
Why Peter Coffin matters
Peter Coffin is a multidisciplinary American artist whose sculptures, installations, videos, sound works, and photographs have entered the permanent collections of MoMA, the Guggenheim, LACMA, the Hirshhorn, and other major museums, even though his auction market remains small and largely untested. For a collector, he represents a case where deep institutional validation runs well ahead of a thin, price-modest secondary market, making museum history rather than auction data the primary signal of standing.
- Nationality
- American
- Media
- Sculpture, Installation, Video, Sound, Photography
- Movement
- Contemporary, Conceptual art
- Education
- University of California, Davis, BA and BS 1995; Carnegie Mellon University, MFA 2000
- Signature motifs
- "Optical and perceptual phenomena", "Nature and pseudo-science imagery"
- Representation
- Herald St, London, Haydon Boss, San Francisco
By the numbers
- USD 182,500Auction highPirate, Christie's New York, 2012
- 1972BornBerkeley, California
- Herald St, London; Haydon Boss, San FranciscoRepresented by
- MoMA, Guggenheim, LACMA, Hirshhorn, and othersMuseum collections
Biography
Peter Coffin was born in 1972 in Berkeley, California. He earned a BA and BS from the University of California, Davis in 1995, followed by an MFA from Carnegie Mellon University in 2000. He lives and works in New York City.
Coffin's practice spans sculpture, installation, video, sound, photography, assemblage, performance, and painted walls, often taking nature, science, pseudo-science, and everyday urban happenstance as starting points. His public projects include Untitled (Sculpture Silhouettes), a 2009 commission for City Hall Park in New York presented by the Public Art Fund, and Untitled (Tree Pants), a permanent installation at the Wanås Foundation Sculpture Park in Sweden made in collaboration with Levi Strauss & Co., in which denim was tailored to fit trees.
His exhibition history includes solo presentations at the Barbican Centre in London, the CCA Wattis Institute for Contemporary Arts in San Francisco, Crédac in Ivry-sur-Seine, and a 2013 to 2014 solo exhibition, Peter Coffin: Here & There, at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. In 2009 he held the Jane and Marc Nathanson Distinguished Artist in Residence position at the Aspen Art Museum. According to the most recent available biographical listings, he is represented by Herald St in London and Haydon Boss in San Francisco.
Critical reception
Institutional writing on Coffin consistently frames him through the range and playfulness of his practice rather than through a single signature medium. The Hirshhorn's curatorial text for his 2013 to 2014 exhibition described an unpredictable and eclectic body of work that often carries a sense of joy and humor, with departure points running from nature and pseudo-science to psychological displacement and urban happenstance, but with a constant undercurrent of exuberant subversiveness. The critical picture that emerges is of an artist read primarily through museum and biennial-adjacent contexts rather than through auction results.
Market
Coffin's auction market is thin. According to available auction summaries, realized prices for his work have ranged from about USD 100 to USD 182,500, depending on the size and medium of the piece. His auction high is Pirate, which sold for USD 182,500 at Christie's New York in 2012, a figure that has stood as his record since. No dossier source identifies a more recent or higher sale.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Pirate (2012) | USD 182,500 (USD 182,500) | Christie's, New York |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2013 to 2014 | Peter Coffin: Here & There | Hirshhorn Museum and Sculpture Garden, Washington, D.C. |
| 2009 | Jane and Marc Nathanson Distinguished Artist in Residence: Peter Coffin | Aspen Art Museum, Aspen, Colorado |
| 2008 to 2009 | The Exhibition Formerly Known as Passengers: 2.8 Peter Coffin | CCA Wattis Institute for Contemporary Arts, San Francisco |
| 2009 | Untitled (Sculpture Silhouettes) | City Hall Park, New York, presented by the Public Art Fund |
| 2009 | Peter Coffin | Barbican Centre, London |
| 2015 | Fjord bank glyphs quiz vext Cwm | Herald St, London |
| 2010 | Qualunque Light | Crédac, Ivry-sur-Seine, France |
| n.d. | Untitled (Tree Pants) | Wanås Foundation Sculpture Park, Skåne, Sweden |
Museum collections
- Museum of Modern Art, New York
- Solomon R. Guggenheim Museum, New York
- Los Angeles County Museum of Art
- Hirshhorn Museum and Sculpture Garden, Washington, D.C.
- Museum of Fine Arts, Boston
Awards and honors
- Jane and Marc Nathanson Distinguished Artist in Residence, Aspen Art Museum (2009)
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne has been identified for this artist. Authentication and provenance questions are best directed to the artist's studio or to his current representing galleries.
Primary reference: https://whitney.org/artists/11265
What collectors should know
Coffin's market is defined by scarcity and range rather than by a smooth price trend: auction results span from roughly USD 100 to just over USD 182,500, and the small number of public sales means any single result should be read with caution rather than as a market trend. There is no catalogue raisonne, so provenance and attribution should be confirmed through the artist's studio or his current representing galleries. His strongest asset for a collector is the breadth of his museum collection history, spanning MoMA, the Guggenheim, LACMA, the Hirshhorn, and the Museum of Fine Arts, Boston, which points to durable institutional interest even where auction liquidity remains limited.
Further reading and resources
Data current as of 2026-07-16.

