Why Winfred Rembert matters
Winfred Rembert turned a craft he learned in a Georgia prison, tooling and dyeing leather, into a singular visual language for the cotton fields, chain gangs, and juke joints of the Jim Crow South. For collectors he is a rare case of a self-taught artist whose reputation moved from regional museum shows into a posthumous Pulitzer Prize and a fast-growing, still thinly traded auction market, a trajectory that places real weight on institutional validation over price history.
- Born
- 1945-11-22, Americus, Georgia, USA (raised in Cuthbert, Georgia)
- Nationality
- American
- Media
- Carved and dyed leather, Painting
- Movement
- Self-taught art, Southern narrative art
- Education
- Self-taught; no formal art school or degree is documented. Learned to read, write, and tool and dye leather while incarcerated for about seven years beginning in 1965.
- Signature motifs
- Carved and dyed leather panels, Cotton fields and chain gangs, Jim Crow South narrative scenes
- Representation
- Adelson Galleries
By the numbers
- USD 282,900Auction highTied record: History of the Old South and Chain Gang, Brunk Auctions, September 30, 2021 (Peter Tillou estate sale)
- 2022Pulitzer PrizeBiography or Autobiography, posthumous, for Chasing Me to My Grave
- Adelson GalleriesRepresented byCurrent gallery representation is not fully confirmed in public sources; his work has also been shown posthumously by Hauser & Wirth and Galerie Marguo, Paris.
- MultipleMuseum collectionsIncluding the National Gallery of Art, Yale University Art Gallery, Minneapolis Institute of Art, and Georgia Museum of Art
Biography
Winfred Rembert was born on November 22, 1945, in Americus, Georgia, and raised in nearby Cuthbert, Georgia, by his great-aunt Lillian Rembert, whom he called "Mama." He worked in the cotton fields from early childhood. As a teenager he became involved in the civil rights movement, and in 1965, at age 19, he was arrested after fleeing a demonstration. He survived a near-lynching at the hands of law enforcement and was then incarcerated for roughly seven years, much of it spent on a prison chain gang. In prison he learned to read and write from other incarcerated men, and he learned to tool and dye leather, the technique that became the basis of his art.
After his release, Rembert settled in New Haven, Connecticut, and married Patsy Rembert, with whom he had eight children. He did not begin making art in earnest until the mid-1990s, encouraged by his wife, and from 1996 until his death he produced paintings carved and dyed into leather that depicted cotton picking, chain gangs, and everyday Black life in the segregated South. His work reached a national audience through a major exhibition at the Yale University Art Gallery and through the 2011 documentary "All Me: The Life and Times of Winfred Rembert." He continued to exhibit and lecture in the years that followed.
His memoir, "Chasing Me to My Grave: An Artist's Memoir of the Jim Crow South," was published by Bloomsbury in September 2021 and was awarded the Pulitzer Prize for Biography or Autobiography in 2022. Rembert died in 2021 at his home in New Haven, Connecticut, at age 75.
Critical reception
Rembert's critical reputation rests on the directness with which his carved and dyed leather panels carry memory, labor, and racial violence into a narrative art tradition, with critics and curators frequently placing him alongside self-taught predecessors such as Horace Pippin, Romare Bearden, and Jacob Lawrence. His standing grew steadily from his Yale University Art Gallery exhibition through museum surveys at the Danforth Art Museum, the Muskegon Museum of Art, and the Butler Institute of American Art, and it was cemented by the 2022 Pulitzer Prize for his memoir, an unusual crossover of literary and art-world recognition for a self-taught artist. Museums have continued to acquire his work steadily since his death, and posthumous exhibitions, including at Hauser & Wirth, have reinforced the reading of his leather paintings as a firsthand visual record of the Jim Crow South rather than as folk-art curiosities.
Market
Rembert's highest recorded auction prices are tied: "History of the Old South" and "Chain Gang," each sold for USD 282,900 at Brunk Auctions in Asheville, North Carolina, on September 30, 2021, in a sale of works from the Peter Tillou estate. Trade press described the result as setting an auction record for the artist. Away from the salesroom, gallery asking prices for his leather paintings have been reported in the range of roughly USD 90,000 to 400,000, though this range comes from a single trade report and has not been independently corroborated.
Top auction results
| Work | Price | Sale |
|---|---|---|
| History of the Old South | USD 282,900 (USD 282,900) | Brunk Auctions, Asheville, North Carolina, 2021-09-30 |
| Chain Gang | USD 282,900 (USD 282,900) | Brunk Auctions, Asheville, North Carolina, 2021-09-30 |
Selected exhibitions
| Years | Exhibition | Venues |
|---|---|---|
| 2025 | Winfred Rembert: Refuge | Fort Gansevoort, New York |
| 2024 | Winfred Rembert: Hard Times | Hauser & Wirth, Los Angeles, in collaboration with Fort Gansevoort |
| 2023 | Winfred Rembert: All of Me | Hauser & Wirth, New York, in collaboration with Fort Gansevoort |
| 2021 to 2022 | Winfred Rembert: 1945 to 2021 | Fort Gansevoort, New York |
| 2018 to 2019 | Southern Roots: The Paintings of Winfred Rembert | Butler Institute of American Art, Youngstown, Ohio |
| 2017 | Southern Roots: The Paintings of Winfred Rembert | Muskegon Museum of Art, Muskegon, Michigan |
| 2013 to 2014 | Winfred Rembert: Beyond Memory | Danforth Art Museum, Framingham, Massachusetts |
| 2000 | Southern Exposure: Works by Winfred Rembert and Hale Woodruff | Yale University Art Gallery, New Haven, Connecticut |
Museum collections
- National Gallery of Art, Washington, D.C.
- Yale University Art Gallery, New Haven
- Minneapolis Institute of Art, Minneapolis
- Georgia Museum of Art, Athens
Awards and honors
- Pulitzer Prize for Biography or Autobiography (posthumous, for Chasing Me to My Grave) (2022)
- United States Artists Barr Fellowship (2016)
- Equal Justice Initiative honoree (2015)
Authentication and provenance
No catalogue raisonne.
No catalogue raisonne exists for Winfred Rembert. His estate has been associated with Adelson Galleries; posthumous exhibitions of his work have also been organized by Hauser & Wirth and Galerie Marguo, Paris. No single gallery is confirmed as his exclusive representative.
Primary reference: https://adelsongalleries.com/winfred-rembert
What collectors should know
There is no catalogue raisonne for Winfred Rembert, and his estate's gallery representation is not fully confirmed in public sources. Adelson Galleries is cited as representing the artist, and Hauser & Wirth and Galerie Marguo have organized posthumous exhibitions that hold information relevant to provenance. His public auction record is thin: the two known top results occurred on the same day at the same house, so collectors should treat any single price as an early data point rather than an established trend line. The wide gap between reported gallery asking prices and the smaller number of public auction results is worth watching as more of his work reaches the secondary market.
Further reading and resources
Data current as of 2026-07-11.

