Movement
Romanticism, Landscape painting
Education
Studied locally in Darmstadt; Academy of Fine Arts, Munich, from 1825 (history painting under Peter Cornelius); travel scholarship in Italy, 1829 to 1834
Signature motifs
Views of the Hessian Bergstrasse, Italian campagna and hill-town landscapes
  • EUR 10,800Auction highBlick auf die Bergstrasse, Lempertz, Cologne, 17 May 2014
  • German RomanticismActive periodDarmstadt and Rome, 19th century
  • None identifiedRepresented byNo current gallery or estate found in research
  • Not independently confirmedMuseum collectionsSee authentication note

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August Lucas, sometimes indexed as "Lucas, August" in German auction catalogues and recorded in French-language reference sources under the fuller name Georg Friedrich August Lucas, was born in Darmstadt in May 1803. German Wikipedia gives the date as 4 May, while Deutsche Biographie and Japanese Wikipedia give 7 May, and this profile treats the exact day as unresolved pending a primary document. He first studied painting locally in Darmstadt before enrolling, from 1825, at the Academy of Fine Arts in Munich, where he studied history painting under Peter Cornelius before turning to landscape as his principal subject.

In 1829 the Grand Duke of Hesse-Darmstadt granted him a travel scholarship, and Lucas traveled from Milan to Rome, remaining in Italy until 1834. There he is described as joining the circle of German Romantic landscape painters gathered around Joseph Anton Koch and Johann Christian Reinhart, and making sketching excursions with Friedrich Preller and Wilhelm Ahlborn to the hill towns of Olevano and Civitella, standard subjects for the German artist colony in Rome. He is also recorded as an acquaintance of the classical archaeologist Ludwig Preller during this period. Lucas returned to Germany and continued to work from Darmstadt, where he died on 28 September 1863.

Named, quotable criticism is not present in the research: no exact, attributable quote from a named critic in a major outlet could be verified, and no major exhibition history with venues and years was located either. The one available characterization comes from a commercial print retailer's artist biography, which frames Lucas as one of the significant representatives of Romantic landscape art associated with Darmstadt and the German artist colony in Rome. That framing is plausible given his documented training and travel, but it has not been corroborated by an independent art-historical source, so it is presented here as background rather than settled critical consensus.

Lucas's auction footprint in the available sources is small and concentrated at a single German house, Lempertz of Cologne, rather than at the major international salesrooms. Lempertz's own artist index lists Blick auf die Bergstrasse as his top documented result, at EUR 10,800 including premium, sold on 17 May 2014. Other Lempertz results attributed to Lucas include Blick auf den Feldberg im Schwarzwald at EUR 9,676, Shepherdess with Child and Animals near Olevano at EUR 6,050, and Blick auf eine romische Villa at EUR 2,142, all including premium, though exact sale dates for these three were not confirmed in the research. No comprehensive cross-house price database was available to confirm whether a higher price has been achieved elsewhere, so the EUR 10,800 figure should be read as the highest price currently documented rather than a certified all-time record.

Top auction results

WorkPriceSale
Blick auf die Bergstrasse (2014)EUR 10,800Lempertz, Cologne, 2014-05-17

There is no catalogue raisonne for Lucas, and no gallery or estate is currently confirmed to represent his market, so provenance research should lean on institutional archives such as Deutsche Biographie and on auction-house artist indexes, principally Lempertz's. A single secondary source claims his works are held by the Louvre, but this is uncorroborated and should not be treated as fact until confirmed against a museum collection database. Given how few sales are documented and how concentrated they are at one auction house, any pricing conclusion drawn from this record should be treated as provisional rather than a stable trend line.

Data current as of 2026-07-18.

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