
Why Vincent Figliola matters
Vincent Figliola is a living American contemporary realist painter, born in 1936, whose work in oil and graphite has circulated through national juried exhibitions and at least one identified sale at a major auction house. He is a useful case study for collectors in a different sense than a blue-chip name: the public record on him is thin and uneven, so the discipline is in reading what is actually documented, a single confirmed auction result, national society exhibitions, and a state arts honor, rather than the fuller institutional footprint that surrounds better-established artists.
- Nationality
- American
- Media
- Oil painting, Graphite drawing
- Movement
- Contemporary Realism
- Education
- Harrison High School, Harrison, NY; Temple University, BFA, Fine Arts; New York University, Film School; Columbia University, BA, American History (years not documented; sourced to a single biography).
- Signature motifs
- Border and immigration themed realism, Renaissance inspired technique, Classical figurative painting
By the numbers
- USD 140,000Auction highCrossing II: Border Paintings, Sotheby's, New York. Exact sale date undocumented.
- 1936BornHarrison, New York
- LivingStatusDescribed as an ARC Living Master as of the artist's own current site
- Oil Painters of AmericaNational exhibitor2021 to 2022 national exhibitions
Selected works
Click any work to view it full screen.
Biography
Vincent N. Figliola was born in 1936 in Harrison, New York. According to a biography published by the Salmagundi Club, his education included graduation from Harrison High School in New York, a Fine Arts program at Temple University in Philadelphia leading to a BFA, time at New York University's film school, and a BA in American History from Columbia University; exact years for these credentials are not documented, and this education history rests on a single available source. The same biography notes that while at Temple he was awarded a Salvador Dali drawing competition prize and offered an apprenticeship in Spain.
Figliola has worked as a realist painter in oil and graphite, describing his practice, per a profile in Realism Today, as one built with "tiny brushes as those used in the Renaissance." He is based in Las Cruces, New Mexico, and his own studio site describes him as an Art Renewal Center Living Master. As of 16 July 2026, no obituary, gallery memorial notice, or major art press report of his death could be located, and his own site continues to describe him in the present tense as an active painter.
Critical reception
Secondary biographical sources, including the Art Renewal Center and Realism Today, describe Figliola in laudatory terms, including a characterization of him as an artist who "paints the Renaissance and makes it now" and a claim that critic Leo Castelli once predicted his importance ahead of a BBC interview. Neither of these statements could be traced to a dated, verifiable primary publication with a named critic and outlet, so they are noted here as circulating attributions rather than confirmed critical quotations. What is documented with more confidence is his standing within realist painting societies: he has been a selected entrant in the Oil Painters of America's national exhibitions in 2021 and 2022, and his work has appeared in group and juried shows connected to institutions including the El Paso Museum of Art, the National Museum of Mexican Art in Chicago, and the Art Institute of Chicago, though these appearances are documented as exhibition history rather than as confirmed permanent collection holdings.
Market
The only auction result for Figliola confirmed across the available research is Crossing II: Border Paintings, reported by AuctionDaily as achieving USD 140,000 at a Sotheby's Contemporary Realism sale in New York, slightly below its low estimate. The exact calendar date of that sale could not be confirmed. Separately, the Art Renewal Center has been reported, via Fine Art Connoisseur, to have placed a group of works, including one by Figliola, into a Sotheby's "Contemporary: Discoveries" sale; whether this refers to the same transaction as Crossing II or a separate one is not clear from the available sources. The artist's own site also references a Sotheby's New York purchase noted at USD 160,000, but it is not clear from that source whether this reflects a public auction result, a private sale, or an asking estimate, and no date is given, so it is treated here as unconfirmed rather than as a second auction record.
Top auction results
| Work | Price | Sale |
|---|---|---|
| Crossing II: Border Paintings | USD 140,000 | Sotheby's, New York |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2021 | Oil Painters of America National Exhibition | Oil Painters of America, national traveling exhibition |
| 2022 | Oil Painters of America National Show | Oil Painters of America, national traveling exhibition |
| Undated | The Crossing I | El Paso Museum of Art |
| Undated | III Biennale Ciudad Juarez-El Paso | National Museum of Mexican Art, Chicago |
| Undated | Juried group exhibition | The Art Institute of Chicago |
| Undated | Border Crossings, The Bridge | Inverarte Fine Art, San Antonio and Mexico City |
| Undated | International Masters of Fine Art, OPA juried | The Greenhouse Gallery, San Antonio |
| Undated | Solo exhibition, NMSU Williams Hall | New Mexico State University, Williams Hall, Las Cruces |
Awards and honors
- New Mexico Governor's Award for Excellence in the Arts and Lifetime Achievement
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne has been identified for this artist and no certificate-of-authenticity program is documented. Current gallery representation could not be confirmed as of this writing. The strongest available primary source is the artist's own studio site, Figliola Fine Art.
Primary reference: https://www.figliolafineart.com/
What collectors should know
Figliola's public market record is limited to a single confirmed auction result, so any pricing conclusion should be treated as provisional rather than as evidence of an established trend. No catalogue raisonne or certificate-of-authenticity program has been identified, and current gallery representation for the artist could not be confirmed as of this writing; the Art Renewal Center biography lists a number of galleries associated with his career, but in past-tense, exhibition-style language rather than as a current roster. Similarly, while his work has been shown in connection with several museums, no source confirms that any of these are permanent collection holdings rather than loans or exhibition placements. Collectors considering work by this artist should verify current representation, provenance, and any auction comparables directly, ideally through the artist's own studio.
Further reading and resources
Data current as of 2026-07-16.

