Artist

Wilhelm List

Austrian, 1864 to 1918

Painting · Printmaking · Illustration

Wilhelm List

Wilhelm List's significance is art historical rather than commercial. He was a co-founding member of the Vienna Secession in 1897 and part of the circle of Jugendstil painters and graphic artists that formed around Gustav Klimt at the turn of the century, contributing illustrations to the Secession's journal Ver Sacrum and to its landmark 1902 exhibition dedicated to Beethoven. For collectors, he represents a documented but thinly traded corner of the Vienna Secession market, valuable for context on the movement's founding generation, though without the auction depth of its best known names.

Born
1864-11-22, Vienna, Austria
Nationality
Austrian
Media
Painting, Printmaking, Illustration
Movement
Vienna Secession, Jugendstil, Symbolism
Education
University of Vienna, philosophy, before 1885; Academy of Fine Arts Vienna, 1885 to 1889, under Christian Griepenkerl; further study in Munich; Academie Julian, Paris, under William-Adolphe Bouguereau, from 1894
Signature motifs
Symbolist and mythological subjects, Portraiture, Woodcut and lithograph illustration, Ver Sacrum graphic design
  • EUR 102,400Auction high (documented)Junge Frau in Unterwaesche, Im Kinsky, Vienna; hammer EUR 80,000; exact sale date unconfirmed
  • Co-founding member, 1897Vienna Secession
  • Editorial team memberVer SacrumSecession journal; exact tenure dates unconfirmed
  • Academie Julian, ParisTrainingUnder William-Adolphe Bouguereau, from 1894
  • Musee des Beaux-Arts de QuimperMuseum collections

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Wilhelm Franz List was born in Vienna on 22 November 1864. He first studied philosophy at the University of Vienna before turning to art, entering the Academy of Fine Arts Vienna in 1885, where he studied under Christian Griepenkerl until 1889 (one source also names Franz Rumpler as a teacher there). He went on to study in Munich, and then in Paris at the Academie Julian, where he was a pupil of William-Adolphe Bouguereau from 1894.

In 1897 he was among the founding members of the Vienna Secession, participating in its annual exhibitions from 1898 to 1905, and he served at an unspecified date on the editorial team of its journal Ver Sacrum, for which he produced graphic design and illustration. In 1902 he was one of the artists who contributed illustrations to the Secession's fourteenth exhibition, built around Klimt's Beethoven Frieze. In 1905 he left the Secession together with Klimt and the group of artists who split from the organization that year.

List worked chiefly as a painter and graphic artist, known for Symbolist and mythological subjects such as Judith and Holofernes, portraits, and woodcut and lithograph illustration. He died in Vienna on 10 February 1918, at the age of 53. The dossier consulted for this profile does not document a specific cause of death, and none is asserted here.

Detailed period or contemporary criticism of List's work is not well represented in accessible sources, and no exact, attributable quotation from a named critic in a major outlet could be confirmed for this profile. What is documented places him firmly inside the institutional history of the Vienna Secession: a founding member in 1897, an editorial contributor to Ver Sacrum, and an illustrator for the Secession's 1902 Beethoven exhibition, before leaving with Klimt's group in 1905. His critical standing today rests largely on this institutional record rather than on a body of published reviews.

Wilhelm List's works trade only occasionally at auction. The highest realized price found in research is EUR 102,400 (hammer EUR 80,000) for Junge Frau in Unterwaesche at Im Kinsky, Vienna, against an estimate of EUR 15,000 to 30,000, though the exact sale date could not be confirmed. Two more precisely dated Im Kinsky results are Fruehlingslandschaft mit bluehendem Baum, which realized EUR 10,240 on 18 October 2022, and Twilight, c. 1903, which realized EUR 19,200 on 3 December 2024. A painting by List was also offered at Sotheby's London in 2007, in the sale "19th Century Paintings including Spanish Painting and Symbolism: The Poetic Vision," carrying a pre-sale estimate of GBP 50,000 to 70,000, but the realized price is not published in the available catalogue record. No gallery or estate currently represents the artist in the public record; his paintings circulate through auction houses and appear in a small number of museum collections rather than through primary market channels.

Top auction results

WorkPriceSale
Fruehlingslandschaft mit bluehendem Baum (Spring landscape with blossoming tree) (2022)EUR 10,240Im Kinsky, Vienna, 2022-10-18
Twilight, c. 1903 (2024)EUR 19,200Im Kinsky, Vienna, 2024-12-03

Selected exhibitions

YearsExhibitionVenues
1897 to 1905Vienna SecessionVienna Secession, Vienna (co-founding member, 1897; participated in annual exhibitions, 1898 to 1905)
1897 to 1905Ver SacrumVienna Secession, editorial team member (exact tenure dates not confirmed)
1902XIV Vienna Secession exhibition, dedicated to BeethovenVienna Secession, Vienna
1905Departure from the SecessionVienna Secession, Vienna, left alongside Gustav Klimt

Museum collections

  • Musee des Beaux-Arts de Quimper, France

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne has been identified for this artist, and no current gallery or estate representation is publicly documented. Works are attested mainly through period exhibition records (the Vienna Secession, Ver Sacrum) and the museum holding listed above.

Primary reference: https://de.wikipedia.org/wiki/Wilhelm_List_(Maler)

There is no confirmed catalogue raisonne for Wilhelm List and no current gallery or estate representation, so authentication generally depends on provenance and period exhibition records tied to the Vienna Secession and Ver Sacrum rather than a certifying body. The public auction record is thin and unevenly documented: confirmed realized prices exist at Im Kinsky in Vienna, but the highest of these, EUR 102,400 for Junge Frau in Unterwaesche, lacks a confirmed sale date, so collectors should treat any single quoted figure with caution. At least one work, a version of L'Offrande ou Miracle des roses, is documented in the collection of the Musee des Beaux-Arts de Quimper in France, which offers a more stable reference point than the auction data.

Data current as of 2026-07-18.

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