Artist

Jaspar Geeraerts

Flemish, b. 1620

Painting

Jaspar Geeraerts, more often catalogued as Jasper Geerards or Jasper Geeraards, is a minor but genuinely documented painter of the Flemish and Dutch pronkstilleven tradition, the school of ostentatious luxury still life that flourished in Antwerp and Amsterdam in the mid seventeenth century. He is not a market-moving name and should not be treated as one. His interest for a collector or researcher lies instead in what his case illustrates plainly: a real, guild-registered painter whose biography survives only in fragments, whose name appears in at least four spelling variants across the historical record, and whose market presence, where it exists at all, depends entirely on careful attribution rather than on a settled auction history.

Nationality
Flemish
Media
Painting
Movement
Flemish Baroque, Dutch Golden Age still life
Education
Registered as a pupil, Guild of Saint Luke, Antwerp, 1634. Admitted as a master circa 1644. No formal degree; trained through the workshop and guild apprenticeship system standard for the period.
Signature motifs
Pronkstilleven, ostentatious luxury still life, Lobster, nautilus shell, and roemer glass compositions
  • c. 1620 to 1649/1654Documented lifespanAntwerp to Amsterdam
  • Master, Guild of Saint Luke, AntwerpGuild statusRegistered as a pupil in 1634
  • None publishedCatalogue raisonneAttribution via connoisseurship and provenance
  • No confirmed all-time record under this nameAuction marketHighest documented sale: EUR 107,550, Christie's Amsterdam, 14 May 2003

Jaspar Geeraerts was probably born in Antwerp around 1620. He trained there and was registered as a pupil in the Antwerp Guild of Saint Luke in 1634, and he is recorded, under the archival spelling Gasper Geeraerdi, as a master of that same guild roughly a decade later, generally dated to about 1644. He worked in the pronkstilleven idiom associated with painters such as Jan Davidsz. de Heem, who settled in Antwerp in 1636, though no document confirms that Geeraerts actually studied under him.

By August 1649 he had relocated to Amsterdam, where he reported the theft of a still life from his studio, the last document that places him unambiguously alive. He had died by 19 October 1654, the date of a notarial document in which his wife, Anna Geerardi, is described as a widow. No source gives an exact death date or a confirmed place of death; "possibly in Amsterdam" is the most that Wikipedia and Wikidata will state, and Christie's cataloguing follows the same range. His known paintings, signed with an intertwined JG monogram or variants of his name, favor luxury objects: lobster, nautilus shell, roemer glasses, peeled lemons, figs, oysters, peaches, and grapes, arranged in the dense, richly lit compositions typical of the genre.

The name appears across sources as Jasper Geerards, Jasper Geeraards, Jasper Geerardi, Gasper Geeraerdi, and the requested spelling Jaspar Geeraerts. These are treated consistently in the literature as one individual, not several painters. He should also not be confused with Jan Geeraerts, a nineteenth century Belgian painter, or with Jef Geeraerts, a twentieth century Belgian writer; both share the surname but are unrelated figures from different eras.

Modern art criticism has little to say about this painter specifically; the surviving commentary is almost entirely cataloguing and provenance research rather than critical assessment. Christie's, in a lot description for one attributed still life, calls him "a leading still life painter whose pictures entered some of the most important collections of their day," a claim made in the context of seventeenth century collecting history rather than contemporary critical evaluation. No other verbatim assessment from a named critic in a major outlet could be confirmed for this profile.

There is no auction record that can be confidently and specifically attributed to a work signed or catalogued under the exact name Jaspar Geeraerts. Works bearing the related spellings, Jasper Geeraerts and Jaspar Geerards, have appeared at Christie's, including a bowl of peaches and grapes with a roemer and a peeled lemon, and a still life of a lobster, a nautilus, figs, and oysters, but the sources reviewed do not give a confirmed hammer price, currency, or sale date for either lot. Christie's own cataloguing for this painter separately notes that a pronk still life once in the collection of Archduke Leopold Wilhelm sold at Christie's Amsterdam on 14 May 2003, lot 189, for EUR 107,550. This is the highest price found for the artist in the sources reviewed, but it is not confirmed as an all-time record, since no comprehensive auction database search for this name was available for this profile. This profile therefore reports no confirmed all-time auction high for Jaspar Geeraerts.

Any work offered under the name Jaspar Geeraerts, or its variants Jasper Geerards, Jasper Geeraards, or Geerardi, should be checked carefully against the documented monogram and signature forms and against the specific painting's provenance chain, since no catalogue raisonne exists to consult. Buyers should also take care to distinguish this seventeenth century still life painter from other, unrelated artists who share the surname Geeraerts, including a nineteenth century Belgian landscape painter and a twentieth century Belgian writer, since auction listings and price databases do not always disambiguate clearly. Given the thin and partly unresolved public sale record, price expectations for this name should be treated as unsettled rather than benchmarked against any single confirmed result.

Data current as of 2026-07-13.

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