Artist

Philip de Koninck

Dutch, 1619 to 1688

Painting

Philip de Koninck

Philip de Koninck, usually catalogued as Philips Koninck, is one of the defining panoramic landscape painters of the Dutch Golden Age. His sweeping, high-horizon views of the Dutch countryside are held by the National Gallery in London, the Rijksmuseum, the Metropolitan Museum of Art, the Getty, and other major encyclopedic museums, and he worked in close proximity to Rembrandt's Amsterdam circle. For collectors, he represents a category distinct from the contemporary market entirely: a scarce, museum-anchored Old Master name whose value case rests on scholarship and provenance rather than on gallery representation or a recent sales record.

Born
1619-11-05, Amsterdam, Dutch Republic
Nationality
Dutch
Media
Painting
Movement
Dutch Golden Age
Education
No formal academic training documented. Trained in the workshop of his elder brother, the painter Jacob Koninck, in Rotterdam. The early biographer Arnold Houbraken linked him to Rembrandt's circle in Amsterdam, but this apprenticeship is not independently confirmed.
Signature motifs
Panoramic landscape views, High-horizon river valleys
  • 1619 to 1688LifespanDutch Golden Age landscape painter
  • 8+ major institutionsMuseum collectionsNational Gallery, Rijksmuseum, Metropolitan Museum, Getty, and others
  • None publishedCatalogue raisonneRKD maintains a scholarly artist record
  • NoneGallery representationHistorical artist; market activity occurs through auction houses

Philip de Koninck was born in Amsterdam on 5 November 1619, the son of a jeweller. He is generally described as the younger brother of the painter Jacob Koninck, and standard accounts hold that he trained first in Jacob's workshop in Rotterdam. The eighteenth-century biographer Arnold Houbraken later linked him to Rembrandt's circle in Amsterdam, where de Koninck is thought to have settled around 1641, though this specific apprenticeship claim is not independently documented and should be treated as tradition rather than certainty.

De Koninck became known above all for expansive, elevated views over flat Dutch terrain, a genre in which he had few rivals, though contemporaries also valued him for portraits, history subjects, and genre scenes. He died in Amsterdam in 1688. Sources agree on the year and city of his death but differ on the exact day: Wikipedia gives 4 October 1688 as the date of death, while Art UK records his burial in Amsterdam on 6 October 1688. No single day of death is independently confirmed by a primary record, so this profile treats 1688, Amsterdam as the verified fact and leaves the precise day unresolved.

Institutional description rather than contemporary criticism defines how de Koninck is discussed today, since he predates the modern critical press. The National Gallery in London, which holds several of his paintings, presents him as a leading figure in panoramic Dutch landscape painting of the seventeenth century. Art UK similarly places him within a family of Koninck painters as one of its best known members. No exact, attributable quotation from a named critic writing in a major contemporary outlet could be confirmed, so none is presented here.

Because de Koninck is a seventeenth-century Old Master, his market operates through periodic auction appearances rather than gallery representation, and no catalogue raisonne has been confirmed to exist. The RKD, the Netherlands Institute for Art History, maintains a scholarly artist record used by dealers and museums, but this is a research database rather than a published catalogue raisonne or authentication program.

No single sale can currently be confirmed, with full sourcing, as his all-time auction record. The aggregator MutualArt reports realized prices for paintings as high as USD 1,696,000 and for works on paper up to USD 119,500, but the specific work, sale house, location, and date behind that top figure are not independently verified in public sources as of this writing. Collectors should treat any circulating "record price" claim for this artist with caution until it can be tied to a named work, house, and sale date.

Top auction results

WorkPriceSale
Highest realized price on aggregator record (exact title, house, and sale date not publicly confirmed)USD 1,696,000

Selected exhibitions

YearsExhibitionVenues
OngoingPermanent collection holdingsNational Gallery, London
OngoingLandscape with Cottages by a Road, 1655Rijksmuseum, Amsterdam
OngoingPanoramic View with a River, 1648 to 1649Metropolitan Museum of Art, New York
OngoingA Panoramic Landscape, 1665J. Paul Getty Museum, Los Angeles
OngoingPermanent collection holdingsAlte Pinakothek, Munich; Detroit Institute of Arts; Fine Arts Museums of San Francisco; State Hermitage Museum, St. Petersburg
2019Distant Panoramas (400th-anniversary essay series)Eclectic Light Company (online)

Museum collections

  • National Gallery, London
  • Rijksmuseum, Amsterdam
  • Metropolitan Museum of Art, New York
  • J. Paul Getty Museum, Los Angeles
  • Alte Pinakothek, Munich
  • Detroit Institute of Arts, Detroit
  • Fine Arts Museums of San Francisco
  • State Hermitage Museum, St. Petersburg

Authentication and provenance

No catalogue raisonne.

No published catalogue raisonne has been confirmed for this artist. The Dutch RKD (Netherlands Institute for Art History) maintains a scholarly artist record, and works are typically authenticated through provenance research, connoisseurship, and museum scholarship rather than through a certificate program.

Primary reference: https://www.nationalgallery.org.uk/artists/philips-koninck

De Koninck's name appears in the market and in reference literature under several forms, including Philips Koninck, Philip de Koninck, and the inverted museum-catalogue form "de Koninck, Philips." These refer to the same artist, and buyers researching him should check auction databases under all three variants. There is no gallery or estate representation to consult, since he is a historical figure whose works circulate through Old Master sales and pass through private and museum collections; provenance history and RKD documentation carry the weight that a certificate program or catalogue raisonne would carry for a modern artist. Given the absence of a confirmed, fully sourced record price, collectors should be skeptical of any single headline figure and instead look at comparable panoramic landscapes with clear exhibition and publication history.

Data current as of 2026-07-11.

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