Pizza Ninja

No source located in research confirms an individual person operating under the legal or professional name "Pizza Ninja," and no birth date, death date, or living status can be established for such a person. The documented human creative contributor behind the collection's imagery is the artist Boozy, credited across multiple industry sources with the artwork for Pizza Ninjas. The collection itself was produced by the Ninjalerts team, led by Trevor Owens, with co-founders Max Savin and Sihoon Kim, and was inscribed on the Bitcoin blockchain in January 2024. No documented schools, degrees, or formal art education could be confirmed for any individual tied to this name; a satirical, unverifiable "gas station academy" entry appears on an unrelated LinkedIn profile and is not treated as fact here.

Coverage of Pizza Ninja is concentrated in NFT and crypto trade press, which frames the Sotheby's sale as a milestone for Bitcoin Ordinals entering a traditional auction house. No quotations from named critics writing in major art publications were located, and no verified major awards or honors could be confirmed. A claim of a 2025 animation award appears only in a single self-published video with no independent corroboration and is not treated as documented fact here.

The highest confirmed auction price associated with this name is USD 139,700 (2.23 BTC), paid for Pizza Ninja 1 ("The Angel") at Sotheby's in March 2024, against a pre-sale estimate of USD 20,000 to 30,000. Multiple independent industry sources report this figure and the venue consistently. The exact calendar date and sale location within Sotheby's operations are not specified in the sources reviewed. No later sale of a Pizza Ninja work exceeding this price has been documented as of this profile's data date. The available public record reflects a single high-profile transaction rather than a track record of repeat sales.

This is a Bitcoin Ordinals digital collectible project rather than a gallery-represented individual artist with a conventional exhibition and collecting history. There is no catalogue raisonne, no confirmed museum collection holdings, and no traditional gallery or estate representation; on-chain inscription via the Ordinals protocol functions as the primary form of provenance. The market record rests on one widely reported sale rather than a pattern of repeat transactions, so any pricing narrative should be treated with caution given the thin sample size.