Artist

Yang Jin

Chinese, 1644 to 1728

Painting · Ink and color on silk · Ink and color on paper

Yang Jin

Yang Jin (楊晉, 1644 to 1728) matters as a well documented Qing dynasty landscape painter whose meticulous, orthodox-school technique places him in the circle of Wang Hui, one of the most influential Chinese painters of the early Qing period. His work is held by major museums, most notably the Metropolitan Museum of Art, and continues to surface in the classical Chinese painting departments of leading Western auction houses, making him a useful reference point for collectors following the pre-modern Chinese ink painting market.

Nationality
Chinese
Media
Painting, Ink and color on silk, Ink and color on paper
Movement
Qing dynasty painting, Orthodox school, associated with Wang Hui
Signature motifs
Meticulous orthodox-school landscapes, Fine ink and color technique in the manner of Wang Hui
  • 1644 to 1728Life datesQing dynasty painter
  • The Metropolitan Museum of ArtMuseum collectionLandscape with Figures, dated 1726
  • Orthodox schoolStylistic lineageAssociated with Wang Hui
  • Sotheby's, Christie's, BonhamsAuction presenceSingle-lot sales of classical Chinese painting; no confirmed all-time record price

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Yang Jin was born around 1644 in Changshu, in Jiangsu province, during the transition from the Ming to the Qing dynasty. His style name was Zi He and his pseudonym was Xi Ting. He is consistently described in museum and auction catalogues as a painter working in a meticulous, exquisite manner associated with the orthodox landscape tradition of Wang Hui, one of the era's leading masters. The Metropolitan Museum of Art holds a hanging scroll attributed to him, Landscape with Figures, inscribed with a date corresponding to 1726, which indicates he remained active close to the end of his life. He died in 1728. Sources do not record the exact day or month of his death, nor an explicit place of death, though Changshu remained his recorded native place. No record of formal schooling survives for Yang Jin in the modern sense; painters of his generation trained through apprenticeship and study under senior masters rather than institutional art education.

Standard art-historical references, including museum and auction-house catalogue notes, consistently describe Yang Jin's landscapes as meticulous and exquisite, executed in the style of Wang Hui. No verbatim, attributable critic commentary from a named writer in a major contemporary outlet could be confirmed for this artist. The available assessments come from institutional cataloguing rather than press criticism, reflecting the painter's status as a historical rather than a contemporary market figure.

Yang Jin's paintings circulate today primarily through the classical Chinese painting departments of major Western auction houses, including Sotheby's, Christie's, and Bonhams, rather than through a continuous, well documented secondary market. In 2024, Sotheby's offered his handscroll Portrait of Zhang Yiniang as part of the sale Power and Culture: Heirlooms from the Poon Family Collection, with a pre-sale estimate of HKD 8,000,000 to 12,000,000. No realized price for that lot could be confirmed from available sources. No all-time auction record price, house, or sale date for Yang Jin could be verified from the sources reviewed, and none is asserted here.

Museum collections

  • The Metropolitan Museum of Art, New York

Authentication and provenance

No catalogue raisonne.

No catalogue raisonne and no certificate-of-authenticity program exist for this artist. Works are authenticated through seals, inscriptions, provenance, and connoisseurship, as practiced by major museums and auction houses handling classical Chinese painting.

Primary reference: https://www.metmuseum.org/art/collection/search/36101

There is no catalogue raisonne for Yang Jin, and no certificate-of-authenticity program exists for a painter of his period. Authentication rests on seals, inscriptions, provenance, and connoisseurship, as reflected in the cataloguing practices of the Metropolitan Museum of Art and major auction houses. Collectors researching this artist should confirm the Chinese characters 楊晉 and the life dates 1644 to 1728, since the romanized name Yang Jin is shared by several unrelated living individuals, including a pipa musician and an actress, none of whom have any connection to the Qing dynasty painter. Public price data for this artist is thin and inconsistent, so any single auction estimate or result should be treated as a data point rather than a definitive market benchmark.

Data current as of 2026-07-18.

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