Artist

Song Tianlin

Ceramics

Song Tianlin's public record, as it currently stands, is that of an emerging ceramic artist moving between China and Germany, marked by consistent selection into juried international ceramics competitions rather than by an established gallery market or auction history. The interest here for a collector is speculative rather than proven: a track record of award selections at respected ceramics prizes (Danner, Mino, Jingdezhen) signals peer and jury recognition within the ceramics field, but that recognition has not yet translated into any documented secondary market activity as of this writing.

Media
Ceramics
Education
Tianjin Academy of Fine Arts, graduated 2014 (Academy Award for Outstanding Graduation Works). Subsequent study and practice in Germany, evidenced by a 2019 DAAD Graduation Scholarship and a 2017 appearance in the Academy of Fine Arts Munich (AdBK Munich) annual exhibition; the specific German degree program is not independently confirmed.
  • None locatedConfirmed auction recordAs of 2026-07-13; no sale identified across auction house, art price, or press sources
  • 2019DAAD Graduation ScholarshipGermany
  • 12th Mino International Ceramics Competition, 2021Ceramics award selectionJapan

The available record traces a ceramic artist trained first in China and then in Germany. The artist graduated from the Tianjin Academy of Fine Arts in 2014, receiving that school's Academy Award for Outstanding Graduation Works. Work then appears in Germany from 2016 onward, including a Second Prize in the Danner Klassenwettbewerb (2016), a shortlisting for the "China White" International Ceramic Art Grand Prix in France (2017), and an appearance in the Academy of Fine Arts Munich's 2017 annual exhibition. A DAAD Graduation Scholarship followed in 2019, alongside a residency exchange at the European Ceramic Work Centre in the Netherlands (2018) and group exhibitions in Koblenz, Ingelheim, and Frankenthal. A solo exhibition, "Die Erde," was held at the Westerwald Ceramic Museum in Germany in 2020, the same year a work titled "Altar of Light" was selected for the KUNST AKTUELL award and shown at the Rosenheim City Gallery. The most recent confirmed activity is a 2022 shortlisting for the Jingdezhen International Ceramic Art Biennale in China, for a work titled "Landscape."

This biography rests on a single artist CV hosted by the International Academy of Ceramics and could not be corroborated by a second independent source as of 2026-07-13. Basic biographical facts, including an exact birth date, birthplace, and current nationality, are not documented in any source located. No obituary, death notice, or gallery statement of death was found, so the artist is presumed to be living, though this could not be independently confirmed. Readers should also note that the name is a common one: it is distinct from the unrelated NFT artist Song Ting, the artist Song Ling, the Artsy-listed artist Tian Lin, and an engineering researcher named Tianlin Song, none of whom is the ceramic artist described here.

No verbatim critical assessment from a named critic in a major art outlet could be located for this artist. What exists instead is a pattern of jury based recognition: selection or shortlisting across several respected international ceramics prizes, including the Danner Klassenwettbewerb, the "China White" International Ceramic Art Grand Prix, the Mino International Ceramics Competition, and the Jingdezhen International Ceramic Art Biennale, together with a DAAD scholarship. This is a meaningful form of peer validation within the ceramics field, but it should not be mistaken for the kind of sustained museum and press coverage that typically underlies a mature critical reputation.

No sale by an artist named Song Tianlin, or by the name-order variant Tianlin Song, could be located in any auction house record, art price database, or press report as of 2026-07-13. No current gallery or estate representation could be confirmed in the gallery rosters and fair exhibitor lists checked, and no museum collection holding the artist's work could be identified. In short, the public market record for this artist does not yet exist in any verifiable form; what is documented is a competition and residency history within the international ceramics field rather than a commercial track record.

Selected exhibitions

YearsExhibitionVenues
2020Die ErdeWesterwald Ceramic Museum, Germany
2022Jingdezhen International Ceramic Art Biennale (shortlisted work, 'Landscape')Jingdezhen, China
202112th Japan Mino International Ceramics Competition (selected work, 'Tower')Mino, Japan
2020KUNST AKTUELL (selected work, 'Altar of Light')Rosenheim City Gallery, Germany
2019Perron Art Award nomination exhibition (nominated work, 'The End')Frankenthal Kunst Haus, Germany
2019CaluccinoIngelheim Kunstverein, Germany
2018EKWC exchange residency exhibitionEuropean Ceramic Work Centre, Netherlands
2017Jahresausstellung 2017Academy of Fine Arts Munich (AdBK Munich)

Awards and honors

  • Academy Award for Outstanding Graduation Works, Tianjin Academy of Fine Arts (2014)
  • Second Prize, Danner Klassenwettbewerb, Germany (2016)
  • Shortlist, 'China White' International Ceramic Art Grand Prix, France (2017)
  • DAAD Graduation Scholarship, Germany (2019)
  • Perron Art Award nomination, for 'The End' (2019)
  • KUNST AKTUELL selection, for 'Altar of Light' (2020)
  • Selection, 12th Japan Mino International Ceramics Competition (2021)
  • Shortlist, Jingdezhen International Ceramic Art Biennale, for 'Landscape' (2022)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne, certificate of authenticity program, or estate authentication body was located for this artist. The record below is drawn from a single artist CV hosted by the International Academy of Ceramics and could not be independently corroborated by a second source as of 2026-07-13.

Primary reference: https://www.aic-iac.org/wp-content/uploads/CV-Song.pdf

The documentation available for this artist is thin and drawn from a single source, so any decision involving this name should start with direct verification rather than with this profile alone. There is no confirmed auction record, no confirmed gallery representation, no confirmed museum collection, and no catalogue raisonne. Given the common surname and given name components involved, collectors should also independently confirm they are looking at the correct individual before treating any listing, sale, or exhibition credit as belonging to this artist.

Data current as of 2026-07-13.

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