
Why Otto Marseus van Schrieck matters
Otto Marseus van Schrieck, a Dutch Golden Age painter working in Nijmegen and Amsterdam in the seventeenth century, is credited by modern scholarship as the originator of the sottobosco, or forest floor still life, a darkly atmospheric genre depicting reptiles, insects, fungi, and undergrowth rendered with near scientific precision. His paintings sit in the permanent collections of the Rijksmuseum, the Mauritshuis, the Louvre, and the Metropolitan Museum of Art, making him a fixture of Dutch still-life scholarship even though his commercial auction market remains thin and specialized.
- Nationality
- Dutch
- Media
- Painting
- Movement
- Dutch Golden Age, Sottobosco (forest floor) still life
- Education
- No school, academy, or degree is documented. Sources describe his early training and origins as largely unknown.
- Signature motifs
- Forest floor still life (sottobosco), Snakes, reptiles, and insects
By the numbers
- c. 1619 to 1678Life datesExact birth date undocumented; buried 22 June 1678, Amsterdam
- Sottobosco (forest floor) still lifeGenreWidely credited by scholars as the genre's originator
- EUR 74,240Auction highBouquet of flowers with butterflies, Im Kinsky, Vienna, 7 July 2021
- 6 major institutionsMuseum collectionsIncluding the Rijksmuseum, the Met, and the Louvre
Selected works
Click any work to view it full screen.
Biography
Otto Marseus van Schrieck was born in Nijmegen, in the Dutch Republic. His exact birth date is not established: the scholarly literature gives estimates ranging from about 1613 to 1619 or 1620, and no single date has become the settled consensus. Little is documented about his early training or teachers. Secondary art-historical accounts describe him spending time in Rome and Florence, roughly from 1652 to 1657, before he settled in Amsterdam, where he worked for the remainder of his career; this period is less firmly documented than his later Amsterdam years and should be read with some caution. He died in Amsterdam and was buried on 22 June 1678; no date of death distinct from the burial record appears in the standard reference sources.
Marseus van Schrieck specialized in the genre he is widely credited with inventing: the sottobosco, or forest floor still life, showing snakes, lizards, toads, butterflies, mushrooms, and thistles set against dark undergrowth, studied from live specimens he is said to have kept and observed. His still lifes were acquired by major European courts and collections during his lifetime and afterward, including the Liechtenstein princely collections.
Critical reception
Marseus van Schrieck's modern reputation rests chiefly on his status as the inventor of the sottobosco still life. The Art Newspaper, reviewing a scholarly monograph on the artist in 2018, described him as "the inventor of the 'forest floor' still-life," a genre also known by the Italian term sottobosco. Museums including the Rijksmuseum Twenthe have organized exhibitions built around his role in bridging naturalist observation and painting, and his work is frequently discussed alongside contemporaries such as Maria Sibylla Merian for its scientific engagement with flora and fauna.
Market
Public auction data for Otto Marseus van Schrieck is sparse, reflecting his status as a specialist Old Master rather than an artist with regular market turnover. The best-documented result identified in current research is Bouquet of flowers with butterflies, sold at Im Kinsky in Vienna on 7 July 2021 for EUR 74,240 including fees and Austrian VAT. Other recorded results are considerably lower, in the low five figures, roughly EUR 10,000 to 16,000, at houses including Dorotheum in Vienna and Lempertz in Cologne; exact figures and dates were not confirmed in current research. Sotheby's has also offered lots by the artist in recent Old Master sales; estimate and realized price figures for those lots were not confirmed in current research. Collectors should treat any single result as a data point in a thin, low-volume market rather than evidence of a stable price trend.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Bouquet of flowers with butterflies (1670s) | EUR 74,240 (incl. fees and Austrian VAT) | Im Kinsky, Vienna, Austria, 2021-07-07 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| Date not confirmed | Medusa's Menagerie: Otto Marseus van Schrieck and the Scholars | Staatliches Museum Schwerin, Germany |
| Date not confirmed (announced) | Otto Marseus van Schrieck (ca. 1620 to 1678) en de ontdekking van de Bybel der natuure | Rijksmuseum Twenthe, Enschede, Netherlands |
| Ongoing | Still Life with Poppy, Insects, and Reptiles (permanent collection) | The Metropolitan Museum of Art, New York |
| Ongoing | Plants and Insects (permanent collection) | Mauritshuis, The Hague |
| Ongoing | Forest floor still life (permanent collection) | Rijksmuseum, Amsterdam |
| Ongoing | Snakes and Butterflies (permanent collection) | Musee du Louvre, Paris |
| Ongoing | Flowers, Insects and Reptiles (permanent collection) | The Fitzwilliam Museum, Cambridge |
Museum collections
- Mauritshuis, The Hague
- Rijksmuseum, Amsterdam
- Herzog Anton Ulrich-Museum, Braunschweig
- Musee du Louvre, Paris
- The Fitzwilliam Museum, Cambridge
- The Metropolitan Museum of Art, New York
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for this artist. Attribution rests on museum curatorial departments, such as those of the Rijksmuseum and the Metropolitan Museum of Art, and on the expertise of established Old Master auction specialists including Christie's, Sotheby's, Dorotheum, and Im Kinsky.
Primary reference: https://www.metmuseum.org/art/collection/search/436976
What collectors should know
No catalogue raisonne of Marseus van Schrieck's work has been identified, and attribution rests on museum curatorial departments and established Old Master auction specialists rather than a dedicated scholarly catalogue. His birth date is not settled in the literature, with estimates spanning roughly 1613 to 1620, and collectors should expect biographical and market reference sources to vary on this point. The auction market is thin, with only a small number of documented public sales and a wide spread between recorded results, so pricing should be assessed work by work with close attention to provenance and condition rather than by reference to a broad market trend.
Further reading and resources
Data current as of 2026-07-16.

