
How to Invest When the Stock Market Starts Falling
A drawdown playbook for sophisticated investors: base rates, why 60/40 broke in 2022, hedges vs diversifiers, tax and rebalancing moves, and where art fits.

A drawdown playbook for sophisticated investors: base rates, why 60/40 broke in 2022, hedges vs diversifiers, tax and rebalancing moves, and where art fits.

How alternatives fit in a portfolio: the diversification case, the endowment model, why most individuals lose in alts, how much to allocate, and where art fits.
Missing a handful of the market's best days erases most of a decade's return, and those days cluster near the worst. What the evidence says to do instead.
Real assets are tangible assets with intrinsic value. A guide to real estate, infrastructure, commodities, gold, and where art fits on the spectrum.
What the Sharpe ratio measures, how to read it, the Sortino and information ratios, and why illiquid assets like art need de-smoothed, selection-corrected numbers.
What the Treasury yield curve is, why it inverts, its record as a recession signal, and how a long-horizon allocator reads the signal without timing illiquid assets.
The wealth effect is the tendency to spend more as asset values rise. How housing and stocks differ, how it moves the economy, and what it means for art.
Harry Browne's Permanent Portfolio holds 25% each in stocks, long bonds, gold, and cash, one asset for each economic regime. The logic, the record, the critiques.
Why the classic 60/40 stock and bond portfolio broke in 2022, whether it is really dead, and the third bucket of real assets and alternatives that may replace it.
What modern portfolio theory is, how mean-variance optimization works, and the four ways it breaks down in the real world, with the honest case for art.
How to become an accredited investor: the SEC income and net worth tests, the Series 7/65/82 credential path, how verification works, and what it unlocks.
Lump-sum investing beats dollar-cost averaging about two-thirds of the time because markets rise more often than not. When DCA still makes sense, and how it applies to art.