
Why Rita Angus matters
Rita Angus is one of the central figures of twentieth-century New Zealand art, a painter whose landscapes and portraits helped define a national modernist idiom independent of European models. For a collector, she represents a rare case of a market anchored almost entirely by institutional standing and a small, closely held body of work rather than by a large or continuous auction record.
- Born
- 1908-03-12, Hastings, New Zealand
- Nationality
- New Zealand
- Media
- Painting, Watercolour
- Movement
- New Zealand Modernism
- Education
- Palmerston North Girls' High School, matriculated 1926; Canterbury College School of Art, diploma in fine arts begun 1927, studies continued with interruptions to 1933, diploma not completed; classes at Elam School of Fine Arts, Auckland, c. 1930.
- Signature motifs
- New Zealand landscape, Symbolic self-portraiture
- Representation
- Page Galleries, Wellington
By the numbers
- AUD 828,409Auction highHawke's Bay Landscape, c.1955, Deutscher and Hackett, sold May 2022; sources disagree on the exact day (4 May or 25 May 2022)
- London, 2020 to 2021Royal Academy of ArtsRita Angus: New Zealand Modernist, Sackler Wing
- 1982National Art Gallery retrospectiveWellington
- Page Galleries, WellingtonRepresented by
Selected works
Click any work to view it full screen.
Biography
Rita Angus was born on 12 March 1908 in Hastings, New Zealand. She attended Palmerston North Girls' High School from 1922 to 1926, where her art teacher, G. H. Elliott, encouraged her to pursue painting, and she matriculated in 1926. In February 1927 she enrolled at Canterbury College School of Art in Christchurch to begin a four-year diploma in fine arts, studying life drawing, still life, and landscape painting under tutors including Cecil Kelly and Archibald Nicoll. Her studies continued, with interruptions, to 1933, but she never completed the diploma. Around 1930 she also attended classes at the Elam School of Fine Arts in Auckland.
In 1930 she married Alfred Cook and worked for a period under the name Rita Cook; the couple divorced in 1939. Her painting Cass was included in the National Centennial Exhibition of New Zealand Art in 1940, a showing widely cited as the start of her critical recognition. Her reputation grew steadily over the following decades. She settled in Wellington from 1954 until her death.
Angus was admitted to Wellington Hospital with ovarian cancer and died there on 25 January 1970, at the age of 61. A major retrospective at the National Art Gallery in Wellington in 1982 confirmed her standing as one of the leading artists of her generation.
Critical reception
Critical recognition of Angus built gradually rather than arriving with a single breakthrough. Her inclusion in the 1940 National Centennial Exhibition of New Zealand Art, with the painting Cass, is generally cited as the first turning point. By the 1960s she was recognized as one of the leading figures in twentieth-century New Zealand art. The National Art Gallery's 1982 retrospective cemented that standing after her death, and in 2020 to 2021 the Royal Academy of Arts in London presented Rita Angus: New Zealand Modernist, bringing her work to an international audience for the first time and framing her within a global modernist conversation rather than a purely national one.
Watch
Market
Rita Angus's market is thin by international standards but has produced significant results for a New Zealand artist. Auction databases indicate roughly 228 works by her have come to public sale, most within Australia and New Zealand. Her reported auction high is for Hawke's Bay Landscape, c.1955, sold through the Australian house Deutscher and Hackett for AUD 675,000 hammer, AUD 828,409 with buyer's premium. The sale took place in May 2022, though sources disagree on the exact day, giving either 4 May or 25 May 2022; a precise USD equivalent is not reliably confirmed across sources and is not asserted here. There is no published catalogue raisonne, and works are represented in the market through Page Galleries, Wellington, though the extent of any formal arrangement with the artist's estate is not confirmed in available sources.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Hawke's Bay Landscape, c.1955 | AUD 828,409 (AUD 675,000 hammer) | Deutscher and Hackett, Australia |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 1940 | National Centennial Exhibition of New Zealand Art | New Zealand Centennial Exhibition |
| 1982 | Rita Angus, retrospective | National Art Gallery, Wellington |
| 2019 to 2020 | Rita Angus: New Zealand Modernist, He Ringatoi Hou o Aotearoa | Museum of New Zealand Te Papa Tongarewa, Wellington |
| 2020 to 2021 | Rita Angus: New Zealand Modernist | Royal Academy of Arts, London (Sackler Wing) |
| 2021 to 2022 | Rita Angus: New Zealand Modernist, He Ringatoi Hou o Aotearoa (touring) | Percy Thomson Gallery; Te Whare Taonga o Te Apiti, Manawatu; Waikato Museum, Hamilton |
| n.d. | Rita Angus: Live to Paint and Paint to Live | City Gallery Wellington |
Museum collections
- Museum of New Zealand Te Papa Tongarewa, Wellington
- Christchurch Art Gallery Te Puna o Waiwhetu
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for Rita Angus. Page Galleries, Wellington, hosts an artist biography page for her; the exact scope of any formal estate management, such as reproduction rights or institutional loans, is not confirmed in available sources.
Primary reference: https://www.pagegalleries.co.nz/artists/70-rita-angus/biography/
What collectors should know
Angus's market runs almost entirely through New Zealand and Australia, and public sales are infrequent relative to her institutional stature, so any individual result should be read with caution. Because there is no catalogue raisonne, provenance and direct verification through Page Galleries and, where relevant, the artist's estate carry more weight than they would for an artist with a settled scholarly record. The uncertainty around the exact day of her own auction-record sale, even though the month and year are well documented, is itself a useful signal: even headline figures for this artist require careful cross-checking against primary auction-house records before they are relied upon.
Further reading and resources
Data current as of 2026-07-11.

