Artist

Hemmerle

German, b. 1893

Fine jewelry · Objets d'art

Hemmerle is one of the few jewelry houses whose work is collected and displayed as art rather than sold purely as adornment. Founded in Munich in 1893 and still run by the same family, it is now in its fourth generation and has built a reputation on unconventional material combinations, extremely limited production, and a growing presence in museum collections. For a collector, Hemmerle represents a rare case of an active, still-producing maison whose historical pieces and new work both draw institutional and market attention, even though its public auction history remains thin.

Born
1893, Munich, Germany
Nationality
German
Media
Fine jewelry, Objets d'art
Movement
Contemporary high jewelry
Education
Not applicable to a corporate entity. Hemmerle trains artisans within its own Munich atelier rather than through degree granting programs.
Signature motifs
Unconventional material pairings, such as iron, copper, and wood set with precious stones, The reversible Harmony bangle format
Representation
Hemmerle (self-represented, Munich atelier), Hemmerle Contemporary, in collaboration with MINT Gallery, Munich
  • 1893FoundedMunich, by brothers Joseph and Anton Hemmerle
  • Fourth generationCurrent generationChristian and Yasmin Hemmerle, with Stefan and Sylveli Hemmerle
  • CHF 399,000Auction high (documented)Fancy vivid yellow diamond ring, Sotheby's; exact date and location not published
  • 3 institutionsMuseum collectionsIncluding the Victoria and Albert Museum and the Metropolitan Museum of Art

Hemmerle is a family run jewelry house founded in 1893 in Munich, Germany, when brothers Joseph and Anton Hemmerle took over an existing goldsmiths' workshop.

The house's turn toward contemporary jewelry design is credited chiefly to third generation family member Stefan Hemmerle, who introduced unconventional materials such as iron, copper, and wood set alongside precious stones, a combination that remains central to the Hemmerle style. Today the maison is run by the fourth generation, Christian and Yasmin Hemmerle, with continued involvement from Christian's parents, Stefan and Sylveli Hemmerle. Production remains intentionally limited in scale, with each piece handmade in the family's Munich atelier.

Because Hemmerle refers to an operating firm rather than a single person, standard biographical categories such as birth and death dates do not apply in the usual sense. As of 2026, the house continues to operate and exhibit, including as a listed exhibitor at both TEFAF Maastricht and TEFAF New York, confirming it remains an active business.

Hemmerle's reputation rests less on published critical writing than on institutional validation. Its pieces sit in the permanent collections of the Victoria and Albert Museum in London, the Metropolitan Museum of Art in New York, and the Museum of Fine Arts, Boston. Its long running presence at TEFAF fairs in Maastricht and New York has reinforced its standing as a design innovator rather than a purely commercial jeweler. No verbatim assessment from a named outside critic in a major outlet could be confirmed for this profile; recognition instead takes the form of museum acquisitions rather than a documented list of design prizes.

Hemmerle's market runs through both direct retail sales from its own ateliers and occasional resales at major auction houses. Documented secondary market results include a 6.79 carat diamond ring that brought EUR 304,800 at Sotheby's Paris Fine Jewels sale on 27 March 2024, an emerald cut diamond ring that made CHF 302,400 at Christie's in 2022, and a jasper cameo pendant that reached USD 144,855 against an estimate of USD 18,500 to 24,600 at Sotheby's London in 2019. Sotheby's has separately cited a fancy vivid yellow diamond ring by Hemmerle that realized CHF 399,000 as a recent benchmark result, the highest Hemmerle price identified in public sources at the time of writing, though the exact sale date and sale location have not been published. Because so few Hemmerle pieces reach auction in a given year, any single result should be read as an individual data point rather than a market trend.

Top auction results

WorkPriceSale
Fancy vivid yellow diamond ringCHF 399,000Sotheby's

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Old paths, new heightsHemmerle Contemporary x MINT Gallery, Munich
2026TEFAF New YorkTEFAF New York (exhibitor)
2026TEFAF MaastrichtTEFAF Maastricht (exhibitor)

Museum collections

  • Victoria and Albert Museum, London
  • Metropolitan Museum of Art, New York
  • Museum of Fine Arts, Boston

Authentication and provenance

No catalogue raisonne.

Hemmerle has never published a catalogue raisonne. As an operating jewelry house, authenticity is established through the maison's own hallmarks and its Munich workshop archive, confirmed by the family, rather than through a scholarly raisonne process.

Primary reference: https://hemmerle.com/about-us/

Hemmerle has no catalogue raisonne, and authenticity is established through the house's own hallmarks and its Munich workshop archive rather than through an outside scholarly body. Annual production is limited, and the number of Hemmerle works that have appeared at auction is small, which means public price history is thin and comparables are scarce. Collectors should also note that Hemmerle is an operating family firm, now in its fourth generation, rather than an artist's estate, so new work continues to be made, and the brand's market is shaped as much by current design output and gallery collaborations, such as the Hemmerle Contemporary partnership with MINT Gallery in Munich, as by any closed historical body of work.

Data current as of 2026-07-16.

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