
Why Herbert Brandl matters
Herbert Brandl was one of the leading painters of Austria's postwar generation, a central figure in the "Neue Wilde" wave of the early 1980s who went on to represent Austria at the Venice Biennale, show at documenta IX, and enter the collections of the Pompidou, the Reina Sofia, and mumok. He died in July 2025, and the auction market has since moved quickly to reprice his work: his current record was set only months after his death. For a collector, Brandl is a case study in how an institutionally secure European painter's market can re-rate in the immediate aftermath of an artist's passing.
- Born
- 1959-01-17, Graz, Austria
- Nationality
- Austrian
- Media
- Painting, Printmaking
- Movement
- Neue Wilde, Contemporary
- Education
- Hochschule fur angewandte Kunst Wien (University of Applied Arts Vienna), 1978 to 1983, in the classes of Herbert Tasquil and Peter Weibel
- Signature motifs
- Mountain and alpine landscapes, Gestural abstraction
- Representation
- Galerie nachst St. Stephan Rosemarie Schwarzwalder, Galerie Elisabeth & Klaus Thoman, Patricia Low Contemporary
By the numbers
- EUR 175,500Auction highDorotheum, Vienna, 19 November 2025, the artist's highest recorded auction price
- 1959 to 2025LifespanBorn Graz, died Vienna
- Austrian Pavilion, 2007Venice Biennale
- Galerie nachst St. Stephan; Galerie Thoman; Patricia Low ContemporaryRepresented by
Biography
Herbert Brandl was born on 17 January 1959 in Graz, Austria. From 1978 to 1983 he studied at the Hochschule fur angewandte Kunst Wien (University of Applied Arts Vienna), in the classes of Herbert Tasquil and Peter Weibel, and emerged as part of the loose group of Austrian and German painters known as the Neue Wilde, or "New Wild Ones," known for large-format, expressive, color-driven canvases.
His international profile grew through the 1980s and 1990s: he showed at the Biennale de Paris in 1985, participated in the 20th Sao Paulo Biennial in 1989, and was included in documenta IX in Kassel in 1992. In 1997 he received the Preis fur Bildende Kunst der Stadt Wien. From 2004 to 2019 he held a professorship in painting at the Kunstakademie Dusseldorf. In 2007 he represented Austria at the 52nd Venice Biennale, Austrian Pavilion. His late career included a major solo survey at the Belvedere in Vienna in 2020.
Brandl died suddenly of a heart attack on 27 July 2025 in Vienna, at the age of 66. Two weeks before his death, he had been named a recipient of Austria's Grand State Prize for Fine Arts (Grosser Osterreichischer Staatspreis), which was conferred posthumously, and in 2024 he had received both the Kulturpreis der Stadt Graz and the Ehrenzeichen des Landes Steiermark.
Critical reception
Brandl was consistently framed as a painter of landscape and atmosphere rendered through abstraction, most often mountains, water, and weather distilled into broad fields of color. The Belvedere's 2020 solo presentation, held under museum director Stella Rollig, situated his practice within a broader tradition of landscape based abstraction. In 2007 he represented Austria at the Venice Biennale's Austrian Pavilion. Critics and curators generally placed him within the Neue Wilde generation, treating his mature work as a continuation of romantic landscape painting through gestural, near monochrome fields.
Watch
Market
Brandl's auction market is concentrated in Austrian and German houses, with results historically ranging from the tens of thousands of euros up into the low hundreds of thousands. His current auction record, an untitled abstract painting that sold for EUR 175,500 at Dorotheum in Vienna on 19 November 2025, was described by the house itself as the highest price ever realized for his work at auction. Other recent six-figure and near-six-figure results include EUR 97,500 at Dorotheum in November 2024 and EUR 91,000 at Dorotheum in May 2025, alongside sales in the EUR 88,000 to 90,000 range reported by Lempertz and Art.Salon. Volume remains modest relative to his exhibition profile, and no US dollar equivalent for the current record has been independently confirmed.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Untitled painting (exact title not specified in Dorotheum's announcement) | EUR 175,500 | Dorotheum, Vienna, 2025-11-19 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 1989 | 20th Sao Paulo Biennial | Sao Paulo, Brazil |
| 1992 | documenta IX | Kassel, Germany |
| 1998 | Herbert Brandl | Wiener Secession, Vienna |
| 1999 | Herbert Brandl | Kunsthalle Basel, Switzerland |
| 2007 | 52nd Venice Biennale, Austrian Pavilion | Venice, Italy |
| 2009 | Herbert Brandl, Malerei | Deichtorhallen, Hamburg |
| 2020 | Exposed to Painting. Die letzten zwanzig Jahre | Belvedere, Vienna |
Museum collections
- Museum Moderner Kunst Stiftung Ludwig Wien (mumok)
- Albertina, Vienna
- Centre Georges Pompidou, Paris
- Museo Nacional Centro de Arte Reina Sofia, Madrid
- Museu de Arte Contemporanea de Serralves, Porto
- S.M.A.K., Ghent
Awards and honors
- Grosser Osterreichischer Staatspreis fur Bildende Kunst (posthumous) (2025)
- Kulturpreis der Stadt Graz (2024)
- Ehrenzeichen des Landes Steiermark fur Wissenschaft, Forschung und Kunst (2024)
- Preis fur Bildende Kunst der Stadt Wien (1997)
- Forderungspreis des Landes Steiermark fur Bildende Kunst (1980)
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been confirmed and no formal estate authentication body has been named since the artist's death in 2025. Works are currently verified through the galleries that represented him during his lifetime.
Primary reference: https://www.belvedere.at/en/herbert-brandl
What collectors should know
Brandl's market is now in an estate-transition phase. He died in July 2025, no catalogue raisonne has been confirmed, and no formal estate authentication body has yet been named in public sources; the galleries that represented him during his lifetime, principally Galerie nachst St. Stephan Rosemarie Schwarzwalder, Galerie Elisabeth & Klaus Thoman, and Patricia Low Contemporary, remain the primary reference points for verification. His auction record was set only months after his death and the sample of high-value sales is still small, so collectors should treat any single result, including the current record, with the caution appropriate to a thin and recently repricing market.
Further reading and resources
Data current as of 2026-07-16.

