Artist

Shepard Fairey

American, b. 1970

Street art · Screen printing · Mixed-media collage

Shepard Fairey

Shepard Fairey is one of the most widely recognized names to cross from street art into museum collections and the auction room. Working under his own name and under the OBEY brand he built from a single skateboarding-scene sticker, he turned propaganda-poster aesthetics into a durable visual language, most famously in the 2008 Barack Obama "HOPE" image. For a collector, he is a case study in a market that is high in public recognition and institutional validation but still thin and unevenly documented at auction, with no single gallery holding exclusive representation.

Born
1970-02-15, Charleston, South Carolina, USA
Nationality
American
Media
Street art, Screen printing, Mixed-media collage
Movement
Street art, Contemporary
Education
Idyllwild Arts Academy, graduated 1988; Rhode Island School of Design (RISD), BFA in Illustration, 1992
Signature motifs
OBEY and Andre the Giant iconography, Stencil-and-collage propaganda portraiture
Representation
Subliminal Projects, Los Angeles (co-founded by the artist), Beyond the Streets, Los Angeles (recurring exhibition partner)
  • USD 735,000Auction highHOPE (Barack Obama, 2008), Heritage Auctions, May 2022
  • 1970BornCharleston, South Carolina
  • RISD, BFA Illustration 1992Education
  • 8+ major institutionsMuseum collectionsincluding MoMA, V&A, Smithsonian NPG

Frank Shepard Fairey was born on February 15, 1970, in Charleston, South Carolina. He graduated from Idyllwild Arts Academy in 1988 and earned a BFA in Illustration from the Rhode Island School of Design in 1992. While a student, he created the "Andre the Giant Has a Posse" sticker in 1989, a project that grew into the OBEY Giant campaign and, later, the OBEY Clothing brand. He co-founded the Los Angeles gallery Subliminal Projects, which remains closely tied to his practice.

Fairey's highest-profile work is the 2008 "HOPE" portrait of Barack Obama, created during the presidential campaign and later acquired by the Smithsonian's National Portrait Gallery. The image also produced a documented legal episode in his career: the Associated Press asserted in 2009 that the poster was based on one of its photographs, and the two sides settled the underlying civil copyright dispute in 2011. A related federal criminal matter followed, and in February 2012 Fairey pleaded guilty to a single count of criminal contempt of court for fabricating and destroying documents in connection with the case. He was sentenced to probation, community service, and a fine, as reported at the time by the Associated Press and other major outlets.

Fairey continues to live and work in the Los Angeles area and remains active on the exhibition circuit, with solo shows and museum appearances scheduled into the second half of 2026.

Institutions have increasingly treated Fairey as a serious figure in contemporary art history rather than only a street artist, a reading reinforced by his presence in the permanent collections of the Museum of Modern Art, the Victoria and Albert Museum, the Smithsonian's National Portrait Gallery, and several other major museums, alongside a long run of solo gallery and museum exhibitions from the early 2000s through 2026. No verbatim, individually attributed review from a named critic or institution in a major outlet could be confirmed for this profile, so none is quoted or specifically attributed here.

Fairey's auction high is HOPE (Barack Obama, 2008), a hand-finished collage, stencil, and acrylic work that sold for USD 735,000 at Heritage Auctions on May 19, 2022, the highest price publicly documented for his work at auction. A lower, medium-specific record of USD 112,500 for the painting Arab Woman (2006) sold at Heritage Auctions on October 10, 2018. His commercial activity is spread across his own Obey Giant platform and a rotating set of partner galleries and project spaces, including Subliminal Projects, Beyond the Streets, Opera Gallery, and Turner Carroll Gallery, rather than a single exclusive representative. That structure, combined with a comparatively small number of high-value public sales, means auction results for Fairey should be read work by work rather than as points on a smooth trend line.

Top auction results

WorkPriceSale
HOPE (Barack Obama, 2008) (2022)USD 735,000Heritage Auctions, 2022-05-19

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Out of PrintBeyond the Streets, Los Angeles
2026Cultivate JusticeTurner Carroll Gallery, Santa Fe
2025 to 2026Facing the Giant: Three Decades of DissentLyman Allyn Art Museum, New London, Connecticut
2024Peace is RadicalReflectSpace Gallery, Glendale Central Library, Glendale, California
2023ICONSSubliminal Projects, Los Angeles
2021Future MosaicOpera Gallery, Dubai
2015On Our HandsJacob Lewis Gallery, New York
2007E Pluribus VenomJonathan LeVine Gallery, New York

Museum collections

  • Museum of Modern Art, New York
  • Victoria and Albert Museum, London
  • Smithsonian National Portrait Gallery, Washington, D.C.
  • Institute of Contemporary Art, Boston
  • Museum of Fine Arts, Boston
  • San Francisco Museum of Modern Art
  • Museum of Contemporary Art, Los Angeles
  • Los Angeles County Museum of Art

Awards and honors

  • Legion of Honour (Chevalier), France (2024)
  • Honorary Doctorate of Fine Arts, Rhode Island School of Design (2021)
  • Art Wynwood Tony Goldman Lifetime Artistic Achievement Award (2017)
  • Honorary Doctorate, Pratt Institute (2015)
  • Tony Goldman Visionary Artist Award (2014)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been identified, and there is no single centralized certificate-of-authenticity program. Fairey sells prints and originals through his own Obey Giant platform alongside a rotating group of partner galleries, and edition authentication generally runs through Obey Giant and its affiliated print studios.

Primary reference: https://obeygiant.com/

There is no catalogue raisonne for Fairey's work, and authentication for prints and editions runs largely through his own Obey Giant platform rather than a single outside authority. His representation is decentralized across several galleries and his own direct-sale channels, and his auction record is anchored by a small number of headline results, most notably the USD 735,000 sale of HOPE in 2022, rather than a deep run of comparable sales. Given his origins in street art and self-published editions, collectors should also pay close attention to edition size, printing method, and chain of custody, since unauthorized reproductions of his most famous images circulate widely outside the market for verified originals.

Data current as of 2026-07-11.

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