Why Reza Derakhshani matters
Reza Derakhshani is among the most consistently visible Iranian painters of his generation, an artist whose large, richly worked canvases of hunting scenes and Persian mythology have moved between museum collections in Europe, Russia, and the United States and a fast-growing auction market centered in Tehran. For a collector, he is a useful case study in an artist whose institutional standing is well established internationally while his highest recorded prices are set in a market, Iranian auctions, that trades in a currency and under conditions unfamiliar to most Western buyers.
- Nationality
- Iranian
- Media
- Painting, Mixed-media
- Movement
- Contemporary Iranian art, Iranian modern art
- Education
- Diploma in Mathematics (location and year unspecified); BA in Visual Art, University of Tehran, 1976; further studies, Pasadena School of Art, California, 1978
- Signature motifs
- Persian mythology and hunting scenes, Simorgh iconography, Mixed media with tar, glitter, and gold leaf
- Representation
- Leila Heller Gallery (New York and Dubai), Opera Gallery
By the numbers
- IRR 80,000,000,000 (approx. USD 250,000)Auction highThe Simorgh Hunting, Tehran Auction, 1 July 2022
- Leila Heller Gallery; Opera GalleryRepresented by
- 1952, Sangsar, IranBorn
- Metropolitan Museum of Art; British Museum; State Russian Museum; and othersMuseum collections
Biography
Reza Derakhshani was born in 1952 in Sangsar, in northeastern Iran. He earned a diploma in mathematics before turning to formal art training, and in 1976 he graduated with a BA in Visual Art from the Faculty of Fine Art at the University of Tehran. He went on to study visual arts at the Pasadena School of Art in California in 1978.
Derakhshani works as a painter, and is also known as a musician and performance artist, a combination reflected in the layered, gestural surfaces of his paintings, which mix oil, tar, glitter, and gold leaf. His recurring subjects draw on Persian mythology and history, most often via hunting scenes and the mythic bird Simorgh, alongside garden and landscape imagery that recalls Persian miniature painting reworked at a monumental scale. Sources describe him dividing his time in recent years among several bases, including the United States and locations in Europe and Russia, and he continues to exhibit and work actively.
Public gallery and museum sources emphasize exhibitions and collection holdings rather than named prizes, and no formally documented award could be confirmed for this profile. In 2016 he had two major solo museum exhibitions in the same year, "The Breeze at Dawn" at the State Russian Museum in St. Petersburg and a solo show at Kunstsammlungen Chemnitz (Museum Gunzenhauser) in Germany, his first painting exhibition in that country.
Critical reception
Derakhshani is widely described in gallery and museum literature as one of the leading Iranian painters of his generation, credited with translating Persian mythological and pastoral subject matter into a large-scale, materially dense contemporary idiom. His museum presence, including exhibitions at the State Russian Museum and Kunstsammlungen Chemnitz in the same year, 2016, and holdings at the Metropolitan Museum of Art and the British Museum, has reinforced that reputation on an institutional level. No verbatim, attributable review from a named critic at a major outlet could be confirmed for this profile, so his critical standing here rests on institutional recognition and museum programming rather than quoted criticism.
Market
Derakhshani's auction market is anchored in Iran. His recorded high is "The Simorgh Hunting," which sold for 80,000,000,000 Iranian rials, reported at the time as roughly USD 250,000, at the 16th Tehran Auction on 1 July 2022. Tehran Times described it as the most expensive artwork sold at that sale. His next-highest recorded results are "Counting Days and Nights, Every Day and Every Night," sold at Tehran Auction in 2021 for a price reported variously between USD 168,000 and USD 226,000 depending on the source, and an untitled 2010 canvas that sold for USD 221,000 at Christie's Dubai on 16 March 2016, his highest confirmed result at a major Western house. The gap between his Iran-based results and his results at Western houses is wide, and currency conversions for the rial-denominated Tehran Auction figures depend on the exchange rate used at the time of sale.
Top auction results
| Work | Price | Sale |
|---|---|---|
| The Simorgh Hunting (2022) | USD 250,000 (IRR 80,000,000,000) | Tehran Auction, Tehran, Iran, 2022-07-01 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2025 to 2026 | Crowns & Leaves: The Blue Season | Leila Heller Gallery, New York |
| 2025 | I Paint Your Grace, I Paint Your Pain, I Paint Love | Leila Heller Gallery, Alserkal Avenue, Dubai |
| 2020 | The Shadow of a Fig Tree Quiets My Soul | Leila Heller Gallery, New York |
| 2016 | The Breeze at Dawn | State Russian Museum, St. Petersburg |
| 2016 | Solo exhibition | Kunstsammlungen Chemnitz (Museum Gunzenhauser), Germany |
| 2002 | Retrospective | House of Artists, Tehran |
Museum collections
- Metropolitan Museum of Art, New York
- British Museum, London
- Tehran Museum of Contemporary Art
- State Russian Museum, St. Petersburg
- Kunstsammlungen Chemnitz / Museum Gunzenhauser, Germany
- Salsali Private Museum, Dubai
- Passargad Museum, Tehran
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for the artist. Works are documented through the artist's own exhibition archive and CV and through the galleries that have represented him, principally Leila Heller Gallery.
Primary reference: https://www.leilahellergallery.com/artists/reza-derakshani2
What collectors should know
Most of Derakhshani's highest recorded prices have been set at Tehran Auction, in Iranian rials, which means dollar-equivalent figures are estimates tied to the exchange rate at the time of sale rather than a fixed benchmark. His highest confirmed result at a major Western house, Christie's Dubai, is well below his Tehran Auction record, so a single headline price does not describe his full market. There is no published catalogue raisonne, so provenance and documentation should be checked against his exhibition history and the galleries, principally Leila Heller Gallery, that have represented him.
Further reading and resources
Data current as of 2026-07-16.

