Artist

Christoph Jakob Trew

German, 1695 to 1769

Botanical illustration (patron and publisher) · Hand-colored copperplate engraving

Christoph Jakob Trew

Christoph Jakob Trew is an unusual entry in an artist database because he was not, in the ordinary sense, a painter or engraver. He was a Nuremberg physician and botanist who used his own wealth and scientific standing to conceive, fund, and edit some of the largest and most ambitious hand-colored botanical folios of the eighteenth century, hiring the naturalist painter Georg Dionysius Ehret and the engraver Johann Jakob Haid, among others, to realize them. In the rare-book and botanical-print market that trades his publications today, he is catalogued and valued as the author and driving intelligence behind works such as Plantae selectae and Hortus nitidissimis, which remain benchmark objects in the history of scientific illustration.

Born
1695-04-26, Lauf an der Pegnitz, Holy Roman Empire (present-day Germany)
Nationality
German
Media
Botanical illustration (patron and publisher), Hand-colored copperplate engraving
Movement
Enlightenment natural history illustration
Education
University of Altdorf, matriculated 1711; doctorate in medicine, 1716 or 1717 (sources disagree), dissertation on fetal chyle under Lorenz Heister
Signature motifs
Large-format hand-colored botanical folios, Plates commissioned from Georg Dionysius Ehret and engraved by Johann Jakob Haid
Representation
No current gallery or estate representation identified
  • EUR 39,360Auction highPlantae selectae, Ketterer Kunst, Munich, auction 472 (lot 27); exact sale date not confirmed in the available sources
  • Corresponding member, elected 1745Royal Society
  • Elected member, 1727Leopoldina
  • Universitätsbibliothek Erlangen-NürnbergPrimary holdings

Trew was born on 26 April 1695 in Lauf an der Pegnitz, near Nuremberg, the son of a town apothecary who was himself a capable botanist and who trained his young son in botany, herbal medicine, and pharmacy alongside a general humanist schooling. Some general reference sources give his birth date as 16 April 1695 rather than 26 April; the more specialized German biographical and institutional sources favor 26 April. Trew matriculated in medicine at the University of Altdorf in 1711, a period of study repeatedly delayed by financial difficulties, and he earned his doctorate on a dissertation concerning chyle in the fetus, supervised by the surgeon Lorenz Heister. Sources disagree on the exact year of the degree, giving either 1716 or 1717.

From 1717 to about 1720, Trew undertook an extended study tour through leading European centers of medicine and science, including Würzburg, Strasbourg, Basel, Geneva, a thirteen-month stay in Paris, and a year in Leiden, with further stops in Hamburg, Danzig, and Königsberg before returning through Leipzig, Halle, Jena, and Erfurt. He settled in Nuremberg around 1720 to 1721, where he practiced as a municipal physician and cultivated the city's Theatrum anatomicum and Hortus medicus, organizing instruction there for surgeons, apothecaries, midwives, and natural history artists. In 1761 he became senior primarius of the city's Collegium medicum.

Alongside his medical career, Trew assembled a large library and network of scientific correspondents and used both to commission and publish monumental illustrated botanical works, most notably Plantae selectae (issued in parts from 1750 to 1773) and Hortus nitidissimis omnem per annum superbiens floribus. He died in Nuremberg on 18 July 1769 and was buried at the Johannisfriedhof. His library, correspondence, and the original drawings for Plantae selectae passed, via the University of Altdorf, to the University Library of Erlangen-Nürnberg in 1809, where they remain today.

Trew's standing rests less on modern art criticism than on the consensus of biographical and scientific institutions that place him at the center of Enlightenment botanical illustration and correspondence. The Leopoldina, the Royal Society, the Berlin Academy of Sciences, and the Societas Botanica Florentina all admitted him during his lifetime, and modern reference works such as the Deutsche Biographie treat him as a major organizer of eighteenth-century natural history knowledge in Nuremberg.

Trew's auction market is that of the rare botanical book and print trade rather than the conventional fine-art market, and it is thin. The only realized price the available sources confirm is EUR 39,360, paid for a copy of Plantae selectae at Ketterer Kunst in Munich, as reported in the house's coverage of its auction 472; the exact sale date is not confirmed in the available sources. Separate Sotheby's listings of Plantae selectae in 2015 and 2022 carried presale estimates of roughly GBP 20,000 to 35,000, but neither lot's public catalogue page discloses a realized price, so those figures cannot be directly compared to the Ketterer Kunst result.

Top auction results

WorkPriceSale
Plantae selectaeEUR 39,360Ketterer Kunst, Munich

Selected exhibitions

YearsExhibitionVenues
n.d.Botanik im Bild (Botany in Pictures)Universitätsbibliothek Erlangen-Nürnberg

Museum collections

  • Universitätsbibliothek Erlangen-Nürnberg (Trew library, correspondence, and botanical drawings)

Awards and honors

  • Elected member, Leopoldina (German Academy of Sciences) (1727)
  • Adjunct, Leopoldina (1742)
  • Member, Academy of Sciences, Berlin (1745)
  • Corresponding member, Royal Society, London (1745)
  • Member, Societas Botanica Florentina (1754)
  • Senior primarius, Collegium medicum Norimbergensis, Nuremberg (1761)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne and no certificate-of-authenticity program specific to Trew as an artist. His named publications, including Plantae selectae and Hortus nitidissimis, are individually catalogued in bibliographic and institutional reference works, and verification of a given volume or plate rests on collation against those records and against the holdings of the Universitätsbibliothek Erlangen-Nürnberg.

Primary reference: https://www.deutsche-biographie.de/pnd118802712.html

Collectors should understand Trew primarily as a figure in the antiquarian book and natural history print market, not as a hand illustrator himself; the paintings behind his folios were made by Georg Dionysius Ehret and engraved by Johann Jakob Haid and collaborators, under Trew's direction and financing. There is no catalogue raisonne of his output, and verification of a given volume or plate depends on bibliographic collation and comparison against institutional holdings, chiefly at the University Library of Erlangen-Nürnberg. With only a single confirmed sale price and two unconfirmed presale estimate ranges for the same title, the price history is too thin to support any confident trend line, and completeness, coloring, and edition matter more to value than any single benchmark figure.

Data current as of 2026-07-18.

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