Ksenia Pasyura

Ksenia Pasyura was born in Ukraine in 1986. She trained first in printmaking, earning a BFA from the Stieglitz State Academy of Art and Design in Saint Petersburg in 2010, before relocating to London, where she completed an MA in Fine Art: Painting at the University of the Arts London in 2023. She now lives and works in London.

Her paintings combine traditional portraiture with a surreal, at times grotesque treatment of the human body, using humor and carnivalesque imagery to explore questions of identity and transformation. She had a solo presentation at Nahmad Projects, London, in 2023, and in June 2024 Fondazione Mudima in Milan gave her her first solo exhibition in that city, presenting roughly thirty previously unseen paintings built around these themes.

Published critical commentary on Pasyura remains limited to a small number of exhibition announcements. The most substantial account, from the Italian art magazine Finestre sull'Arte on the occasion of her 2024 Fondazione Mudima show, described her as "an acclaimed contemporary artist" whose paintings engage with the grotesque and the sublime, exploring themes of identity, transformation, and the human condition. That text is unsigned editorial copy rather than a statement from a named critic, and no other outlet in the current record offers an independent critical assessment.

Pasyura's clearest market data point is Eddie (2021), a painting reported to have sold at Bonhams in 2024 for approximately EUR 60,000 (about USD 65,000), according to secondary-market sources; the exact sale date, saleroom location, and hammer price have not been independently confirmed. One secondary-market source also states that only two of her works have ever appeared at public auction, both selling well above estimate, though only Eddie can currently be identified by title. On the primary market, she has been listed on Artsy through Janet Rady Fine Art, with works such as Bad Habits 3 (2024) offered in the range of GBP 30,000 to 40,000. No museum acquisitions are currently documented, so this reported sale and a handful of gallery listings represent the full extent of her verifiable market to date.

Pasyura's market history consists of one identified, imprecisely documented auction sale, a possible second, unidentified auction appearance noted by a secondary-market source, two solo presentations (London in 2023, Milan in 2024), and a handful of primary-market gallery listings. There is no catalogue raisonne, no confirmed museum collection holding, and no verified multi-sale price history to establish a trend. Collectors should treat the reported Bonhams result as an early, loosely documented data point from a young market rather than a stable benchmark, and should expect provenance and authenticity to rest on gallery documentation and the artist's own records rather than on any third-party scholarly catalogue.