Why Sadeghat Jabbari matters
Sadeghat Jabbari, whose name also appears in market records as Sedaghat Jabbari, is an Iranian calligrapher and mixed-media painter who bridges classical Islamic calligraphy and modern canvas painting. He trained formally in calligraphy before earning graduate degrees in graphic arts and a doctorate in art research, and he has combined that scholarly grounding with an active exhibition record across Iran, the Islamic world, and beyond. Several prize claims associated with him rest on a single secondary source and are not independently confirmed. For a collector, he represents the smaller, less liquid tier of the international Islamic and Middle Eastern art market, where regional auction houses such as Tehran Auction, rather than the major international houses, provide most of the public price history.
- Nationality
- Iranian
- Media
- Calligraphy, Mixed-media painting, Graphic arts
- Movement
- Contemporary Iranian calligraphic art, Neo-traditional Iranian painting
- Education
- Calligraphy training, Iranian Calligraphers' Association, from 1980; graphic studies, Faculty of Fine Arts, from 1983; MA in graphics, Tarbiat Modares University, 1988; PhD in art research, University of Tehran, Faculty of Fine Arts (sources give the completion year variously as 2007 or 2002 to 2008)
- Signature motifs
- Calligraphic composition, Gold leaf and traditional pigment on canvas
By the numbers
- USD 65,571Auction highFrom A Hidden Secret Series, Tehran Auction (17th Tehran Auction), 21 Jul 2023; highest documented result found in research, not independently confirmed as an all-time record
- 1961BornArdabil, Iran
Biography
Jabbari was born in 1961 in Ardabil, Iran; one source specifies Kalkhuran village to the north of Ardabil as his birthplace, though this detail has not been independently corroborated. He began training in calligraphy with the Iranian Calligraphers' Association in 1980 and started graphic studies at a faculty of fine arts in 1983. He earned a master's degree in graphics from Tarbiat Modares University in 1988, and a doctorate in art research from the Faculty of Fine Arts at the University of Tehran, where sources give the completion year variously as 2007 or a span of 2002 to 2008. He later held an academic post at the University of Tehran's College of Fine Arts.
His paintings combine traditional tools, including the reed pen, gold leaf, and traditional pigments, with modern materials such as brush and oil paint on canvas, a synthesis Christie's has described in cataloguing his work. Recurring bodies of work referenced in exhibition and auction records include Divine Names, Hidden Secret, and Secret Secret. No obituary, gallery memorial statement, or art-press death notice for the artist has been located in the sources reviewed, and available profiles, including an academic faculty page, are written in the present tense and describe ongoing activity, so he is treated here as living, though an exact current status cannot be independently confirmed beyond this absence of any death record.
Critical reception
Independent, named critical commentary on Jabbari in major art press could not be located in the sources reviewed, and no exact verbatim quote from a named critic in a major outlet is available to cite here. Self-published biographical sources describe him as one of the more prolific artists of his generation, citing participation in more than 150 exhibitions in countries including Saudi Arabia, the United Arab Emirates, Germany, the United States, and England, a reported grand prize and gold medal at the 12th Bangladesh International Biennale in 2006, and inclusion in ArtChart's own "1000 best artists" list and in ArtPrice/Fiac rankings for 2008 to 2010. These claims originate from the platforms that also host his artist profile rather than from independent art criticism, so they should be read as promotional context rather than verified critical consensus.
Market
Jabbari's highest documented auction result is From A Hidden Secret Series, which sold for USD 65,571 at the 17th Tehran Auction on 21 July 2023, the highest price found for his work in the sources reviewed, though this figure could not be independently confirmed as an all-time record. A second work, Untitled, mixed media on canvas dated 2012, sold for USD 34,000 at the 15th Tehran Auction in January 2022. Further works, including pieces described as part of a Secret Secret series and additional examples from a Hidden Secret series, have appeared in Tehran Auction sales, but specific prices for those additional lots could not be confirmed in the sources reviewed. Two of his paintings, Divine Names and Four Gardens, have appeared in Christie's Islamic and Middle Eastern art department listings, though no hammer prices for those lots were available in the sources reviewed. Taken together, the record points to a thin, regionally concentrated secondary market rather than a deep or continuous auction history.
Top auction results
| Work | Price | Sale |
|---|---|---|
| From A Hidden Secret Series | USD 65,571 | Tehran Auction, Tehran, 2023-07-21 |
| Untitled (mixed media on canvas, 2012) (2012) | USD 34,000 | Tehran Auction, Tehran, 2022-01 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 1998 | 4th Sheikh Hamdollah International Calligraphy Competition | Istanbul, Turkey |
| 2000 | Group showing | University of Cambridge, Centre for Islamic Studies, England |
| 2004 | 3rd International Biennial of the Islamic World | Tehran, Iran |
| 2006 | 12th Shilpakala Biennial (Bangladesh International Biennale) | Dhaka, Bangladesh |
| 2011 | Group showing | Richard Heisman Museum of Modern Art, Germany |
| 2011 | Group showing | Kunstner Host complex, Denmark |
| 2015 | Group showing | Ronald Reagan Center, United States |
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for this artist, and no gallery-run certificate-of-authenticity program is documented in the sources reviewed. His works have surfaced at Tehran Auction and in Christie's Islamic and Middle Eastern art sales, which together form the main public record for provenance and attribution.
Primary reference: https://artchart.net/en/artists/sedaghat-jabbari
What collectors should know
Jabbari's public market is built almost entirely on regional auction results, principally from Tehran Auction, with only a small number of additional works catalogued by Christie's without confirmed prices. No catalogue raisonne exists, no gallery is documented as currently representing the artist or an estate, and no named museum has been identified as holding a specific, catalogued work, even though general biographical sources assert that his pieces sit in unnamed museum and private collections in Iran and abroad. Collectors should treat any single auction result as a thin data point, verify works through the auction house of sale, and confirm current representation directly before transacting.
Further reading and resources
Data current as of 2026-07-18.

