Artist

Friedrich Gauermann

Austrian, 1807 to 1862

Painting

Friedrich Gauermann

Friedrich Gauermann is one of the defining landscape and animal painters of the Austrian Biedermeier period, a figure whose densely observed Alpine scenes and rural genre subjects set the tone for Vienna's art establishment in the 1830s and 1840s. For a collector, he represents a class of well-documented, historically significant nineteenth-century Austrian painters whose market today runs almost entirely through auction houses rather than galleries, with value anchored in museum comparanda and provenance rather than a managed primary market.

Born
1807-09-20, Scheuchenstein, Miesenbach, Lower Austria
Nationality
Austrian
Media
Painting
Movement
Biedermeier
Education
Academy of Fine Arts, Vienna, landscape school under Joseph Mossmer, circa 1824 to 1827 (some sources cite attendance from 1822); earlier informal training from his father, the painter Jakob Gauermann.
Signature motifs
Alpine landscapes, Animal and livestock painting, Rural genre scenes
  • EUR 306,300Auction highDorotheum, Vienna, 11 April 2011; exact work title not confirmed in available sources
  • Elected member, 1836Academy of Fine Arts, Vienna
  • 1845Order of the Oak CrownAwarded by King William II of the Netherlands (Luxembourg honor)
  • Belvedere, Wien Museum, Neue Galerie Graz, Gauermann MuseumMuseum presence

Click any work to view it full screen.

Friedrich Gauermann was born on 20 September 1807 in Scheuchenstein, near Miesenbach in Lower Austria, though some reference sources give his birth day as 10 September, a discrepancy that remains unresolved in the record. He was the son of the landscape and animal painter Jakob Gauermann, who gave both Friedrich and his older brother Carl their first instruction in drawing and painting. Friedrich went on to study at the landscape school of the Academy of Fine Arts in Vienna, principally under Joseph Mossmer, in a period most sources place between 1824 and 1827, though a few give 1822 to 1827. He exhibited his first picture at the Vienna Academy exhibition in 1824, at age seventeen, before beginning his formal academy training in the landscape school.

Beyond his formal academy training, Gauermann developed largely as an autodidact, through extensive travel in Styria, Salzburg, and Tyrol, and through the study of nature and of the Dutch Old Masters. He showed work at the Munich Art Exhibition in 1829, and became a full member of the Munich art association around 1838. He was elected a member of the Academy of Fine Arts in Vienna in 1836, and in 1845 received the Order of the Oak Crown from King William II of the Netherlands, reportedly in recognition of two of his landscapes. In 1855, four of his paintings were shown at the Exposition Universelle in Paris.

Gauermann died on 7 July 1862 in his apartment in the Laimgrube suburb of Vienna; secondary biographical sources attribute his death to a bile and liver ailment. His native Miesenbach is now home to the Gauermann Museum, built around the Lower Austrian provincial collection of his work.

Gauermann's standing among contemporaries grew quickly after his 1824 debut at the Vienna Academy exhibition and his formal academy training in the landscape school. His election to the Academy of Fine Arts in Vienna in 1836, followed by full membership in the Munich art association around 1838 and the 1845 Order of the Oak Crown, marked him as a leading figure in Austrian landscape and animal painting during his lifetime, and his paintings were shown as far afield as the 1855 Exposition Universelle in Paris. Later scholarship situates him within the broader Biedermeier turn toward closely observed nature and rural subject matter, distinct from, though building on, his father Jakob Gauermann's earlier landscape and animal painting.

Gauermann's market runs through the auction room rather than a managed gallery system. Dorotheum in Vienna records his highest achieved price, EUR 306,300, realized on 11 April 2011, though the exact work behind that figure is not identified on Dorotheum's public artist summary and could not be confirmed from available sources. Other major results sit well below that level: Lempertz in Cologne sold Vor der Dorfschmiede for EUR 74,400 including premium, and im Kinsky in Vienna lists a realized price of EUR 23,040 (hammer EUR 18,000) for one work, with individual nineteenth-century paintings sales there and at Dorotheum more typically realizing figures in the low tens of thousands of euros. Dorotheum remains his most active auction venue, consistent with his standing as a canonical Austrian Biedermeier painter.

Top auction results

WorkPriceSale
Work title not confirmed in available sources (2011)EUR 306,300Dorotheum, Vienna, 2011-04-11

Selected exhibitions

YearsExhibitionVenues
1824Vienna Art Exhibition (Academy exhibition)Academy of Fine Arts, Vienna
1829Munich Art ExhibitionMunich
1836Elected memberAcademy of Fine Arts, Vienna
1838Full member, Munich art associationMunich
1855Exposition Universelle (four paintings shown)Paris
OngoingPermanent Gauermann collection displayGauermann Museum, Scheuchenstein, Miesenbach

Museum collections

  • Belvedere, Vienna
  • Wien Museum, Vienna
  • Neue Galerie Graz, Universalmuseum Joanneum
  • Landessammlung Niederosterreich, St. Poelten
  • Gauermann Museum, Scheuchenstein, Miesenbach

Awards and honors

  • Elected member, Academy of Fine Arts, Vienna (1836)
  • Full member, Munich art association (1838)
  • Order of the Oak Crown (Luxembourg), awarded by King William II of the Netherlands (1845)

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne has been identified for Gauermann. There is no active gallery or estate authority; attribution work relies on auction-house cataloguing, principally at Dorotheum in Vienna, and on comparison with documented works in Austrian museum collections.

Primary reference: https://en.wikipedia.org/wiki/Friedrich_Gauermann

Because Gauermann has no catalogue raisonne, no managed estate, and no representing gallery, provenance and comparison with securely documented museum works, at institutions including the Belvedere, the Wien Museum, Neue Galerie Graz, and the Gauermann Museum in Miesenbach, are the main tools for verifying attribution. His auction record is thin enough that a single strong result, such as the EUR 306,300 figure recorded by Dorotheum, can sit well above the bulk of his market, so collectors should weigh any headline price against the larger body of results in the low tens of thousands of euros. Buyers should also take care to distinguish his work from that of his father, Jakob Gauermann, and his brother, Carl Gauermann, both of whom worked in related landscape and animal subjects, and should note that auction catalogues sometimes list him surname-first, as "Gauermann, Friedrich."

Data current as of 2026-07-18.

Become a Member

For 400 years, art has been a cornerstone of wealth and culture.Now it's open to you.

Masterworks lets you invest in shares of blue-chip works by artists like Basquiat, Banksy, and Picasso.

Inquire about membership