
Why Charles Towne matters
Charles Towne was one of the working generation of British animal and sporting painters active around the turn of the nineteenth century, a specialist in horses, dogs, hunting, and racing scenes who exhibited regularly at the Royal Academy and rose to Vice-President of the Liverpool Academy. He is not a market-moving name today, but his work is held by museums including the Tate and the British Museum, and he is a useful case study in how a historically documented, museum-collected artist can still have a thin and inconsistent auction record.
- Nationality
- British
- Media
- Painting
- Movement
- British sporting art, Animal painting
- Education
- No formal art school or degree documented. Trained under landscape painter John Rathbone in Leeds and later under a coach painter in Manchester, where he learned heraldic painting.
- Signature motifs
- Horses and sporting dogs, Hunting and racing scenes
By the numbers
- USD 63,000Highest documented auction saleChristie's New York, Old Masters sale, pair of hunting scenes, May 2024, exact day not confirmed, highest documented figure found, not verified as an all-time record
- 1799 to 1812Royal Academy exhibitor
- 1812 to 1813Liverpool Academy, Vice-President
- 127 worksUK public collection worksaggregate count across British public collections, per Art UK
Biography
Charles Towne was born in 1763 near Wigan, England. He received early training from the landscape painter John Rathbone in Leeds, and later trained under a coach painter in Manchester, where he developed skills in heraldic painting. By around 1780 he was working as a japanner and decorative painter in Liverpool. He exhibited his first recorded picture in 1786 at the Society for Promoting the Arts of Painting and Design in Liverpool, a forerunner of the Liverpool Academy.
Towne moved to London and exhibited at the Royal Academy from 1799 to 1812, and at the British Institution until 1823. He returned to Liverpool around 1810, became a member of the Liverpool Academy, and served as its Vice-President in 1812 and 1813.
Towne died on 6 January 1840, at the age of 77. The UK Government Art Collection records the cause as dropsy and the place of death as Liverpool, a location corroborated by Wikimedia Commons' catalogue data. Other sources give London instead, including the German-language Wikipedia, whose narrative text and infobox disagree with each other, and the auction database Art.Salon. No contemporary obituary or newspaper death notice has been located to resolve the discrepancy, so the place of death should be treated as documented but not fully settled.
Critical reception
Critical assessment of Towne's painting is thin in the available modern record. Christie's specialist notes describe him as "one of the leading horse portraitists of his period," a reputation built on steady exhibition at the Royal Academy and the British Institution and on his standing within the Liverpool Academy. No broader modern critical literature on his painting has been confirmed in the available record.
Market
The highest documented auction result for Charles Towne is a pair of hunting scenes, A dark bay Hunter with a terrier in a landscape and A saddled black hunter in a landscape, which sold for USD 63,000 at Christie's New York in an Old Masters sale in May 2024; the exact day of sale is not confirmed in the available record. Other documented results include Animal Studies, signed Chas. Towne / Pinxit 1814, which realized USD 4,800 at Doyle (sale date and city not confirmed in the lot record), and a Pair of Pointers that sold for USD 1,344.38 at Heritage Auctions on 7 December 2007, a figure Heritage itself labels only as its own internal record for the artist. Because comprehensive multi-house sales data for Towne could not be confirmed, the USD 63,000 Christie's result should be read as the highest documented figure found rather than a verified global all-time high. Separately, dealer marketplaces such as 1stDibs also list works attributed to Towne at a range of asking prices, but these are private asking prices, not auction results, and should not be conflated with market value.
Top auction results
| Work | Price | Sale |
|---|---|---|
| A dark bay Hunter with a terrier in a landscape; and A saddled black hunter in a landscape (pair) (2024) | USD 63,000 (USD 63,000) | Christie's, New York |
| Animal Studies (signed 'Chas. Towne / Pinxit 1814') | USD 4,800 (USD 4,800) | Doyle, New York (inferred, not confirmed on the lot record) |
| Pair of Pointers (2007) | USD 1,344.38 (USD 1,344.38) | Heritage Auctions, 2007-12-07 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 1786 | First recorded exhibited work | Society for Promoting the Arts of Painting and Design, Liverpool |
| 1799 to 1812 | Regular exhibitor | Royal Academy, London |
| to 1823 | Regular exhibitor | British Institution, London |
| c. 1810 to at least 1813 | Member and regular exhibitor | Liverpool Academy |
Museum collections
- Tate, London
- British Museum, London
- 127 works catalogued across UK public collections (Art UK)
Awards and honors
- Vice-President, Liverpool Academy (re-elected 1813) (1812)
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne of Charles Towne's work has been located. Authentication in the trade relies on connoisseurship from established auction houses and dealers in British sporting art, together with comparison to catalogued examples in public collections such as the Tate, the British Museum, and Art UK.
Primary reference: https://en.wikipedia.org/wiki/Charles_Towne_(artist)
What collectors should know
There is no catalogue raisonne of Charles Towne's work, and authentication rests on dealer and auction-house connoisseurship rather than a scholarly reference catalogue. His name also appears in the historical record signed as "Chas. Towne," and there is no evidence of a second, unrelated artist trading under the same name in the fine art market, so buyers should not expect a naming ambiguity beyond that period abbreviation. The auction record for Towne is thin and inconsistent rather than absent: the handful of documented sales range from about USD 1,300 to USD 63,000 across three different houses, and a single "record" figure circulating for this artist should be treated with caution until it can be checked against a full multi-house sales database. His institutional presence, including 127 works catalogued across UK public collections by Art UK plus holdings at the Tate and the British Museum, is a better guide to his historical standing than any single auction result.
Further reading and resources
Data current as of 2026-07-16.

