
Why ThankYouX matters
ThankYouX, the professional name of Los Angeles artist Ryan Wilson, is one of the clearer examples of a career built across the seam between street art, painting, and the blockchain art market. He moved from anonymous graffiti in Southern California to gallery walls, museum programs, and auction house sales rooms, at times folding a working screen directly into a painted panel. For collectors, he is a case study in a market that is still forming: institutional signals are growing, but public price history remains thin and split across several different sale formats.
- Nationality
- American
- Media
- Painting, Mixed-media, Digital/NFT art
- Movement
- Street art, Contemporary, Digital art
- Signature motifs
- Geometric abstraction, Physical-digital hybrid works with embedded screens
- Representation
- Plan X Gallery, Kate Vass Galerie
By the numbers
- USD 226,800Auction high (documented)In Search Of, Phillips online timed auction, July 2021, Sound of Color series with Hans Zimmer
- Museum of the Future, Dubai; Bechtler Museum of Modern ArtMuseum inclusion
- Laguna College of Art + DesignBoard of Governorsannounced 2025
- Plan X Gallery; Kate Vass GalerieRepresented by
Selected works
Click any work to view it full screen.
Biography
Ryan Wilson, working as ThankYouX, began his artistic career in 2009 as an anonymous Los Angeles street artist, known early on for graffitied tributes to Andy Warhol. Over the following decade his work shifted from street pieces toward geometric abstraction and layered, pixel-like compositions rendered in paint. Around 2020 he expanded into blockchain-based digital art, becoming a recognized figure in the NFT market while continuing to paint.
His notable collaborations include a 2021 NFT series titled Sound of Color, made with composer Hans Zimmer and sold through Phillips, and a 2022 curatorial role selecting work for Sotheby's Contemporary Day Auction in London. In 2023 he presented Inertia, a solo show of physical, digital, and hybrid works at Sotheby's gallery in Los Angeles. His paintings and hybrid works have been shown in London, Los Angeles, Miami, New York, and Hong Kong. He has been named to the Board of Governors of the Laguna College of Art and Design. No school, degree program, or year of formal art training is documented for Wilson in public sources; his practice appears to have developed directly out of his street art career and later work as a graphic artist and art director. As of 2026 he continues to live and work in Los Angeles.
Critical reception
Coverage of ThankYouX to date is largely institutional and journalistic rather than evaluative art criticism: profiles from Laguna College of Art and Design, Sotheby's, the Recording Academy, and Observer describe his trajectory from street artist to painter to early NFT adopter, and frame him as a bridge between traditional fine art and blockchain-based collecting. His inclusion in institutional programming, at the Museum of the Future in Dubai and the Bechtler Museum of Modern Art, along with his GRAMMYs x OneOf NFT partnership in 2022 and his curatorial role at Sotheby's in London, are the recurring points cited as evidence of his standing. No exact, attributable evaluative quote from a named art critic in a major outlet could be confirmed for this profile, so none is reproduced here.
Market
ThankYouX's market runs across traditional galleries, museum-adjacent presentations, and auction houses, with sales split between paintings, hybrid physical-digital works, and NFTs. The clearest documented public sale price is In Search Of, part of the Sound of Color series made with Hans Zimmer, which sold for USD 226,800 in a Phillips online timed auction in July 2021; the three-work series totaled USD 485,100. Bonhams, working with Nifty Gateway, offered a hybrid collection titled Holding On along with individual works such as Starting Somewhere (estimate GBP 50,000 to 70,000) and Purpose (estimate GBP 60,000 to 80,000) in a Post-War and Contemporary Art sale in London. Confirmed hammer prices for those specific lots are not available in public sources, so they are noted here as market activity rather than as price records.
Top auction results
| Work | Price | Sale |
|---|---|---|
| In Search Of (Sound of Color series, with Hans Zimmer) (2021) | USD 226,800 | Phillips, Online (Phillips), 2021-07-23 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2025 to 2026 | Harmony >< Tension | Fellowship.xyz (curated digital exhibition) |
| 2023 | Inertia | Sotheby's Gallery, Los Angeles |
| 2026 | Perception | Art Basel Hong Kong, with Plan X Gallery |
| 2024 | Untitled Art Miami Beach | Kate Vass Galerie, Booth A43, Miami |
| 2022 | Contemporary Day Auction (curatorial project) | Sotheby's, London |
| 2021 | Sound of Color (NFT series with Hans Zimmer) | Phillips (online) |
| 2022 | Holding On (hybrid physical-digital collection) | Bonhams, in partnership with Nifty Gateway |
| 2009 | Early street art, anonymous graffiti tributes to Andy Warhol | Los Angeles, California |
Museum collections
- Museum of the Future, Dubai
- Bechtler Museum of Modern Art, Charlotte, North Carolina
Authentication and provenance
No catalogue raisonne.
No published catalogue raisonne has been identified for this artist and no formal certificate-of-authenticity program is documented. Verification questions are best directed to the artist's current representing galleries, Plan X Gallery and Kate Vass Galerie, or to the artist's own studio.
Primary reference: https://thankyoux.com/
What collectors should know
There is no catalogue raisonne for ThankYouX, and public auction history is limited to a small number of confirmed sales, most notably a 2021 NFT sale through Phillips, alongside estimate-stage listings at Bonhams whose final prices are not public. Because his output spans paintings, hybrid works with embedded digital screens, and blockchain tokens, collectors should treat the medium and format of any specific work as central to its comparability with past sales, rather than assuming a single price trend across his practice. His current gallery relationships, with Plan X Gallery and Kate Vass Galerie, and his growing museum presence are the strongest available signals of institutional support, while the birth date, birthplace, and formal training of the artist remain undocumented in public sources as of this writing.
Further reading and resources
Data current as of 2026-07-11.

