Artist

Trey Abdella

American, b. 1994

Painting · Sculpture · Assemblage

Trey Abdella represents an early-career test case for how a young painter's market forms in real time: institutional documentation from Art21 and museum solo shows on one side, a still-thin auction history concentrated at a single house in Hong Kong on the other. He is a useful profile for collectors trying to understand what durable signals, museum collections, gallery representation, sustained exhibition history, look like before a large secondary market has had time to develop.

Nationality
American
Media
Painting, Sculpture, Assemblage
Movement
Contemporary
Education
West Virginia University, one year (transferred); BFA in Illustration, School of Visual Arts, 2016; MFA in Painting, New York Academy of Art, 2019
Signature motifs
Found-object assemblage, Embedded kinetic elements, Hyperreal figuration
Representation
Vito Schnabel Gallery
  • HK$3,024,000 (approx. USD 387,700)Auction highSunny Days, Phillips Hong Kong, 2023 (exact sale date not publicly confirmed)
  • Vito Schnabel GalleryRepresented by
  • BFA in Illustration, School of Visual Arts (2016); MFA in Painting, New York Academy of Art (2019)Education
  • 1994, Manassas, VirginiaBorn

Trey Abdella was born in 1994 in Manassas, Virginia, and now lives and works in Brooklyn, New York. He spent a year at West Virginia University before transferring to the School of Visual Arts in New York, where he earned a BFA in Illustration in 2016. He went on to earn an MFA in Painting from the New York Academy of Art in 2019, where he received the Chubb Fellowship, the Leipzig Summer Residency, the Jane and Jimmy Buffett Scholarship, and the President's Scholarship. Art21, which profiled him in its New York Close Up series, has noted that he got into trouble often as a child and first turned to making art as a way of working through that experience.

Abdella's paintings and sculptural assemblages blur the line between mediums, combining acrylic, resin, and fiberglass with found objects such as wigs, fake flowers, toys, and holiday decorations, and sometimes incorporating 3D hologram fans or working mechanical parts. Art21 describes his practice as pushing painting's boundaries by embedding found objects and kinetic, interactive elements that extend the image into three-dimensional space.

His exhibition history moved quickly through international galleries: solo shows at T293 in Rome (2019 and 2021), Konig Galerie in Berlin and Seoul (2021), and a solo exhibition at the X Museum in Beijing (2022). In late 2023 he had solo presentations in New York at both Vito Schnabel Gallery, where he showed Under the Skin, and David Lewis Gallery. His work has since entered the collections of institutions including the Albertina Museum in Vienna, the Institute of Contemporary Art Miami, the Perez Art Museum Miami, the Kistefos Museum in Norway, the X Museum in Beijing, Pond Society in Shanghai, and the Zabludowicz Collection in London. In late 2025 and into 2026 he opened solo shows with Kraupa-Tuskany Zeidler in Berlin (Cold Front) and at the KMAC Contemporary Art Museum in Louisville (Bug Bites), and a short film about his practice premiered at the Museum of Modern Art as part of Art21's screening program.

Public critical writing on Abdella is still limited, but the institutional signals are consistent. Art21 selected him for its long-running New York Close Up documentary series and later screened a short film on his work at the Museum of Modern Art. His gallery trajectory, from T293 and Konig Galerie to a solo museum-scale presentation at Beijing's X Museum and solo New York shows at Vito Schnabel Gallery and David Lewis Gallery, tracks the kind of rapid, internationally distributed curatorial interest that museums and dealers extend to artists they consider promising. That his work has since entered public and institutional collections in Vienna, Miami, Shanghai, Beijing, and London reinforces that reading, even without a body of published critical essays to cite directly.

Abdella's auction footprint is small and concentrated. His current auction record is Sunny Days, which sold for HK$3,024,000 (roughly USD 387,700 at approximate exchange rates) at Phillips Hong Kong in 2023, though the exact sale date is not confirmed in public sources. Other results tracked by Phillips for the artist sit well below that figure, including Some Things Aren't Worth Waiting For (HK$2,646,000) and Next Door, Neighbours (HK$219,300). All of his documented top results have come through Phillips's Hong Kong saleroom, and no later auction result is recorded above Sunny Days.

Top auction results

WorkPriceSale
Sunny Days (2023)USD 387,700 (HK$3,024,000)Phillips, Hong Kong

Selected exhibitions

YearsExhibitionVenues
2025 to 2026Cold FrontKraupa-Tuskany Zeidler, Berlin
2025 to 2026Bug BitesKMAC Contemporary Art Museum, Louisville
2023 to 2024Under the SkinVito Schnabel Gallery, New York
2023Untitled solo show (title not confirmed)David Lewis Gallery, New York
2022Almost HeavenX Museum, Beijing
2021MirrorsKonig Galerie, Seoul
2021In The NeighborhoodT293, Rome
2021Growing PainsKonig Galerie, Berlin
2019Downhill From HereT293, Rome

Museum collections

  • Albertina Museum, Vienna
  • Institute of Contemporary Art Miami
  • Kistefos Museum, Jevnaker
  • Perez Art Museum Miami
  • Pond Society, Shanghai
  • X Museum, Beijing
  • Zabludowicz Collection, London

Awards and honors

  • Leipzig Summer Residency, New York Academy of Art
  • Jane and Jimmy Buffett Scholarship, New York Academy of Art
  • President's Scholarship, New York Academy of Art
  • Chubb Fellowship, New York Academy of Art (2019 to 2020) (2019)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been published for this early-career artist, and no certificate-of-authenticity program has been identified in public sources. Works are documented primarily through the artist's representing gallery and exhibition and collection histories.

Primary reference: https://art21.org/artist/trey-abdella/

Abdella is early in his career, and the market data reflects that: a small number of recorded auction sales, all at Phillips Hong Kong, and no catalogue raisonne or formal authentication program. Verification of any work should run through Vito Schnabel Gallery, his confirmed representing gallery, with Kraupa-Tuskany Zeidler and David Lewis Gallery noted as galleries that have recently exhibited his work, rather than through a published archive. Given how few repeat sales exist, any single auction result should be read as a data point about that specific work and moment rather than as a stable trend line, and collectors should expect his market to remain volatile until a longer sales history accumulates.

Data current as of 2026-07-11.

Become a Member

For 400 years, art has been a cornerstone of wealth and culture.Now it's open to you.

Masterworks lets you invest in shares of blue-chip works by artists like Basquiat, Banksy, and Picasso.

Inquire about membership