Artist

Richard Texier

French, b. 1955

Painting · Sculpture · Printmaking

Richard Texier

Richard Texier is a French painter, sculptor, and printmaker who has spent five decades building a personal visual cosmogony, an imagined universe of astronomy, myth, and hybrid animal forms rendered across canvas, bronze, and paper. He carries three French state honors, including the title Peintre officiel de la Marine, and his work sits in museum and institutional collections spanning Taiwan, Shanghai, Luxembourg, Brussels, Paris, and the European Parliament. His secondary market is modest and concentrated in French auction houses, which makes him a case study in an artist with strong institutional standing and a thin, still-developing auction record.

Born
1955-06-28, Niort, France
Nationality
French
Media
Painting, Sculpture, Printmaking
Movement
Contemporary art
Education
École spéciale d'architecture, Paris, from 1973, degree in architecture; doctorate in plastic arts, Université Paris I Panthéon-Sorbonne, 1982 per Artprice's biographical record
Signature motifs
Personal cosmogony and astronomy-derived imagery, Mythological bronze animal forms
Representation
Maruani Mercier, Galerie Sagot-Le Garrec
  • EUR 433,050 (single-source, uncorroborated)Highest reported auction priceMundo Rhino, sculpture, Masterpiece Fine Art Auction, Singapore, reported 2014, exact sale date unknown
  • Named 2015Peintre officiel de la Marine
  • Officier, 2016Ordre national du Merite
  • Maruani Mercier; Galerie Sagot-Le GarrecRepresented by

Richard Texier was born on 28 June 1955 in Niort, France. He moved to Paris in 1973 to study at the Ecole speciale d'architecture, earning a degree in architecture, and went on to complete a doctorate in plastic arts at the Sorbonne, in what is now Universite Paris I Pantheon-Sorbonne. Artprice's biographical record dates the doctorate to 1982.

Texier developed a practice that fuses painting, sculpture, and printmaking around themes drawn from the history of astronomy and his own invented cosmography, producing bronze mythological animal forms and large abstract paintings. Major bodies of work include the Theoria Sacra series, shown at Galerie Pierre Levy in Paris in 2011, and the Pantheo-Vortex series, shown at Galerie Guy Pieters in Saint-Paul-de-Vence in 2014. In 2002 he produced a suite of seven Aubusson tapestries, Suite des droits de l'homme, exhibited at the Musee du President-Jacques-Chirac in Sarran. He was named Chevalier de l'Ordre des Arts et des Lettres in 2014, Peintre officiel de la Marine in 2015, and Officier de l'Ordre national du Merite in 2016. He lives and works in Paris and has also spent extended periods in Shanghai. As of mid-2026 he continues to exhibit actively, including a June to July 2026 show at Galerie Sagot-Le Garrec in Paris and a listed presentation with Maruani Mercier in Knokke.

No verbatim critical assessment from a named critic in a major outlet could be confirmed word for word, so none is quoted here. Institutionally, Texier is presented by his own gallery and website biographies as one of the leading French artists of his generation, a description that reflects his own representation and should be read as such rather than as independent critical consensus. What is independently documented is his institutional footprint: exhibitions and holdings at museums in Taiwan, Shanghai, Luxembourg, Brussels, and Paris, a place in the European Parliament's Contemporary Art Collection, and three French state honors awarded between 2014 and 2016.

Richard Texier: Cosmogonie, interview at CAP Royan (2026) · CAP Royan, via YouTube

Texier's secondary market runs primarily through French auction houses. A documented example is the painting La face Nord, which sold for EUR 2,500 at Millon in Paris on 18 January 2024 (lot 57, Post-War Art Contemporain sale). Artsy's auction-results page for the artist places some results in a general $50,000-plus price band, though it does not itemize titles, houses, or dates for those results. The highest price found for any Texier work is EUR 433,050, reported for the sculpture Mundo Rhino, said to have sold in 2014 at Masterpiece Fine Art Auction in Singapore. That figure comes from a single specialist dealer source, could not be corroborated by independent research, and the exact sale date is unknown, so it should be treated as a reported outlier rather than a firmly established record.

Top auction results

WorkPriceSale
Mundo Rhino (2014)EUR 433,050Masterpiece Fine Art Auction, Singapore

Selected exhibitions

YearsExhibitionVenues
2026Rever l'oceanGalerie Sagot-Le Garrec, Paris
2025 to 2026Gallery exhibition and artist listingMaruani Mercier, Knokke
2019LumiereGalerie Downtown, Paris
2014Pantheo-VortexGalerie Guy Pieters, Saint-Paul-de-Vence
201311 monumental sculptures on Orchard RoadOrchard Road, Singapore
2005Institutional exhibitionShanghai Meishu Guan (Shanghai Art Museum), China
2002Suite des droits de l'homme, 7 tapisseries d'AubussonMusee du President-Jacques-Chirac, Sarran
1982FIACGrand Palais, Paris

Museum collections

  • National Museum of Taiwan
  • Shanghai Museum of Fine Arts
  • National Museum of Luxembourg
  • Musee national de la Marine, Paris
  • Museum of Natural Sciences (Botanical Museum), Brussels
  • Contemporary Art Collection of the European Parliament

Awards and honors

  • Officier, Ordre national du Merite (2016)
  • Peintre officiel de la Marine (2015)
  • Chevalier de l'Ordre des Arts et des Lettres (2014)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been identified for Texier in official, gallery, or museum sources, and no certificate-of-authenticity program is documented. Works are best verified through the artist's current representing galleries, Maruani Mercier and Galerie Sagot-Le Garrec.

Primary reference: http://www.richardtexier.net/bio-en.html

There is no catalogue raisonne for Texier and no documented certificate-of-authenticity program, so provenance and verification through his current galleries, Maruani Mercier and Galerie Sagot-Le Garrec, matter more than usual. His auction activity is thin and concentrated in French sale rooms at modest price points, and the one reported six-figure result, for the sculpture Mundo Rhino in 2014, rests on a single uncorroborated source with no confirmed sale date, so collectors should not treat it as a reliable benchmark for current market value. His strongest, best-documented credentials are institutional: sustained museum collecting across several continents and formal recognition from the French state.

Data current as of 2026-07-18.

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