Artist

Jan Dirksz Both

Dutch

Painting · Drawing · Etching

Jan Dirksz Both

Jan Dirksz Both, usually catalogued as Jan Both, is credited by standard reference sources as the leading master of the Italianate trend within Dutch Golden Age landscape painting. His time in Rome fused Dutch topographical observation with the warm, raking light of the Italian campagna, a synthesis that shaped later Dutch landscape painters, including Aelbert Cuyp, and that earned him a place decorating a royal palace for the Spanish crown. For a collector, he represents a foundational, museum-anchored name in 17th-century Dutch landscape painting whose market, while real and long-established, is thin enough at the top end that any single result deserves careful reading.

Nationality
Dutch
Media
Painting, Drawing, Etching
Movement
Dutch Golden Age, Baroque, Italianate landscape
Education
Apprenticed first under his father, a glass painter, then trained in the Utrecht workshop of Abraham Bloemaert alongside his brother Andries Both. No academic degree or art-school enrollment is documented; 17th-century Dutch painters trained through apprenticeship rather than schools.
Signature motifs
Golden Italianate light, Roman campagna landscapes, Travelers and herdsmen with pack animals
  • GBP 1.43M (USD 2.16M)Auction highAn Italianate Landscape with Travellers, Christie's, London, 6 July 2011
  • Utrecht and Rome, c. 1630s to 1652Active
  • 1639Court commissionBuen Retiro Palace, Madrid, with Claude Lorrain and Herman van Swanevelt
  • NoneCurrent representationHistorical Old Master; works trade through auction houses and Old Master dealers

Jan Dirksz Both was born in Utrecht, in what was then the Dutch Republic, with sources placing his birth somewhere between roughly 1610 and 1618; no exact birth date is documented, and reference works differ on the precise year. He was the son of Dirck Joriaensz Both, a glass painter, and, according to the biographer Arnold Houbraken's tradition, he and his elder brother Andries first learned to paint from their father before both brothers entered the Utrecht workshop of Abraham Bloemaert.

Both traveled to Italy, working in Rome during the 1630s, where he came into close contact with the French painter Claude Lorrain. It was in Rome that he developed the warm, golden-lit Italianate landscape style for which he is best known, typically populated with travelers, herdsmen, and pack animals set against ruins and hill country. In 1639 he contributed to a decorative landscape cycle for the Buen Retiro Palace in Madrid, a commission for the Spanish crown that also involved Claude Lorrain and the Dutch painter Herman van Swanevelt. His brother Andries Both drowned in Venice in 1641, a separate event that some secondary sources have mistakenly conflated with Jan's own biography.

Jan Both returned to Utrecht, where he continued to paint until his death. He died in his native city and was buried there on 9 August 1652.

Encyclopaedia Britannica describes Jan Both as the leading master of the Italianate trend within 17th-century Dutch landscape painting, a characterization echoed across standard art-historical references. Scholars credit him with popularizing the golden Italian light and Roman campagna imagery within Dutch landscape practice after his return from Rome, an approach that influenced later painters, notably Aelbert Cuyp. No verbatim, attributable quotation from a named critic in a major outlet could be confirmed for this profile; the assessments above reflect the consistent framing found in reference sources such as Britannica, Wikipedia, and the RKD artist archive rather than a single signed review.

The best-documented price on record for a work by Jan Dirksz Both is GBP 1,433,750 (about USD 2.16 million), achieved by An Italianate Landscape with Travellers at Christie's London on 6 July 2011, per the auction-market database LotSearch. MutualArt separately reports a realized-price high of about USD 2,170,719 for the artist, consistent with this result once currency conversion is taken into account. Away from that peak, other lots have ranged more modestly: Sotheby's has estimated works such as A Hilly Italian Landscape with Travelers at USD 100,000 to 150,000, and Invaluable records an Italianate landscape estimated at USD 16,000 to 20,000. As with many Dutch Golden Age specialists, condition, subject, panel versus canvas support, and documented provenance drive wide swings in realized price.

Top auction results

WorkPriceSale
An Italianate Landscape with TravellersUSD 2,162,326 (GBP 1,433,750)Christie's, London, 2011-07-06

Selected exhibitions

YearsExhibitionVenues
1639Decorative landscape cycle for the Spanish crownBuen Retiro Palace, Madrid (with Claude Lorrain and Herman van Swanevelt)
Permanent collectionItalian Landscape with a DraughtsmanRijksmuseum, Amsterdam
Permanent collectionRocky Landscape with an Ox-cartNational Gallery, London
Permanent collectionItalianate landscapeMuseum of Fine Arts, Boston
Permanent collectionItalianate landscapeMusee du Louvre, Paris
Permanent collectionItalianate landscapeStatens Museum for Kunst, Copenhagen

Museum collections

  • Rijksmuseum, Amsterdam
  • National Gallery, London
  • Museum of Fine Arts, Boston
  • Musee du Louvre, Paris
  • Statens Museum for Kunst, Copenhagen

Awards and honors

  • Commission for the decorative cycle of the Buen Retiro Palace, Madrid, alongside Claude Lorrain and Herman van Swanevelt (1639)

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne has been confirmed for this artist. Attribution and dating rely on connoisseurship, the RKD (Netherlands Institute for Art History) artist archive, and provenance research conducted by the Old Master departments of major auction houses.

Primary reference: https://rkd.nl/en/explore/artists/11239

There is no published catalogue raisonne for Jan Dirksz Both, so attribution and dating rest on connoisseurship, the RKD's scholarly artist archive, and the provenance research conducted by the Old Master departments of major auction houses. He has no current representing gallery or estate in the modern sense; as a 17th-century artist, his paintings, drawings, and etchings circulate through auction houses and specialist Old Master dealers rather than a fixed representation structure. Given the documented uncertainty around his exact birth year, collectors should treat any single quoted price or biographical date with appropriate caution and verify against primary catalogue and museum records before relying on it.

Data current as of 2026-07-11.

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