
Why David Shrigley matters
David Shrigley is a British artist who has turned deliberately crude, deadpan drawing into a major contemporary art practice, moving fluidly between drawing, sculpture, animation, and public commissions. For a collector, he represents a rare case of an artist with genuine mass popularity, through books, prints, and viral imagery, who has also earned the full set of institutional honors: an OBE, a Turner Prize nomination, and the Fourth Plinth commission in Trafalgar Square. His market remains comparatively young and thin, which makes the institutional record, rather than auction history, the strongest evidence of durability.
- Born
- 1968-09-17, Macclesfield, Cheshire, England, UK
- Nationality
- British
- Media
- Drawing, Sculpture, Animation, Printmaking
- Movement
- Contemporary
- Education
- Foundation course in Art and Design, Leicester Polytechnic (now De Montfort University), 1987; Environmental Art, Glasgow School of Art, 1988 to 1991
- Signature motifs
- Naive line drawing with handwritten text, Deadpan absurdist humor
- Representation
- Stephen Friedman Gallery, Galleri Nicolai Wallner, Anton Kern Gallery
By the numbers
- USD 165,100Auction highMemorial (A Five-Metre Monument), February 2023; auction house not confirmed in public sources
- 2016Fourth Plinth CommissionReally Good, Trafalgar Square, London
- OBE, 2020HonorsFor services to visual arts
- Stephen Friedman Gallery; Galleri Nicolai Wallner; Anton Kern GalleryRepresented by
Selected works
Click any work to view it full screen.
Biography
David Shrigley was born on 17 September 1968 in Macclesfield, Cheshire, England. He completed a foundation course in Art and Design at Leicester Polytechnic, now De Montfort University, in 1987, then studied Environmental Art at Glasgow School of Art from 1988 to 1991. He remained based in Glasgow for many years, developing a body of work built from intentionally awkward ink drawings paired with handwritten, often absurd or bluntly confessional text, alongside sculpture, animation, and self-published books.
His profile grew steadily through the 2000s and 2010s with solo exhibitions at Dundee Contemporary Arts, BALTIC Centre for Contemporary Art, Bergen Kunsthall, and a major survey, Brain Activity, at the Hayward Gallery in London in 2012, which later traveled to the Yerba Buena Center for the Arts in San Francisco. His animated short film Who I Am and What I Want won the Tiger Short Film Award at the Rotterdam International Film Festival in 2006. In 2013 he was shortlisted for the Turner Prize. In 2016 he was awarded the Fourth Plinth Commission in Trafalgar Square, London, unveiling the sculpture Really Good, and in 2020 he was appointed OBE for services to visual arts. He continues to exhibit internationally, including a 2025 to 2026 solo show at Stephen Friedman Gallery in London and a major survey at Kunsthal Rotterdam. He lives and works in Brighton, England.
Critical reception
Critics have consistently framed Shrigley's work as a deliberate collision of crude technique and serious intent, using flat, unpolished drawing and blunt language to carry real anxiety, absurdity, and dark comedy. That tension between deliberate crudeness and genuine popularity has run through critical writing on his practice, from his 2012 Hayward Gallery survey Brain Activity and his 2014 to 2015 survey David Shrigley: Life and Life Drawing at the National Gallery of Victoria, to his 2013 Turner Prize shortlisting and the wide public visibility of Really Good on the Fourth Plinth in 2016.
Market
David Shrigley's auction record is Memorial (A Five-Metre Monument), a sculpture that sold for GBP 137,575 (about USD 165,100 including fees) in February 2023. The auction house and exact sale date have not been independently confirmed in available public sources. Outside this result, his auction activity is dominated by prints and drawings, which typically trade in the low five figures or less, reflecting an artist whose commercial reach runs heavily through affordable editions, publishing, and gallery sales rather than a deep history of high-value single-lot auction results.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Memorial (A Five-Metre Monument) (2023) | USD 165,100 (GBP 137,575) | 2023-02 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2025 to 2026 | Exhibition of Old Rope | Stephen Friedman Gallery, London |
| 2025 to 2026 | What the Hell Was I Thinking? | Kunsthal Rotterdam |
| 2016 | Really Good | Fourth Plinth, Trafalgar Square, London |
| 2014 to 2015 | David Shrigley: Life and Life Drawing | National Gallery of Victoria, Melbourne |
| 2012 to 2013 | Brain Activity | Hayward Gallery, London; traveled to Yerba Buena Center for the Arts, San Francisco |
| 2013 | Turner Prize | Tate Britain, London |
| 2015 to 2018 | Lose Your Mind | British Council tour, including Power Station of Art, Shanghai |
| 2016 | David Shrigley: Life Model II | Rose Art Museum, Waltham, MA |
Museum collections
- Museum of Modern Art, New York
- Art Institute of Chicago
- Tate, United Kingdom
- Centre Pompidou, Paris
- Museum Ludwig, Cologne
- Scottish National Gallery of Modern Art, Edinburgh
- National Gallery of Victoria, Melbourne
- Statens Museum for Kunst, Copenhagen
Awards and honors
- OBE (Officer of the Order of the British Empire), for services to visual arts (2020)
- Fourth Plinth Commission, Trafalgar Square (Really Good) (2016)
- Honorary doctorate, De Montfort University (2014)
- Turner Prize, shortlisted (2013)
- Tiger Short Film Award, Rotterdam International Film Festival (Who I Am and What I Want) (2006)
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for this artist. Works are verified through his representing galleries, Stephen Friedman Gallery, Galleri Nicolai Wallner, and Anton Kern Gallery.
Primary reference: https://www.stephenfriedman.com/artists/54-david-shrigley/biography/
What collectors should know
There is no catalogue raisonne for David Shrigley, so provenance and authenticity are best confirmed through his representing galleries, Stephen Friedman Gallery, Galleri Nicolai Wallner, and Anton Kern Gallery. His market spans a wide range, from widely available prints to unique sculpture, and his single auction record of USD 165,100 sits on a thin base of comparable sales, so it should be read as one notable data point rather than a stable benchmark. His continuing institutional program, including museum surveys, a public commission, and national honors, is the more reliable signal of long-term standing.
Further reading and resources
Data current as of 2026-07-16.

