Artist

Pietro Cipriani

Italian, 1680 to 1745

Sculpture · Bronze casting

Pietro Cipriani

Pietro Cipriani was an early eighteenth century Florentine sculptor and bronze caster whose documented body of work is anchored by a single, well-provenanced piece now in the permanent collection of the J. Paul Getty Museum. He worked in the tradition of Florentine bronze casters who supplied British Grand Tour patrons with reductions of celebrated antique and Renaissance sculpture, and dealer research links him to Massimiliano Soldani-Benzi, one of the leading bronze founders to the Medici court. His significance for collectors rests less on a broad, well documented market history, which the surviving record only thinly supports, than on the survival, documentation, and museum placement of one major Grand Tour era commission.

Nationality
Italian
Media
Sculpture, Bronze casting
Movement
Italian Baroque
Education
No formal academy or degree record confirmed. Provenance research on his documented Medici Venus and Dancing Faun bronze describes him as a former pupil and assistant of the Florentine sculptor Massimiliano Soldani-Benzi.
Signature motifs
Bronze reductions of antique and Renaissance sculpture for Grand Tour patrons
  • Medici Venus and Dancing FaunDocumented workBronze, commissioned 1722, Shirburn Castle
  • J. Paul Getty MuseumMuseum collectionLos Angeles
  • Pupil of SoldaniTrainingper Katz Gallery provenance research
  • None documentedCatalogue raisonnesingle fully provenanced work known
  • EUR 20,480Auction highDancing Faun, Il Ponte Casa d'Aste, Milan, 2026; exact sale date unconfirmed

Pietro Cipriani's birth and early training are not documented with precision. Museum authority files place his working life at approximately 1680 to 1745 and identify him as an Italian sculptor active in Florence. Provenance research on his documented Medici Venus and Dancing Faun bronze describes him as a former pupil and assistant of Massimiliano Soldani-Benzi, the prominent Florentine sculptor and bronze founder to the Medici court. No school enrollment, academy diploma, or other formal education record has been located.

Cipriani's best documented work is a bronze reduction of the Medici Venus paired with a Dancing Faun, commissioned in January 1722 in Florence by the Hon. George Parker for his father, Sir Thomas Parker, 1st Earl of Macclesfield, for display at Shirburn Castle in Oxfordshire. The bronzes are catalogued as the work of "Pietro Cipriani, Bronzista Fiorentino." They remained with the Parker family, the Earls of Macclesfield, until the estate's dispersal in 2005, when they were sold through Katz Gallery to the J. Paul Getty Museum in Los Angeles. Museum authority records (Getty, MutualArt) and library subject records (OpenLibrary) converge on a death date of approximately 1745, though no exact date or place of death has been confirmed.

Cipriani's reputation rests on provenance research tied to a single major commission rather than a body of later critical writing. Dealer research describing him as a pupil and assistant of Soldani situates him within the well-regarded circle of Florentine bronze casters serving British collectors in the early eighteenth century. Beyond that research and the Getty Museum's own cataloguing of the Medici Venus and Dancing Faun, no substantial critical literature specific to Cipriani has been located.

The Getty's Medici Venus and Dancing Faun bronze is the only Cipriani work with a fully documented provenance chain, and it reached the museum through a private sale, brokered by Katz Gallery, following the 2005 dispersal of the Macclesfield estate at Shirburn Castle, rather than through public auction. Separately, market databases record other bronzes attributed to Cipriani appearing at public auction: the highest documented result is a work also titled Dancing Faun, which sold for EUR 20,480 at Il Ponte Casa d'Aste in Milan in a 2026 antique art sale; an exact sale date has not been published. These attributions rest on the selling houses' own cataloguing rather than a Getty style provenance chain, so prices for individually attributed works should be treated with caution. No gallery or estate currently lists itself as his representative.

Top auction results

WorkPriceSale
Dancing Faun (2026)EUR 20,480Il Ponte Casa d'Aste, Milan

Museum collections

  • J. Paul Getty Museum, Los Angeles

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne exists for Pietro Cipriani. Only one work has a fully documented provenance chain, a bronze Medici Venus and Dancing Faun, traced from its 1722 commission through descent in the Parker family (Earls of Macclesfield) at Shirburn Castle until 2005, then sold via Katz Gallery to the J. Paul Getty Museum. Other bronzes attributed to him and sold at auction, such as a Dancing Faun sold at Il Ponte in Milan in 2026, rely on the auction house's own cataloguing rather than a documented provenance chain. Attribution of any other object bearing his name should rest on comparably documented provenance.

Primary reference: https://www.getty.edu/cona/CONAFullSubject.aspx?subid=700008153

Because so few securely attributed Cipriani works are known, and no catalogue raisonne exists, any object offered as his should be evaluated on the strength of its provenance, ideally traceable through a documented commission comparable to the Macclesfield, Shirburn Castle Medici Venus and Dancing Faun now at the Getty. Auction house attributions, such as the Dancing Faun sold at Il Ponte in Milan in 2026, rest on the selling house's own cataloguing rather than a comparable documented chain, and should be weighed accordingly. Collectors should also take care with identity: the name Pietro Cipriani is shared by several unrelated people, including a nineteenth century Italian physician and politician and a number of living professionals with no connection to art, and none of their histories should be attributed to this Florentine bronze caster.

Data current as of 2026-07-13.

Become a Member

For 400 years, art has been a cornerstone of wealth and culture.Now it's open to you.

Masterworks lets you invest in shares of blue-chip works by artists like Basquiat, Banksy, and Picasso.

Inquire about membership