
Why Johann Heiss matters
Johann Heiss was one of the defining history painters of the Augsburg Baroque, an artist whose mythological and biblical scenes helped shape what art historians call the Augsburg local style in the decades around 1700. For a collector today, he represents a well documented but market thin German Old Master: praised by contemporaries such as Joachim von Sandrart, held in major museum collections from the Louvre to the Hermitage, and still surfacing periodically at Old Master auctions in Germany and Austria.
- Born
- 1640-06-19, Memmingen, Free Imperial City (present-day Germany)
- Nationality
- German
- Media
- Painting, Drawing, Printmaking
- Movement
- Baroque, Augsburg school
- Education
- Apprenticeship under Hans Conrad Sichelbein and Johann Sichelbein, Memmingen. No formal academy training is documented.
- Signature motifs
- History painting, Mythological and biblical narrative scenes
By the numbers
- EUR 42,480Auction high (documented)Gotterversammlung, Lempertz, Cologne. Exact sale date not published alongside the result.
- 1663 to 1704Active careerStuttgart court service, then Augsburg from 1677
- 7+Museum collectionsIncludes the Louvre, Kunsthistorisches Museum Vienna, and the Hermitage
- None publishedCatalogue raisonneDocumented instead by a scholarly monograph (Konrad Verlag)
Selected works
Click any work to view it full screen.
Biography
Johann Heiss was born on 19 June 1640 in Memmingen, a Free Imperial City in present day Bavaria, and baptized there the same day. He trained in his native city under the painters Hans Conrad Sichelbein and Johann Sichelbein, an apprenticeship typical of the guild system of the period rather than formal academic study. No source documents where he spent his journeyman years, though some scholars have speculated, without confirmation, that he also traveled in Italy to further his development.
In 1663 Heiss entered the service of Eberhard III, Duke of Wurttemberg, in Stuttgart. He relocated to Augsburg around 1677 to seek more commissions, where he came under the influence of the painter Johann Heinrich Schonfeld and went on to help define the city's Baroque idiom through altarpieces, mythological cycles, and history paintings. He died in Augsburg in 1704 and was buried on 14 February 1704 in the cemetery of the Evangelische St. Anna Kirche.
Critical reception
The earliest and most consequential critical assessment of Heiss came from Joachim von Sandrart, who included him in the Teutsche Academie of 1675 as a history painter whose work he praised as satisfying to both admirers and connoisseurs of art. Modern art historical accounts credit Heiss with helping to shape the Augsburg local style of his time, and continuing museum and auction interest in his work points to real, if still incomplete, documentation of his surviving catalogue.
Market
Heiss's market is that of a documented but thinly traded German Old Master. The highest price identified in current auction records is EUR 42,480, including premium, for Gotterversammlung (Assembly of the Gods) at Kunsthaus Lempertz in Cologne. Lempertz's own artist index lists this result, but the exact sale date is not published alongside it. More recently, Allegory of the Four Elements sold for EUR 28,600 at Dorotheum's Alte Meister sale in Vienna on 22 October 2024, against an estimate of EUR 20,000 to 30,000. His works also appear periodically at Van Ham and Artcurial, but no single comprehensive, ranked price database confirms one definitive all time auction record.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Gotterversammlung (Assembly of the Gods) | EUR 42,480 | Lempertz, Cologne, Germany |
| Allegory of the Four Elements (2024) | EUR 28,600 | Dorotheum, Vienna, Austria, 2024-10-22 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| n.d. | Barockgalerie Johann Heiss | Stadtmuseum Memmingen |
Museum collections
- Musee du Louvre, Paris
- Kunsthistorisches Museum, Vienna
- State Hermitage Museum, St. Petersburg
- Herzog Anton Ulrich-Museum, Braunschweig
- Bayerische Staatsgemaldesammlungen, Munich
- Stadtmuseum Memmingen (Barockgalerie Johann Heiss)
- Zeppelin Museum, Friedrichshafen
Awards and honors
- Praised as a notable history painter in Joachim von Sandrart's Teutsche Academie (1675)
- Entered service as court painter to Eberhard III, Duke of Wurttemberg, Stuttgart (1663)
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne has been published. A scholarly monograph, Johann Heiss, Memmingen und Augsburg 1640 to 1704: Ein Maler des Barock (Konrad Verlag), documents much of his known output. Works are authenticated through museum scholarship, signed and dated examples, and Old Master auction-house specialists rather than through any centralized certification body.
Primary reference: https://en.wikipedia.org/wiki/Johann_Heiss
What collectors should know
No catalogue raisonne of Heiss's work has been published, though a scholarly monograph, Johann Heiss, Memmingen und Augsburg 1640 to 1704: Ein Maler des Barock, documents much of his known output. No gallery or estate currently represents the artist. His paintings circulate through Old Master specialists at auction houses including Lempertz, Dorotheum, Van Ham, and Artcurial. Because his auction history is thin and dispersed across several European houses rather than concentrated in one market, provenance research and attribution by museum specialists matter more for this artist than for painters with a centralized, continuous auction record.
Further reading and resources
Data current as of 2026-07-18.

