
Why María Berrío matters
María Berrío has become one of the most closely watched living artists to emerge from the last decade of Latin American diaspora painting. Her large scale watercolor and paper collage works, built up from cut Japanese paper and populated by women, children, and animals drawn from myth and memory, have moved from emerging galleries to a roster that now includes Hauser and Wirth and Victoria Miro, with solo museum exhibitions at the Institute of Contemporary Art, Boston, and an upcoming survey at the Minneapolis Institute of Art. For a collector, she is a case study in how quickly a market can develop once major galleries and museums converge on an artist at the same time.
- Nationality
- Colombian
- Media
- Watercolor, Mixed-media collage
- Movement
- Contemporary
- Education
- Parsons School of Design, BFA 2004; School of Visual Arts, New York, MFA 2007
- Signature motifs
- Paper collage, Watercolor, Women and children, Myth and folklore
- Representation
- Hauser & Wirth, Victoria Miro
By the numbers
- USD 1.6MAuction highHe Loves Me, He Loves Me Not, Phillips New York, 2022
- Hauser & Wirth; Victoria MiroRepresented by
- Songlines, Minneapolis Institute of Art, 2026 to 2027Museum survey
- 1982, Bogotá, ColombiaBorn
Biography
María Berrío was born in 1982 in Bogotá, Colombia. She moved to New York at eighteen to study at Parsons School of Design, completing her BFA there in 2004, and went on to earn an MFA from the School of Visual Arts in New York in 2007. She lives and works in Brooklyn.
Berrío builds her compositions from layers of collaged Japanese paper worked over with watercolor and other media, constructing dense, theatrical scenes that draw on folklore, migration, and the experience of women and children navigating adversity and displacement. Early support came through New York studio and fellowship programs, including the Elizabeth Foundation for the Arts, the Sharpe Walentas Studio Program, and Smack Mellon, and she received a NYFA Fellowship in Painting in 2018. She received the amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS in 2023. She is represented by Hauser and Wirth and by her longstanding London gallery, Victoria Miro.
Critical reception
Berrío's institutional trajectory has been fast and broad. A major museum survey, The Children's Crusade, opened at the Institute of Contemporary Art, Boston in 2023, following an earlier solo presentation at the Norton Museum of Art in 2021, and her work has since been included in group exhibitions including the Nasher Museum of Art's Spirit in the Land. Curators and institutions have consistently framed her collages as narrative rather than purely decorative, reading the recurring women, children, and animals as figures of resilience against upheaval, migration, and loss. A major museum survey, María Berrío: Songlines, is set to open at the Minneapolis Institute of Art in September 2026, a further sign of sustained museum interest in her work.
Market
Berrío's auction market is young but has moved quickly. Her recorded auction high is He Loves Me, He Loves Me Not (2015), which sold for USD 1.6 million at Phillips in New York on 18 May 2022, more than three times its low estimate and a record for the artist at auction. Her second strongest recorded result is La Cena, which sold for USD 1.5 million at Phillips in New York on 29 April 2026. Reporting from Artnet has put her combined auction turnover at roughly USD 11.8 million for 2022, a figure driven by a small number of high value lots rather than a deep, repeated trading history.
Top auction results
| Work | Price | Sale |
|---|---|---|
| He Loves Me, He Loves Me Not (2015) (2022) | USD 1,600,000 | Phillips, New York, 2022-05-18 |
| La Cena | USD 1,500,000 | Phillips, New York, 2026-04-29 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2026 to 2027 | María Berrío: Songlines | Minneapolis Institute of Art |
| 2025 to 2026 | Soliloquy of the Wounded Earth | Hauser & Wirth, New York (22nd Street) |
| 2024 | The End of Ritual | Victoria Miro, London |
| 2023 | The Children's Crusade | Institute of Contemporary Art, Boston |
| 2022 | The Land of the Sun | Victoria Miro, Venice |
| 2021 | Esperando mientras la noche florece (Waiting for the Night to Bloom) | The Norton Museum of Art, West Palm Beach |
| 2023 to 2024 | Spirit in the Land | Nasher Museum of Art, Duke University; traveled to Perez Art Museum Miami and Cummer Museum of Art and Gardens |
| 2017 to 2018 | Prospect.4 Triennial | New Orleans |
Awards and honors
- amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS (2023)
- NYFA Fellowship in Painting (2018)
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne has been published for this artist. Works are verified through her representing galleries, Hauser and Wirth and Victoria Miro.
Primary reference: https://www.hauserwirth.com/artists/maria-berrio/
What collectors should know
Berrío's market is still developing, with a small number of headline auction results rather than a long, densely traded history, so any single sale can move the picture more than it would for a more established name. Her 2020s move into representation by Hauser and Wirth, alongside her existing relationship with Victoria Miro, is one of the strongest available signals of continued institutional and market support. There is no catalogue raisonne, so provenance and verification through her representing galleries matter more than usual when evaluating a specific work.
Further reading and resources
Data current as of 2026-07-10.

