Why Eliseu Meifrèn matters
Eliseu Meifrèn i Roig was one of the artists who carried French Impressionist light and technique into Catalan and Spanish painting at the turn of the twentieth century, building a career that moved fluidly between Barcelona, Paris, Mallorca, and the international exposition circuit. For a collector, he represents a well-documented, museum-held figure of the Spanish Impressionist generation whose market is real but thin, with a single documented high-value sale rather than a deep, liquid auction history.
- Nationality
- Spanish
- Media
- Painting, Watercolor
- Movement
- Impressionism, Catalan Modernisme
- Education
- Escola de la Llotja, Barcelona, under Antoni Caba and Ramon Marti i Alsina; further study in Paris per several sources. No formal degree documented.
- Signature motifs
- Mediterranean seascapes, Regattas and harbor scenes, Impressionist coastal light
- Representation
- "Galeria Jordi Pascual, Barcelona (secondary market)", "MacConnal-Mason Gallery, London (secondary market)"
By the numbers
- EUR 437,600Auction highRegatas en el puerto de Barcelona, October 2005; auction house and exact date not confirmed
- Knight, Legion of Honour (France)Honors1926, per one source
- Medal of HonorInternational medalPanama-Pacific International Exposition, San Francisco, 1915
- Galeria Jordi Pascual; MacConnal-Mason GalleryCurrent market activitysecondary market, no confirmed estate representation
Biography
Eliseu Meifrèn (also recorded as Eliseo Meifrén y Roig) was born in Barcelona. His birth date is not settled in the historical record: sources give either 24 or 28 December, and either 1857 or 1859, with no single primary document resolving the discrepancy.
He trained at the Escola de la Llotja, the Barcelona school of fine arts, under Antoni Caba and Ramon Marti i Alsina, and several sources say he later completed further training in Paris. No formal degree is documented in any source.
Meifrèn built his reputation through the era's national and international exposition system, winning medals at exhibitions in Barcelona (1896), Madrid (1906), Buenos Aires (1910), San Francisco (1915), and San Diego (1916). One source also credits him with appointment as a Knight of the French Legion of Honour in 1926, and in 1935 the city of Barcelona awarded him the Premi Nonell.
Meifrèn died in Barcelona on 5 February 1940, of pneumonia, and was buried in the Cementiri de Poblenou.
Critical reception
Contemporary accounts describe Meifrèn as being singled out among the strongest artists in the Spanish section of the 1888 Paris Universal Exposition, and later sources consistently frame him as one of the figures who introduced Impressionist technique into Catalan painting. No exact, sourced verbatim quotation from a named critic in a major outlet could be confirmed for this profile, so none is reproduced here; the critical picture instead rests on his sustained record of medals at national and international exhibitions across four decades and his later honors, including the Legion of Honour and the Premi Nonell.
Market
Meifrèn's auction market is modest in volume but has produced at least one substantial result. According to compiled auction data, his painting Regatas en el puerto de Barcelona sold for EUR 437,600, described as the artist's highest recorded auction result to date; the sale is dated to October 2005, though the specific auction house and city are not confirmed in available sources. By comparison, Noche en Cadaques sold for USD 122,500 at Christie's New York in November 2012, illustrating a large gap between his single top result and his more typical range. His work continues to circulate through Spanish auction platforms such as Setdart and through dealers including Galeria Jordi Pascual in Barcelona and MacConnal-Mason Gallery in London, though no formal estate representation has been identified.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Regatas en el puerto de Barcelona (2005) | EUR 437,600 | 2005-10 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 1896 | Exposicion de Bellas Artes e Industrias Artisticas | Barcelona, Spain |
| 1906 | Exposicion Nacional de Bellas Artes | Madrid, Spain |
| 1910 | International Art Exhibition | Buenos Aires, Argentina |
| 1915 | Panama-Pacific International Exposition | San Francisco, USA |
| 1916 | Panama-California Exposition | San Diego, USA |
| 2025 to 2026 | Mir-Meifren (Ritme i color; Amarellus; Colectiva IV) | Galeria Jordi Pascual, Barcelona |
Museum collections
- Museo Nacional del Prado, Madrid
- Museu Nacional d'Art de Catalunya (MNAC), Barcelona
- Museu Maritim de Barcelona
- Museu Carmen Thyssen Andorra (Carmen Thyssen-Bornemisza collection)
- Walker Art Gallery, Liverpool
- Museo Nacional de Bellas Artes, Buenos Aires
Awards and honors
- First-Class Medal, Exposicion de Bellas Artes e Industrias Artisticas, Barcelona (1896)
- First Medal, Exposicion Nacional de Bellas Artes, Madrid (1906)
- Grand Prize, International Art Exhibition, Buenos Aires (1910)
- Medal of Honor, Panama-Pacific International Exposition, San Francisco (1915)
- Grand Prize, Panama-California Exposition, San Diego (1916)
- Knight, Legion of Honour (France) (1926)
- Premi Nonell, City of Barcelona (1935)
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne is documented for this artist. Works are typically authenticated through the signature 'E. Meifren,' auction house expertise, and provenance research; paintings appear regularly at Spanish and international auction houses, including Setdart and Christie's.
Primary reference: https://en.wikipedia.org/wiki/Eliseu_Meifr%C3%A8n
What collectors should know
There is no published catalogue raisonne for Meifrèn, so attribution and authentication depend on signature analysis ("E. Meifren"), provenance, and the expertise of auction houses that regularly handle his work. His single documented top result, EUR 437,600 in 2005, is far above his typical range, and the auction house and exact date of that sale are not fully confirmed in public sources, so it should be treated as a data point rather than a reliable market floor. Collectors should also note that his birth year is genuinely disputed in the scholarly and institutional record; this does not affect the well-documented facts of his death in Barcelona in 1940 or his broad museum holdings, but it is worth knowing before relying on any single source for his exact dates.
Further reading and resources
Data current as of 2026-07-13.

