Artist

Kawase Hasui

Japanese, 1883 to 1957

Woodblock print · Painting

Kawase Hasui

Kawase Hasui is one of the two or three defining names of shin-hanga, the early twentieth century "new prints" movement that reinvented the Japanese landscape woodblock print for a modern, international audience. Working almost entirely with the publisher Watanabe Shozaburo, he produced several hundred landscape designs prized for their treatment of snow, rain, and twilight, and he was named a Living National Treasure by the Japanese government in 1956. For collectors, he represents blue-chip, museum-validated Japanese printmaking in a market defined by connoisseurship and publisher-seal authentication rather than a catalogue raisonne.

Born
1883-05-18, Shiba, Tokyo, Japan
Nationality
Japanese
Media
Woodblock print, Painting
Movement
Shin-hanga
Education
No formal art academy degree. Studied under Aoyagi Bokusen and Araki Kanyu, c. 1897 to 1902, then Western style painting under Okada Saburosuke, c. 1908 to 1910, before being accepted as a studio pupil of Kaburagi Kiyokata in 1910.
Signature motifs
Snow and rain atmospheric landscapes, Twilight and moonlit scenes
Representation
Egenolf Gallery, Scholten Japanese Art, Ronin Gallery
  • USD 109,100Auction highTenno-ji Temple in Osaka, Sotheby's Online, July 18, 2024
  • Living National Treasure, 1956National honorReportedly the first woodblock print designer to receive the title
  • 600+ print designsCareer outputLandscape designs over roughly four decades
  • Specialist dealersMarketEgenolf Gallery; Scholten Japanese Art; Ronin Gallery; no exclusive estate representation

Kawase Hasui (also rendered Hasui Kawase in Western name order, and born Kawase Bunjiro) was born on May 18, 1883, in the Shiba district of Tokyo. He left formal schooling early and had no academic art degree. His training instead followed the traditional Japanese studio system: around 1897 to 1900 he studied nature sketching and design under the Shijo-style painter Aoyagi Bokusen, and from about 1902 he studied brush painting with Araki Kanyu.

In 1908, at 25, he sought an apprenticeship with the nihonga and ukiyo-e master Kaburagi Kiyokata and was turned down as too old to begin. He spent roughly two years studying Western-style painting, watercolor and oil, under Okada Saburosuke, associated with the Hakubakai group, before reapplying and being accepted as Kaburagi's pupil in 1910. It was Kaburagi who gave him the artist name Hasui. From 1918 he worked mainly with the publisher Watanabe Shozaburo, producing landscape prints across roughly four decades; sources vary on the exact total, citing figures from a bit more than 600 to nearly 1,000 designs. In 1956 the Japanese government named him a Living National Treasure, reportedly the first woodblock print designer to receive that honor. He died on November 7, 1957, at his home in Ota, Tokyo, of stomach cancer, at age 74. A minority of sources give November 27, 1957, as the death date, but the Japanese institutional record and the majority of biographical sources support November 7.

Hasui's standing rests less on individual critical essays than on sustained institutional validation. His prints are held in the permanent collections of the British Museum, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Museum of Fine Arts Boston, the Victoria and Albert Museum, the Virginia Museum of Fine Arts, and many other major museums. Specialist sources report early solo exhibitions at the Toledo Museum of Art in 1930 and 1936, an early channel for introducing his work to Western audiences though not independently confirmed here, and museums have continued to program him steadily since, including an exhibition described as his first dedicated show in Europe, at the Japan Museum SieboldHuis in Leiden in 2025 and 2026. His 1956 designation as a Living National Treasure remains the clearest formal recognition of his standing within Japan.

Hasui has no living estate or single exclusive gallery representation; his market runs through a network of specialist Japanese print dealers and the major auction houses. Galleries that have recently built exhibitions and inventory specifically around him include Egenolf Gallery, Scholten Japanese Art, and Ronin Gallery, alongside routine handling by Bonhams, Christie's, Sotheby's, and Heritage Auctions. His all-time auction record is USD 109,100 (GBP 84,000) for Tenno-ji Temple in Osaka (Osaka Tenno-ji), sold at Sotheby's Online on July 18, 2024, which surpassed the prior record of USD 99,100 for Coastal Landscape (1927), sold at Sotheby's on November 9, 2006. Most individual sales sit far below that record; Heritage Auctions, for example, records a house-high result of USD 45,000 in June 2024.

Top auction results

WorkPriceSale
Tenno-ji Temple in Osaka (Osaka Tenno-ji)USD 109,100 (GBP 84,000)Sotheby's, Online, 2024-07-18

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Kawase Hasui: Capturing the Soul of JapanJapan Museum SieboldHuis, Leiden, Netherlands (reportedly his first dedicated exhibition in Europe)
2025Love of Place: The Landscapes of Kawase Hasui (1883 to 1957)Egenolf Gallery, for Asia Week New York
2026Landscape Masters: Hokusai, Hiroshige, Hasui and YoshidaRonin Gallery, New York
2026Views of the Tokaido by Utagawa Hiroshige and Kawase HasuiVirginia Museum of Fine Arts, Richmond
recentKawase Hasui: Treasured Views, The Stipanich Collection of Kawase Hasui Woodblock PrintsScholten Japanese Art, New York
1930Solo exhibitionToledo Museum of Art, Toledo, Ohio
1936Solo exhibitionToledo Museum of Art, Toledo, Ohio
2024Japanese Prints from the Permanent CollectionNewport Art Museum, Rhode Island

Museum collections

  • British Museum, London
  • Metropolitan Museum of Art, New York
  • Los Angeles County Museum of Art
  • Museum of Fine Arts, Boston
  • Victoria and Albert Museum, London
  • Virginia Museum of Fine Arts, Richmond

Awards and honors

  • Living National Treasure (Ningen Kokuho), Japan (1956)

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne exists for Hasui. In practice, prints are authenticated through publisher seals, most often those of Watanabe Shozaburo, together with edition and printing history research carried out by specialist dealers.

Primary reference: https://www.artsy.net/artist/kawase-hasui

There is no published catalogue raisonne for Hasui, so authentication in practice relies on publisher seals, most often those of Watanabe Shozaburo, along with edition and printing-history analysis by specialist dealers rather than a single reference registry. His name also appears in two different orders across sources, Kawase Hasui in native Japanese and market-standard order, and Hasui Kawase in Western order, which is worth checking when cross-referencing auction listings. Because he worked in large, republished print editions rather than unique paintings, individual impressions vary in condition, color, and printing generation, and this variation, more than scarcity, is usually the main driver of price differences between similar-looking works.

Data current as of 2026-07-16.

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