Hartmann Schedel
German (Holy Roman Empire), 1440 to 1514
Incunabula · Woodcut-illustrated printed book

Why Hartmann Schedel matters
Hartmann Schedel is not a painter or sculptor in the modern sense, but a German physician and humanist scholar whose name anchors one of the landmark objects of early European printing: the Liber Chronicarum, known as the Nuremberg Chronicle, published in 1493. It is among the most extensively illustrated books to survive from the fifteenth century, and copies and individual leaves of it now circulate through the rare-book and antiquities market rather than the contemporary art market. For a collector, Schedel's importance rests on the historical and bibliographic significance of a single work, not on a career of exhibitions or a body of original paintings.
- Born
- 1440-02-13, Nuremberg, Free Imperial City of Nuremberg (Holy Roman Empire)
- Nationality
- German (Holy Roman Empire)
- Media
- Incunabula, Woodcut-illustrated printed book
- Movement
- German Renaissance humanism
- Education
- University of Leipzig, Baccalaureus 1457, Magister artium 1460 (also cited as 1459); University of Padua, Doctor of Medicine 1466 (cited variously as 7 or 17 April)
- Signature motifs
- World-chronicle structure (Six Ages of history), City-view woodcuts
By the numbers
- USD 10,000Best documented auction resultAncient World Map leaf from the Nuremberg Chronicle, Old World Auctions, closed 17 Jun 2026; a verified all-time record could not be confirmed
- 1493First publishedLiber Chronicarum (Nuremberg Chronicle), printed by Anton Koberger, Nuremberg
- 1466DoctorateDoctor of Medicine, University of Padua
- No gallery or estateRepresented byMarket activity is conducted through auction houses and rare-book dealers
Selected works
Click any work to view it full screen.
Biography
Hartmann Schedel was born on 13 February 1440 in Nuremberg, then a Free Imperial City of the Holy Roman Empire, and was raised there by an uncle after being orphaned young. He matriculated at the University of Leipzig on 20 April 1456 at age sixteen, earning the degree of baccalaureus in 1457 and a Magister artium in the liberal arts (sources give either 1460 or 1459). At Leipzig he also studied law and canon law and came under the influence of the humanist Peter Luder.
In late 1463 Schedel followed Luder to the University of Padua, where he spent roughly three years studying medicine, anatomy, surgery, physics, and languages including Greek and Hebrew. He earned a doctorate in medicine there in 1466, with sources giving either 7 or 17 April as the exact date. He then practiced medicine, eventually settling permanently in Nuremberg by the 1480s, where he was elected to the city's Great Council in 1482 and assembled a humanist library of more than a thousand volumes, later consulted by Albrecht Durer.
Schedel's central achievement was compiling the Liber Chronicarum, a world chronicle printed in Nuremberg on 12 July 1493 by Anton Koberger, illustrated with woodcuts produced by the workshop of Michael Wolgemut and Wilhelm Pleydenwurff. He was part of Nuremberg's humanist circle alongside figures such as Willibald Pirckheimer, Hieronymus Munzer, and Conrad Celtis. Schedel died in Nuremberg on 28 November 1514 and was buried at St. Sebald.
Critical reception
Reference sources consistently treat Schedel as a historian, physician, and early cartographer rather than as a practicing visual artist, since the Chronicle's woodcuts were produced by the Wolgemut and Pleydenwurff workshop rather than by Schedel himself. No verbatim assessments from named critics at major contemporary art outlets could be confirmed in the available research, and no exhibition history in the sense of a modern artist's career, museum retrospectives, or gallery shows exists for him. What is well established is the book's standing among historians of printing and cartography as one of the most heavily illustrated incunabula of its era, and its continued display in library and rare-book exhibitions, including a dedicated showing of its city views at the Kantonsbibliothek Appenzell Ausserrhoden in Switzerland.
Market
Because Schedel is a historical author rather than a working artist, his market consists of complete or partial copies of the Nuremberg Chronicle and individual leaves removed from it, sold through auction houses and specialist rare-book dealers rather than contemporary-art galleries. Public data for this market is fragmentary. The best fully documented result identified is a single leaf, the Ancient World Map from the Chronicle, which sold for USD 10,000 at Old World Auctions on 17 June 2026. A comparable Chronicle lot sold for roughly EUR 32,000 including premium at Im Kinsky in Vienna, though the exact sale date could not be confirmed. Major auction houses have offered complete copies of the Chronicle at estimates as high as USD 70,000 to 100,000, but realized prices for those lots are not publicly disclosed, so no verified all-time auction record can be stated with confidence. Individual leaves and woodcut views have also sold for far smaller amounts, in some cases under a few hundred euros.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Das Ander Alter der Werlt (Ancient World Map leaf, from the Nuremberg Chronicle) | USD 10,000 (USD 10,000) | Old World Auctions, 2026-06-17 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2019 to 2020 | Stadtansichten in der Nurnberger Chronik von Hartmann Schedel | Kantonsbibliothek Appenzell Ausserrhoden, Trogen, Switzerland |
Museum collections
- Metropolitan Museum of Art, New York (Nuremberg Chronicle leaves)
- Held internationally in major research libraries and rare-book collections, per the Gesamtkatalog der Wiegendrucke (GW) census of incunabula
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne exists in the modern sense. The standard scholarly reference for surviving copies and leaves is the Gesamtkatalog der Wiegendrucke (GW), a census of incunabula editions and holding institutions. Individual leaves and volumes are typically authenticated through provenance, binding, and comparison against known states of the 1493 Koberger printing, rather than through a certificate-of-authenticity program.
Primary reference: https://www.deutsche-biographie.de/gnd118754211.html
What collectors should know
Anything acquired under Schedel's name is being bought as a rare book or an individual leaf from one, not as a unique artwork by his hand, and value depends heavily on completeness, coloring, binding, and edition state rather than on the kind of exhibition or gallery record that supports a modern artist's market. There is no gallery or estate representing him, so provenance research and comparison against the Gesamtkatalog der Wiegendrucke census of surviving copies are the practical substitute for a catalogue raisonne. The auction market is thin and fragmented, with a handful of publicly documented results in the ten-thousand-dollar range for individual leaves and higher, undisclosed estimates at major houses for complete copies, so any headline price should be verified against the original lot record before it is relied upon.
Further reading and resources
Data current as of 2026-07-18.

