Artist

Chen Peiqiu

Chinese, 1922 to 2020

Chinese ink painting (guohua) · Calligraphy

Chen Peiqiu (1922 to 2020) was one of the most celebrated painter-calligraphers of the modern Shanghai School, a rare woman to reach the top ranks of China's auction market for ink painting during her lifetime. Working in a lineage descending from Song and Yuan dynasty landscape painting, she built a body of work in guohua (Chinese ink painting) and calligraphy that museums in mainland China and Hong Kong now treat as core holdings of twentieth-century Chinese art. For collectors, she represents a case where institutional stature, a marriage to a fellow master (Xie Zhiliu), and decades of market visibility have not yet been matched by fully transparent, well-documented auction records, which makes careful verification essential.

Born
1922-12-29, Nanyang, Henan Province, China
Nationality
Chinese
Media
Chinese ink painting (guohua), Calligraphy
Movement
Shanghai School, Modern Chinese ink painting
Education
National Academy of Art (now China Academy of Art), Hangzhou; enrolled 1944, graduated 1950; studied guohua under Huang Binhong and Zheng Wuchang
Signature motifs
Blue-green landscape revival, Bird-and-flower painting, Calligraphic brushwork blending Song-Yuan tradition with modern color
  • USD 396,500Confirmed auction saleFlowers and Birds After Song Dynasty Master, Sotheby's New York, 2017-09-14
  • About USD 3.4MReported high (unconfirmed)Landscape painting, 2014; title, house, and exact sale date not documented, cannot be confirmed as an official record
  • No. 16 (2016)Hurun Art List rankAbout USD 7.9M in reported auction sales; highest-ranked woman among the top 100 that year
  • 1922 to 2020Career spanPainter-calligrapher of the Shanghai School
  • 2014Lifetime Achievement AwardShanghai Art and Literature Prize

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Chen Peiqiu was born on 29 December 1922 in Nanyang, Henan Province, China. She initially studied economics before turning to art. In 1944 she enrolled at the National Academy of Art in Hangzhou, now the China Academy of Art, to study Chinese painting, training under Huang Binhong and Zheng Wuchang, and she graduated in 1950.

She married the painter and calligrapher Xie Zhiliu (1910 to 1997), and the two became one of the most recognized artist couples in modern Chinese art, working in Shanghai for the remainder of their careers. Chen was known for reviving blue-green (qinglu) landscape painting and for bird-and-flower compositions that combined traditional brushwork with bold, modern color. In late 2014 she received the Lifetime Achievement Award of the Shanghai Art and Literature Prize. The following year, the Shanghai municipal government opened the Xie Zhiliu and Chen Peiqiu Art Gallery in Nanhui New City, Pudong, dedicated to the couple's work.

Chen Peiqiu died on 26 June 2020 at Zhongshan Hospital in Shanghai, at the age of 97.

Institutional accounts consistently place Chen Peiqiu among the leading Chinese painters of her generation. Sotheby's has described her as one of China's most famous female artists, citing a style that mixes traditional brushstrokes with a free-hand, boldly colored approach. The Hong Kong Museum of Art has described her, alongside Xie Zhiliu, as one of the leading calligrapher-painters of the Shanghai School, in connection with its 2023 to 2024 exhibition of works from the Jingguanlou Collection. No verbatim, critic-attributed quotation about her work could be confirmed in named major art press for this profile, so none is reproduced here.

Chen Peiqiu was a fixture of the Chinese ink-painting auction market during her lifetime. She appeared on every edition of the Hurun Art List of best-selling living Chinese artists at auction from its inception until her death in 2020, and in 2016 she ranked 16th on that list with reported auction sales of about US$7.9 million, the highest ranking among women that year.

The best-documented single-work result is Flowers and Birds After Song Dynasty Master, which sold for USD 396,500 at Sotheby's New York on 14 September 2017. Public sources also point to a landscape painting reportedly sold for approximately US$3.4 million in 2014, a considerably higher figure, but the work's title, auction house, sale location, and exact date are not documented in accessible sources, so it cannot be confirmed as an official record. Smaller works by her, including bird-and-flower paintings, have traded at auction for far more modest sums, so her market spans a wide range, and any single data point should be checked against the underlying sale record rather than taken from a secondary summary.

Top auction results

WorkPriceSale
Flowers and Birds After Song Dynasty Master (2017)USD 396,500Sotheby's, New York, 2017-09-14
Untitled landscape painting (title not documented in accessible sources) (2014)USD 3,400,000

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Charm of Clay, Fragrance of Ink: A Special Exhibition of Masterpieces in Modern Chinese Painting and Yixing TeapotsLong Museum, West Bund, Shanghai
2023 to 2024A Match Made in Painting: Selected Works of Xie Zhiliu and Chen Peiqiu from the Jingguanlou CollectionHong Kong Museum of Art
2015 to presentPermanent collection displayXie Zhiliu and Chen Peiqiu Art Gallery, Nanhui New City, Pudong, Shanghai

Museum collections

  • Hong Kong Museum of Art, Hong Kong (Jingguanlou Collection, exhibited)
  • Xie Zhiliu and Chen Peiqiu Art Gallery, Nanhui New City, Pudong, Shanghai

Awards and honors

  • Lifetime Achievement Award, Shanghai Art and Literature Prize (2014)

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne has been identified for Chen Peiqiu, and no estate certificate-of-authenticity program is documented. Verification currently relies on provenance, connoisseurship, and the records of the museums and private collections associated with her work, including the private Jingguanlou Collection exhibited at the Hong Kong Museum of Art.

Primary reference: https://en.wikipedia.org/wiki/Chen_Peiqiu

There is no published catalogue raisonne for Chen Peiqiu and no confirmed estate certificate-of-authenticity program. Verification of a given work depends on provenance, connoisseurship, and the records of the museums and collections associated with her paintings, including the private Jingguanlou Collection exhibited at the Hong Kong Museum of Art and the dedicated Xie Zhiliu and Chen Peiqiu Art Gallery in Shanghai. No commercial gallery or estate representative could be confirmed as of this writing, so acquisitions run through auction houses and private dealers rather than a single represented channel. Because her auction record is thinly and inconsistently documented in public sources, collectors should treat any headline price, including the reported US$3.4 million 2014 sale, as a starting point for direct verification rather than a settled fact.

Data current as of 2026-07-16.

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