Artist

Wolfe von Lenkiewicz

British, b. 1966

Painting · Drawing

Wolfe von Lenkiewicz

Wolfe von Lenkiewicz is a British artist whose practice reworks canonical Old Master imagery, from Bosch to Picasso, into hybrid, uncanny compositions that question how art history builds its own mythology. His public auction history remains thin relative to his gallery and exhibition activity, which makes him a useful case study in an artist whose critical and institutional profile may be running ahead of a still-small public market record.

Nationality
British
Media
Painting, Drawing
Movement
Contemporary, Appropriation art
Education
University of York, BA Philosophy (Contemporary Epistemology), graduated 1989 (some sources cite 1990)
Signature motifs
Old Master reappropriation, Composite historical figures
Representation
Kristy Stubbs Gallery, Dallas
  • GBP 88,900Auction highGarden of Earthly Delights (2012), Phillips London, 27 June 2024
  • 1966BornDartmoor, England
  • Kristy Stubbs GalleryRepresented byCurrent gallery relationship identified in the public record, 2026

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Wolfe von Lenkiewicz was born in Dartmoor, England, in October 1966, the son of the painter Robert Lenkiewicz and Celia Norman. He studied philosophy at the University of York, graduating around 1989 with a specialization in contemporary epistemology, before turning to a painting and drawing practice built on appropriating and recombining images from the history of art.

His exhibition history includes a solo museum show, Processions of Orpheus, at the Jewish Museum and Tolerance Center in Moscow, and in 2018 the Saatchi Gallery in London presented his exhibition The School of Night. He continues to live and work in London.

Commentary on von Lenkiewicz consistently frames his work as mining art history and popular culture to produce new hybrids, with figures and scenes from Bosch, Picasso, and other Old Masters recombined into compositions that unsettle their original authority. No major art prize or formal honor for the artist appears in the available record; his critical standing rests on museum and gallery exhibition history rather than a signature award.

Von Lenkiewicz's auction record is Garden of Earthly Delights (2012), which sold for GBP 88,900 (roughly USD 112,000) at Phillips in London on 27 June 2024, a new auction high for the artist and a step up from a prior auction result of about EUR 5,625 in 2021, according to Phillips's own sale report. This is a modest figure next to blue-chip contemporary painters, and it reflects a market with limited auction turnover to date rather than an established price curve.

A separate, larger figure sometimes associated with the artist, GBP 160,000, refers to a different work, a triptych also titled The Garden of Earthly Delights, reported by the Telegraph as having sold through a gallery exhibition in London around 2012. That was a private or gallery transaction, not an auction sale, and should not be read as an auction record.

Kristy Stubbs Gallery in Dallas is the clearest current gallery relationship identified in the public record. The artist was previously associated with All Visual Arts in London, a gallery that is no longer active. No source describes an exclusive representation arrangement.

Top auction results

WorkPriceSale
Garden of Earthly Delights (2012)USD 112,361 (GBP 88,900)Phillips, London, 2024-06-27

Selected exhibitions

YearsExhibitionVenues
2018The School of NightSaatchi Gallery, London
Year unconfirmedProcessions of OrpheusJewish Museum and Tolerance Center, Moscow (first solo museum show)

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne and no certificate of authenticity program have been identified in the public record. Works are best verified through exhibition history, gallery documentation, and the artist's own website and studio.

Primary reference: https://wolfevonlenkiewicz.com/about/

The auction record for von Lenkiewicz is thin, a small number of public sales set against a larger, less documented volume of gallery and private transactions, so any single result should be read with caution. There is no catalogue raisonne and no formal authentication program, which puts more weight on provenance, gallery documentation, and the artist's own studio and website as reference points. His exhibition history at institutions such as the Saatchi Gallery and the Jewish Museum and Tolerance Center in Moscow is a stronger signal of critical standing than his still-limited auction history, and his current gallery relationship is not described anywhere in the public record as exclusive.

Data current as of 2026-07-18.

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