Artist

Fan Yang-Tsung

Taiwanese, b. 1982

Painting · Oil painting

Fan Yang-Tsung

Fan Yang-Tsung is a Taiwanese painter, born in 1982, whose Swimming Pool Series has become the signature engine of a fast-growing auction market. He holds work in Taiwan's leading museum for contemporary art and in institutions in the United States, mainland China, and Hong Kong, and in late 2025 he opened his first solo exhibition in mainland China. For a collector, he represents an early-stage but institutionally validated market, one where prices are still being set in real time and where a single strong result can move the record by a wide margin.

Nationality
Taiwanese
Media
Painting, Oil painting
Movement
Contemporary
Education
Art Program, National Hsinchu Girls' Senior High School; BFA in Oil Painting and MFA in Fine Arts, Taipei National University of the Arts, Taipei (years not documented)
Signature motifs
Swimming Pool Series, Airplane Series
Representation
AKI Gallery, Taipei
  • USD 196,300Auction highSwimming Pool Series, Public Pool, Sotheby's Hong Kong, 29 March 2026
  • AKI Gallery, TaipeiRepresented by
  • 4 institutionsMuseum and foundation collectionsNational Taiwan Museum of Fine Arts, El Segundo Museum of Art, X Museum, Sunpride Art Foundation
  • Rainbow's EdgeFirst mainland China soloHive Center for Contemporary Art, Beijing (exact run dates not fully confirmed)

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Fan Yang-Tsung was born in 1982 in Hsinchu, Taiwan. He studied in the art program at National Hsinchu Girls' Senior High School before earning a BFA in oil painting and an MFA in fine arts, both from Taipei National University of the Arts in Taipei; the exact years of these degrees are not documented in available sources. Early recognition included a selection for a National Taiwan Museum of Fine Arts young-artists painting exhibition in 2003 and the Taipei Fine Arts Awards exhibition at the Taipei Fine Arts Museum in 2007. In 2011 he received the Young Art Award at Young Art Taipei.

His practice centers on painted series that recur across his career, including View from Within, the Airplane Series, Nightclub, and, most prominently, the Swimming Pool Series. His work entered the collection of the El Segundo Museum of Art in Los Angeles in 2013, and in 2014 he was invited to the museum's HOME exhibition. In 2018 he took part in a group exhibition at Galerie EIGEN+ART in Berlin. He is represented by AKI Gallery in Taipei, which has shown his work at fairs including ART TAIPEI and The Armory Show in New York. He has also built a growing relationship with Hive Center for Contemporary Art in Beijing, culminating in Rainbow's Edge, his first solo exhibition in mainland China; exact exhibition dates for that show are not fully confirmed across available sources. He continues to live and work in Taiwan.

Fan Yang-Tsung's critical footprint so far runs mainly through gallery and museum exhibition texts rather than an established body of independent art criticism, consistent with an artist still in the earlier stages of an international career. Hive Center for Contemporary Art, introducing his 2025 Beijing solo exhibition, described him as "one of the most prominent painters of Taiwan's younger generation," language that reflects the institution's own curatorial framing rather than an outside critic's review. The recurring curatorial interest is in his pool paintings, which are read as studies of light, surface, and leisure, and in the way his practice has moved from Taiwanese museum and award exhibitions in the mid-2000s to European gallery platforms in Berlin and, more recently, to institutions in Beijing and Shanghai.

Fan Yang-Tsung's auction market is young, concentrated in Hong Kong and mainland China sales, and anchored by the Swimming Pool Series. His current auction high is Swimming Pool Series, Public Pool (2014), which sold for HKD 1,540,000 (about USD 196,300) at Sotheby's Hong Kong on 29 March 2026, an amount roughly 48 percent above his previous record. That prior record was set by Swimming Pool Series, Sunny Boy2 (2021), which sold for about USD 132,700 in May 2024. A third notable result, Swimming Pool Series, Sparkling Bubbles, sold for about USD 64,300 at China Guardian in Beijing on 13 June 2023. The rapid jump between these results points to a market still finding its level, with a thin trading history and no long run of repeat sales to smooth the trend.

Top auction results

WorkPriceSale
Swimming Pool Series, Public Pool (2014)USD 196,300 (HKD 1,540,000)Sotheby's, Hong Kong, 2026-03-29
Swimming Pool Series, Sunny Boy2 (2021)USD 132,700Cuppar, 2024-05-10
Swimming Pool Series, Sparkling BubblesUSD 64,300China Guardian, Beijing, 2023-06-13

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Rainbow's EdgeHive Center for Contemporary Art, Beijing (first solo exhibition in mainland China; exact run dates not fully confirmed across sources)
2023The Armory ShowAKI Gallery booth, New York
2023Portrait of A ManX Museum, Beijing
2023The Pool by The PoolX Museum, Shanghai
2018Group exhibitionGalerie EIGEN+ART, Berlin
2014HOMEEl Segundo Museum of Art, Los Angeles
2011Fan Yang-Tsung Solo ExhibitionNangbei Gallery, Taipei National University of the Arts, Taipei
2007Taipei Fine Arts Awards exhibitionTaipei Fine Arts Museum, Taipei

Museum collections

  • National Taiwan Museum of Fine Arts, Taichung
  • El Segundo Museum of Art, Los Angeles
  • X Museum, Beijing
  • Sunpride Art Foundation, Hong Kong

Awards and honors

  • Young Art Award, Young Art Taipei (2011)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been published and no certificate-of-authenticity program is documented. Attribution and provenance are understood to run through the artist's primary gallery, AKI Gallery, Taipei, and the artist's own studio records.

Primary reference: https://ravenel.com/en/cata/artistIn1/ba2345dc-18c1-4e07-acb3-04211e7cc260

Fan Yang-Tsung's market has only a small number of documented auction results, so any single sale, including the current record, should be read as one data point rather than a stable trend line. There is no published catalogue raisonne, and authentication runs through his representing gallery, AKI Gallery in Taipei, and the artist's own studio. His museum profile, spanning Taiwan, the United States, mainland China, and Hong Kong, is a stronger and more durable signal of institutional interest than the auction record alone, and it is the museum trajectory, more than any one price, that best supports the case for watching his market closely.

Data current as of 2026-07-16.

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