Artist

Jennifer Guidi

American, b. 1972

Painting · Sand and mixed media on linen

Jennifer Guidi

Jennifer Guidi has moved, over roughly a decade, from a Los Angeles project space to a program shared by three of the most influential galleries in the world, Gagosian, Massimo De Carlo, and David Kordansky Gallery, alongside a run of institutional firsts: her first solo museum exhibition in Italy in 2017, her first institutional solo in China in 2022, and her first institutional solo in the United States in 2023. For a collector, she is a live case of a mid-career painter whose museum validation is accelerating faster than her auction history, which makes gallery relationships and provenance more important than auction data alone.

Nationality
American
Media
Painting, Sand and mixed media on linen
Movement
Contemporary
Education
Boston University, BFA 1994; School of the Art Institute of Chicago, MFA 1998
Signature motifs
Sand-relief field paintings, Mandala and dot compositions
Representation
Gagosian, Massimo De Carlo, David Kordansky Gallery
  • USD 625,000Auction highElements of All Entities (Universe Mandala SF #6, Green, Black Sand), Christie's New York, 11 November 2021
  • Orange County Museum of ArtFirst U.S. institutional solo2023 to 2024
  • Long Museum West Bund, ShanghaiFirst China institutional solo2022, 'Full Moon'
  • Gagosian; Massimo De Carlo; David Kordansky GalleryRepresented by

Jennifer Guidi was born in 1972 in Redondo Beach, California. She earned a BFA from Boston University in 1994 and an MFA in painting from the School of the Art Institute of Chicago in 1998, arriving at the Chicago program as a trained figurative painter before shifting toward abstraction. She lives and works in Los Angeles.

Guidi is best known for dense, textured paintings built from hand-applied sand, acrylic, and other ground materials, often organized into repeating dot or mandala-like fields that she has connected to meditation and to an interior, contemplative practice. Early solo presentations included Field Paintings at LAXART in Los Angeles in 2014. Her first solo museum exhibition, Visible Light / Luce Visibile, opened at the Museo d'Arte Contemporanea Villa Croce in Genoa in 2017. She has since had solo gallery exhibitions with Gagosian in New York and Hong Kong, and with Massimo De Carlo in Milan and Paris. In 2022, Full Moon at the Long Museum West Bund in Shanghai became her first institutional solo exhibition in China, and in 2023 to 2024 the Orange County Museum of Art hosted her first institutional solo exhibition in the United States, alongside a 2023 solo presentation, Mountain Range, at Chateau La Coste in France.

Guidi's work has drawn sustained attention from major outlets covering her sand paintings and their meditative, color-driven surfaces, including profiles and reviews in The New York Times, the Financial Times, Cultured, and Whitewall. Coverage has consistently framed her practice around the labor of hand-applied sand and repeated mark-making, and around her stated interest in art as a route into an inner, contemplative state. No verbatim critical assessment could be confirmed with certainty from the available sources, so none is quoted here.

Guidi's auction footprint remains smaller than her institutional profile might suggest, and public price data is thinner than for artists with longer trading histories. Her auction high is Elements of All Entities (Universe Mandala SF #6, Green, Black Sand), a 2017 painting that sold for USD 625,000 at Christie's New York on 11 November 2021, more than two and a half times its high estimate. Other confirmed results include Orion (Blue Painted Sand SF #1F Mandala) at USD 441,000, Phillips New York, 13 December 2023, and Infinite (Natural Sand SF #2H, Blue Fill, White Ground) at USD 315,000, Phillips New York, 15 November 2022, alongside lower results, including a 2014 work that sold for roughly USD 33,000 at Rago, illustrating a wide spread across individual sales. She is represented by Gagosian, Massimo De Carlo, and David Kordansky Gallery.

Top auction results

WorkPriceSale
Elements of All Entities (Universe Mandala SF #6, Green, Black Sand) (2017)USD 625,000Christie's, New York, 2021-11-11

Selected exhibitions

YearsExhibitionVenues
2025Points on Your JourneyMassimo De Carlo, Milan
2025California DreamingDavid Kordansky Gallery, Los Angeles
2023 to 2024First institutional solo exhibition in the United StatesOrange County Museum of Art, Costa Mesa
2023Mountain RangeChateau La Coste, Richard Rogers Gallery, Aix-en-Provence, France
2022Full MoonLong Museum West Bund, Shanghai (first institutional solo in China)
2020GeminiGagosian, New York
2018HeliocentricGagosian, Hong Kong
2017Visible Light / Luce VisibileMuseo d'Arte Contemporanea Villa Croce, Genoa (first solo museum exhibition)

Museum collections

  • San Francisco Museum of Modern Art
  • Dallas Museum of Art
  • Institute of Contemporary Art, Miami
  • Los Angeles County Museum of Art
  • Solomon R. Guggenheim Museum, New York
  • Hammer Museum, Los Angeles
  • Rubell Museum, Miami

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne has been identified for the artist. No public authentication protocol is documented. Collectors should verify works through her representing galleries, Gagosian, Massimo De Carlo, and David Kordansky Gallery.

Primary reference: https://www.davidkordanskygallery.com/artist/jennifer-guidi

There is no published catalogue raisonne for Jennifer Guidi, and no documented authentication protocol beyond verification through her representing galleries. Her auction record is comparatively thin and unevenly documented, with a wide range between her lowest and highest publicly reported sale prices, so any single result should be read with caution rather than as a stable benchmark. Her museum trajectory, including institutional firsts in Italy, China, and the United States within roughly seven years, is currently the stronger signal of long-term standing than her auction history alone.

Data current as of 2026-07-11.

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