What Is a Family Office? A Plain-English Guide
A plain-English guide to family offices: what they are, single vs multi-family, what they do, the net worth where one makes sense, and the alternatives tilt.
Deeply reported features from the Masterworks Research Team, published weekly.
A plain-English guide to family offices: what they are, single vs multi-family, what they do, the net worth where one makes sense, and the alternatives tilt.
Private credit is non-bank lending to companies, now a roughly $3 trillion market. We explain how direct lending works, why it boomed after 2022, the yields, the risks, and how art-secured lending fits in.

Fauvism lasted three years but its market value concentrated in Matisse. Why a tiny, scarce category can still matter to investors.
Carried interest is the share of fund profits a manager keeps, usually 20% above an 8% hurdle. How the waterfall, catch-up, taxes, and alignment work.
A withdrawn lot is pulled from auction before bidding starts. Here is what removal signals about seller confidence, guarantees, and market conditions.
Museum acquisitions remove supply, signal quality, and reshape pricing. Here's how institutional collecting affects art market values.
Blue-chip art means works by established artists with deep auction records and stable demand. Here is what qualifies, why, and how the tier performs.
Auction estimates are forecasts, not facts. Here is how presale ranges are set, why half of them miss, and what the direction of those misses signals about the art market.
Provenance, the ownership history of an artwork, can add up to 54% to hammer prices at auction. Learn how investors evaluate provenance and spot red flags.
Switzerland punches far above its size in the art market through Art Basel, duty-free freeports, and private banking. Here is how the hub works.
Galleries, museums and mega-collectors decide which artists become blue chips. Who the art world tastemakers are and how their influence on prices is measured.
Family offices manage over $3.1 trillion globally and allocate an average of 13.4% to art and collectibles. Here's why, and how they approach it differently than individual collectors.